This week I am going to show pictures I basically created from scratch some of the great Photoshop brushes available for free download. You might get a really nice special effect to fill that space on your wall. A few weeks ago I did a blog called “How to Create Photoshop Brushes from Objects or Text” which contains basic information on how to make and save your brushes and might be useful here.
This image was created using Vintage Grunge Brushes by alex16 at DeviantArt, the great Summer Texture8 by Caleb Kimbrough (one I use a lot – love the warm tones in it) and some plain ole splotches and lines I made just by playing with the brush settings in the Brush Panel. Please note that on the DeviantArt downloads, please be sure you look at the terms each individual requires – these people work very hard to bring you all the many free downloads and you should be kind enough to follow their terms for use. Most have very reasonable requirements such as letting them know when you used their items and back-linking to them on your sites.
Once again, brushes from DeviantArt were used to create this image. The flowers were created using Flowers 1 Brush Pack for Photoshop from Texturemate using flower01.png and 03.png brushes. These are really nice large flower brushes that I also used in an image in my linked paintbrush blog above. For the grunge background, abstract grunge brushes pack 2_by xaliasx at DeviantArt were used. Finally a layer style was created using a Pattern Overlay called Noise (in Adobe Photoshop CS5′s Texture Fill pattern set) at 100% opacity and 1000% scale, an Inner Glow using a cream color at 75% opacity and Size of 144 pixels, and the basic Stroke at dark gray, inside and 4 pixels size.
The Fantasy Look was made by selecting a Radial Gradient called Singing the Blues by cazcastalla (Blues21) centered on the flair (my 3 Lens Flare brushes – SJ-Brush Flare). The snowflakes background is from Obsidian Dawn (SS Glitter Photoshop Brushes – snowflakes-glitter brush), the clouds uses several of my clouds SJ-Cloud Brush Set that contains 6 brushes can be downloaded here), white fog from DeviantArt BB-Brushes Fogs and Mists using Sampled Brush #11. The Female Figure was supposed to be from an image I found on DeviantArt, but was unable to get permission in time to use their photo for this blog, so I improvised with clip art from a book called Dragons & Wizards. The clothing had to be painted in so I used a soft blend brush I created (can be downloaded here). I think in the end it may be as nice as my first attempt. When I get permission, I will post for comparison. Finally a cracked texture effect, I used the one from PhotoFrame plug-in but there are many out there that will give a similar look, was added. Pretty easy and fun to do!
I found this really nice pack of grass brushes and had to experiment. This is what I ended up with. I really love the colors and the image of the girl – and it was a fairly easy image to create. Used my cloud brushes that can be downloaded above, Midnightstouch Grasslands Brushes at DeviantArt (really nice grass and plant brushes), Charfades Ultimate Grass Brush Set (more very nice brushes), Obsidian Dawn’s Flying Bird Brushes (always the best brushes), papyrus brushes in Trees by Horhew Brush Set. The beautiful young lady is from an image called “By the Window” from Eirian Stock at DeviantArt.
This final brush painting was once again created after downloading these great Photoshop Daily Chinese Painting Brushes. Used my Textures – Pastel Watercolor for layer 2 by creating a watercolor texture for the background (see “Create a Colorful Paint Background in Photoshop” by EntheosWeb.com) which is a really fun tutorial to do. I created a Texture Dots texture and then applied the Plug in Galaxy Warp-Flare Warp to the composite. Painted using the Chinese painting brushes one side of flowers, duplicated the layer and merged. Added a few layers styles, adjustment layers, and the frame from PhotoFrames. That’s it.
Sometimes it seems that the images are so complex you forget to see the beautiful colors and the simplicity of a design. Photoshop brushes bring this back into perspective when creating a document. And it never ceases to amaze me how much you can actually create with brushes, whether from others or your own. Hope you got some ideas on what to do when you just need to try something different. It seems I tend to make these images when I discover new brushes to try out. Maybe you will find some inspiration from the ones I mentioned here. Have fun!…..Digital Lady Syd
This week I am going to discuss textures since I suggested using them in last week’s blog on “The Soft, Dreamy Look,” which created a free action to apply to your images. Textures are a very popular effect and can give a totally nice and different look to an image if applied correctly.
The basic technique involves just adding a texture image (a jpg can be added to a raw, psd or tiff file at this stage) on top of your image. Do this by dragging the texture into your photo as a Smart Object from Photoshop Bridge or just open the texture file and copy and paste the layer onto the photo. At this point I usually rasterize the layer by right-clicking on the Smart Object in the Layers Palette and select Rasterize from the menu. A Smart Object is not necessary unless you are applying a filter to the texture and may want to adjust the settings at a later date. Most texture effects are achieved by changing the layer blend modes and varying layer opacities, then using layer masks to delete out areas where the texture is too obvious. The uniqueness can come from stacking several textures using different blend modes and opacities. There are many resources available on textures and how to use them effectively. The linked article, called “Tips for Texturing Photographs,” has several great tips – some that I want to share.
- How do you match your image subject to a texture? Look for subjects with a soft quality like flowers, misty images, or of simple composition.
- Figure out what you are trying to do with your picture – fill open spaces, get a painterly look, vintage feel, or grunge look?
- If the texture does not work, try a different one. Usually match the texture strength with the subject – soft textures for flowers, stronger textures for structures.
If using textures over photos of people, please check out this short video, “Guide to Using Textures with Photos in Photoshop (must be a member to access now),” to adjust the tone on the people and their skin. It uses the Average Filter in Photoshop instead of layer masks.
Textures can be bought or downloaded for free
There are many beautiful textures that can be bought. Florabella Collections has two very nice sets of textures. I like the Ash Textures that I purchased several years ago, but I just figured out he is no longer selling them. This is a shame since they are really nice textures. Flypaper Textures (blog linked above to Tips for Texturing Photographs) also has some very nice textures for sale. This site also has a lot of good information on textures so take a look. Caleb Kimbrough has released several hundred textures, some of excellent quality and most are free, at his website Lost and Taken. He has also written a really nice blog entry called “How to Create Subtle Grunge Textures” that shows how to make your own interesting textures by combining several different ones.
The top image uses a very popular effect. It is made simply by adding a worn-looking board texture at Hard Light blend mode over a flower photo (Curves Adjustment Layer on photo gives the blown out look). This particular texture is one from BittBox, another great free texture site – this particular texture can be downloaded from the Bittbox Flickr site here – just select the size you want, right click on image, and choose Save Image As to save on your hard drive.
This image was created using a brownish Ash texture layer set to Hard Light at 75% opacity and one of Caleb Kimbrough Summer textures, which I really like, set to Overlay at 73%.
The daisy image started with my “SJ-Soft Dreamy Look Action” that I created in last weeks blog. The image can be cleaned up on a layer before applying the action since it does not require a labeled Background Layer to run. An Ash Texture was added using the Hard Light blend mode at 75% opacity, and an OnOne PhotoTools (now OnOne Perfect Effects 3.0 – website link at my Tidbits Blog sidebar) layer using the HDR Enhancer effect and HiKey Color – Cool Fade preset as a second effect layer (I am getting some nice results with its stacking capabilities). The OnOne PhotoTools effect was basically a darkening of the edges and brightening in the middle, a heavy vignetting feel. Finally an OnOne PhotoFrame was added.
Textures can be found in plug-ins
As shown in the daisies above using the OnOne PhotoTools 2.6, this plug-in has many texture options as does its sister application, OnOne’s PhotoFrame, which surprisingly has many textures that can be applied with various blend modes, just like in Photoshop’s Layers Panel. Even plug-ins like Plugin Galaxy 2.0 have some interesting effects, such as Rain-Short Streaks, Snowflake effects, and Color Effects section, which can add some interesting textures. You just need to play around with whatever filters or plug-ins you have and start trying different settings with them.
Once again my action was applied to the Scottish home picture which starts you off with a really nice soft look (create a composite layer or CTRL+ALT+SHIFT+E layer on top of the action layers to apply the plug-in). An OnOne PhotoTools 2.6 Overlay Effect with the Antique Paper preset at Normal blend mode and 100% opacity was added. A similar look could probably be achieved by adding a final Color Fill Adjustment Layer using a golden tone or a Photo Filter Adjustment Layer using a warm color at a fairly high density, and a layer mask to reduce the color in the house area. That is all that was done to get this nice look.
This image does contain a brownish Ash texture, but any darkish brown texture would look good, set to Vivid Light at 38% but the painterly effect of the sky was achieved in Topaz Lens Effects – with the Graduated Color Blue1 preset applied. Then the layer was copied and set to 62% opacity to make the sky bolder.
Textures can be created within Photoshop itself
I want to show that a texture does not have to be some fancy texture that you have to buy or download – it can just be a really nice paintbrush effect on a layer that you create. Then just experiment with the blend modes, layer opacities, and layer masks to get the exact feel you want.
The above image of Scotland has a rather vintage feel to it. This was accomplished by running my SJ-Soft Dreamy Look Action and then creating a New Layer above and using Grungetract Brushes Sample #16 by alex16 at deviantArt at 2500 pixels with a light tan color. The brushed layer’s blend mode was set to Screen, the layer opacity to 66%, and a layer mask was added using a 50% opacity brush to mask out the texture in certain areas.
In the floral photo, a coral colored Mixer Brush layer was created above the other texture layer using a 300 pixel brush, and was set to Soft Light blend mode. (See my blog “Adobe Photoshop CS5′s Mixer Brushes” for more information on the Mixer Brushes.) It can be quite addictive once you start playing around with the Mixer brushes and create some beautiful textures. I found that the by varying the size and the color of the same Mixer Brush, and actually painting with them by moving slightly, you can get really nice effects. I have included my favorite texture Mixer Brush that can be downloaded here (there area two brushes – same brush at different sizes) and added to your Tool Presets. (Put the file in the User Name -> AppData -> Roaming -> Adobe -> Adobe Photoshop CS5 -> Tools file. Restart Photoshop to add brushes to your Tool Presets – go to the top upper left corner icon under the Menu line and click on down arrow, click on right pointed arrow in upper corner to open fly out menu, and select Load SJ Mixer Brushes Presets. I usually Append the tools and they will appear at the bottom of the list. NOTE: You must have the Mixer Brush selected in the vertical Toolbar to get the Mixer Brush variations to appear in the Tool Preset drop-down.)
This is a very simple example of applying texture that can be done just using Photoshop. First two New Layers were created and the Mixer Brushes I created above were used, the small brush in beige on the bottom layer and the larger one with the same color on the top layer to create an interesting texture. A layer mask was added to the top layer to bring out the center part of the flower. Now here is the neat part, a New Layer was created and a gradient applied with the Gradient Tool . This image used Graphix1 Gradient Muted4 which is a white to yellow beige color, but try out different gradients to see what effect you like. In the Options Bar select the Radial Gradient icon and drag with your cursor from the center of the flower outward to create the gradient. Set the layer blend mode to Soft Light and add a Bevel and Emboss Layer Style (2nd icon from left at bottom of Layer Panel) and double click the Texture option. This image used the Fractures Pattern Overlay, which is located in the Texture Fill set of patterns that come with Photoshop CS5, and set the Scale to 555% and the Depth to +34. Create a layer mask to darken the center again so the pattern is not as apparent over the center of the flower. That’s it – a texture applied that gives a really different look. Try other patterns – you can find lots of them on the internet.
And don’t forget the nice filters that come with Photoshop to create pleasing textures. I really like the Texturizer Filter using the Canvas texture set to Relief 3 to add a painting touch to an image.
I have tried to show that adding texture to an image can be done in many different ways and the different techniques can be combined to get some unique looks. Once again, it is just another way the versatility of Photoshop makes it so much fun to use. It is so satisfying to create your own textures that can actually go towards creating your own artistic style. Have fun creating!…..Digital Lady Syd
Have you ever just wanted to try a different look on your images? I wanted to try this type of look for a while, so this week I began experimenting. The technique seems to be very popular right now and involves adding a very soft fill layer to get the effect. Most of the time it works best on floral, nature or still life images. It can be effective with some landscape images, especially with the help of textures which I did not address in this blog.
I found that LPDragonfly at Deviant Art has described the steps very well in some wonderful tutorials. Her Background tutorial and the Soft Bright Colors tutorial were used (see linked .jpg tutorial images that can be downloaded). Frames from OnOne Software (see my Tidbits Blog sidebar for website link) were used on all the images.
To summarize her two tutorials and adding a bit of my own ideas, here is the basic workflow (see my action link further down in blog):
- For shooting flowers, her basic premise is to put the flowers in the shade and allow the background to be in the sun, preferably with a floral background. I did not do this for my images, but will try to do this on future flower shots. Also use the widest aperture your lens will allow and focus on just one flower or group of flowers.
- First clean up image such as removing any objects and getting rid of noise.
- Add a Color Fill Adjustment layer set to Soft Light blend mode and adjust the opacity. Try different colors – will give very different looks
- Create a Curves Adjustment Layer adjusting the Blue Channel (Try Input 0, Output 64; Input 255, Output 201 – and adjust the curve to taste). May want to use a different channel depending upon the image you are using.
- Add a Selective Color Adjustment Layer (be careful not to adjust the black sliders – this increases the contrast) and/or a Color Balance Adjustment Layer. May not need all of these adjustment layers.
- Create a composite on top (CTRL+ALT+SHIFT+E), set layer to Screen, add a Gaussian Blur with a Radius set to +10 pixels, and adjust layer opacity.
- Add a final Levels Adjustment layer and move the middle tab to get the best look.
- Try using the mixer brushes in Photoshop and paint on some of the flowers or objects on a separate New Layer to get a more painterly look. (See my blog “Adobe CS5′s Mixer Brushes.”)
- Now would be a nice time to add a texture for further emphasis.
- Try using a cream colored vignette (used NIK Efex Pro 3.0 Vignette preset but this can be created easily in Photoshop using a color instead of white for the vignette) as shown on the orange and yellow flowers below to get a different feel to the softness.
This same basic technique was used on all the images.
The same soft feel can be obtained by using some of Florabella’s Actions which are much more extensive and she has many more varieties than the simple one I created. They are fairly reasonably priced, so if you like the look, you may want to check out this website and buy one. She has a nice article on how she creates her look at this link, where she states she is doing basically what LPDragonfly outlined in her tutorial.
Obviously the easiest way to do this is to create an action with these different Adjustment Layers set up in it. OK – I did it for you and it can be downloaded here. You do not have to be on a Background Layer to get this to work and most of the Adjustment Layers do not have any settings in them – the Action stops so that you can adjust them as you go along. I tested it on several images – it contains the workflow from above.
I am sure with a bit more exploring, this effect can be achieved using some of the great Photoshop plug-ins such as AutoFX Software‘s Dream Suite or Mystical Suite. Hopefully I will be able to look into this at a later date.
That about wraps up my efforts for achieving the soft, dreamy look. I do believe adding some textures at low percentages and different blend modes, and using layer masks to mask out where the texture should not be in an image, would really add to the look. I hope you will get a chance to try out this look – it can be quite lovely!…..Digital Lady Syd
This week I am taking a break from my usual blog topics. Instead I am just going to post a few of the images I created while trying out some of my own blog techniques. I hope you get some new ideas from viewing them.
I added a couple of textures to this image to get the soft vintage look – one an Ash Texture (these textures are no longer available but see my more recent blog “Adding a Texture for Flair!” for other texture sites) and one from OnOne Software’s PhotoFrames. This beautiful egret was taken at the St. Augustine Alligator Farm Rookery in May, a really good place to visit in Spring if you like to take pictures of birds.
Created this image by using Caleb Kimbrough’s beautiful Summer8 texture (he has a vast assortment of really nice textures and most are free – please check them out), the Tranquility Brushes by wyckedBrush, and my SJ-Cloud Brushes.
I loved this building in Jackson, Mississippi. It was perfect for an HDR effect (used Image ->Adjustments -> HDR Toning in Photoshop CS5 on a single image) A wonderful action called “Vintage Effect – Ps Actions – by photoshop-stock” was applied afterwards to give this nice vintage feel. (This site has a number of nice actions and textures – great resource!)
I wish I had a fisheye lens, but since I do not, I used Topaz Lens Effects selecting the Fisheye Lens effect with the Extreme Fisheye preset on this Palm Tree in Palm Beach Gardens in Florida. See my blog on “Topaz Lens Effects Plug-in” for more information on this fun plug-in.
More fun with text – used gradient, cloud layers using cloud brushes (can download my SJ-Cloud Brushes set here) and my blog on “How to Add Images to Text” to do this.
The image above was taken in Phoenix, Arizona at the Desert Botanical Gardens. I used mixer brushes (see my blog “Adobe Photoshop CS5′s Mixer Brushes” and followed a tutorial on Sandstorms in the book called “Digital Painting Techniques!,” which is loaded with tutorials from various designers making all kinds of special effects.
Here is a composite of images I pulled from a video I took of the fireworks at Flagler Beach for the 4th of July celebration (video below). See my blog, “Faking Fireworks” for tips on how to create this look.
I hope you liked some of my “Playing in Photoshop” creations – it is just so much fun to make these images. Take some time out and just explore something new – may give you a whole new perspective on what you can achieve! Enjoy…..Digital Lady Syd
This week I am going to just show some of the results from taking images in Jackson, Mississippi. For starters, this is a classic place to get good pictures – HDR (high dynamic range) or not. It has lots of history and many beautiful churches and government buildings that make for great photography.
There is so much information on how to get an HDR look, and to be honest, I do not think it is all that hard once you get comfortable with one or more of the HDR programs. I have been taking HDR pictures for several years and I still love the effect, but there are many people who do not enjoy this type of artistic expression on an image.
Photomatix Pro 4.0
This first image is of an old abandoned church in downtown Jackson.
The effect above was created using Photomatix Pro 4.0. This is the program I used to learn how to do HDR post-processing, and I still go to this software first when processing HDR. It is reasonably priced with NAPP members getting a 25% discount, and Mark S. Johnson Photography gives a 15% discount. I have had trouble with slight camera movement since I do not always shoot my HDR images on a tripod. The latest upgrade provides a very good correction due to camera jiggle, or tree branches, people or water movement.
The above image is an HDR Image of the beautiful Mississippi Capitol Building using Photomatix Pro 4.0.
Nik’s HDR Efex Pro
I tried using Nik’s HDR Efex Pro in the image below using the Vibrant Details and Colors preset and then adjusted with some control points. That’s it. If you are interested in HDR, take a look at this software – it has a very different interface from the Photomatix Pro program. Since I love all NIK products, it is hard not to like this program.
Because I got curious, I decided to put the Mississippi State Capitol Building into Nik HDR Efex Pro. Since this software has a bunch of presets to try out on the image before you apply the final settings, I decided to use the Vintage preset that definitely gives a nostalgic feel to the image. This effect would have been harder to achieve in Photomatix or CS5 – to get this result an action would have to be applied in Photoshop after the image was created in the HDR program.
Adobe Photoshop CS5′s Merge to HDR
The HDR effect below was created using Photoshop’s own Merge to HDR command. I used my “Use with Vivid Drawing preset” (download in next section) as a starting point and made adjustments to suit the image. Personally, I think CS5 does a pretty good job.
Adobe Photoshop CS5′s HDR Toning for Single Images
I was unable to get three good image shots off (the picture was taken from the car while at a stop light). Therefore, Photoshop CS5′s new Single HDR Adjustment was applied. First the picture was adjusted using my SJ-Vivid Drawing Look Develop preset in Lightroom (download here) or in Photoshop ACR (download here – wrong extension in the zip folder on file – change to .xmp to get it to work) which gives the start of an HDR effect, and then I opened CS5 to finish the look by going to Image -> Adjustment -> HDR Toning. To apply this effect in Photoshop, the image must be flattened so save your original first and create a new flattened version to apply the HDR Toning. To use the settings used here, download the “Use with Vivid Drawing Preset” I created for the HDR Toning Preset field. It needs to be placed in the following folder for Windows users: (User Name)\AppData\Roaming\Adobe\Adobe Photoshop CS5\Preset\HDR Toning.
Here is another image using the same Lightroom/ACR preset and the downloaded Use with Vivid Drawing Look preset for the HDR Toning dialog in Photoshop. These settings work very well on landscape images with bright colors. Since the sky was flat, it was replaced after running my favorite plug in Kill White that I have added to Adobe Pixel Bender.
There are many good references if you want to learn more about HDR post processing or just to learn the latest techniques. Trey Radcliff is the HDR guru. His “Stuck in Customs” blog (one I have followed for several years and is one of my favorite all-time blogs) is probably the best you will find on HDR, and he has a great HDR tutorial. RC Concepcion just released a new book called “The HDR Book: Unlocking the Pros’ Hottest Post-Processing Techniques” that appears to cover the programs I used above. Richard Harrington has a good video at TipSquirrel called “HDR with Photoshop and HDR Efex Pro” and they have many other HDR videos available – so check these out. This is just touching the “tip of the iceberg” on this subject.
Try some of your other filters (Topaz Adjust with the Spicify preset a popular look right now – see my Tidbits Blog sidebar for website link) or add some textures on these images after you have applied the HDR effect. There are many, many possibilities to get some great looking pictures! Go shoot some HDR images and experiment with the post-processing!…..Digital Lady Syd