I find that many times my images just look like everyone elses and I really want an image to reflect something slightly different without being over processed or unrecognizable. I struggle with this concept a lot. So this week I have been thinking about what I really like and it is not always what I am seeing. The image above reflects that very sentiment. The image is of the water from one of the boat docks at the Hilton Waikoloa Village but the sky is not the actual color and the highlights were accentuated by using plug-ins. (In Photoshop Topaz Adjust plug-in was used with the Lomo II preset as a starting point, then turned off the Grain setting, readjusted the Vignette by centering off center and adjusting the sliders, and added a little more Warmth. Next Topaz Simplify 3 was added using BuzSim but changed the Simplify Size to 0.05 to make paint strokes very thin, Details Boost to 0.79, Details to 0.13, and then adjusted Saturation to 1.38. See sidebar in my Tidbits blog for Topaz website link.)
The view of the Waikoloa Beach Marriott Beach Resort and Spa is a similar example. This image definitely has a real blue tone to it even though the original is not nearly as striking. The final result is how I would like to remember this place. (This image was processed using OnOne Software’s Perfect Effects 3 plug-in – Detail-Amazing Detail filter applied first; next a custom Black and White Effect was created with Color Filter set to 0, Contrast -52, and Toner Strength 22 – then a Masking Bug was applied and inverted so the middle of the image was not affected by the blue tone; and the last step added a Vignette – Big Softy to the image. For OnOne’s website link, see my Tidbits Blog.)
This is a beautiful Roseate Spoonbill taken at the St. Augustine Alligator Farm Zoological Park in Florida. The bird was not shot with a reflection – that was added with Flaming Pear’s Flood plug-in. I really like the image with the reflection much better than the original – it gives that unique feel that I was looking for. (The canvas was extended at the bottom of the image to make room for the reflection. Even though Flood is an older plug-in, it is still the best one for a good reflection with many different sliders to control the effect you want. See my blog “The Flood Look” for more information on this plug-in. The frame is from OnOne PhotoFrame called Instant Film B Warm R2.)
A few week ago I did a blog called “Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect” that also creates a very unique look to the images and they make me think of Hawaii when I see them. I believe this is what I am trying to convey in this blog.
I do love the classic images I take from my trips, but the ones I really like are the ones I make my own. The various plug-ins can make those ordinary images unique and if that is a look you want, give them a try. There are so many out there and it has surprised me how varied and unique a look you can get with a little experimenting. And that is why Photoshop rocks!…..Digital Lady Syd
If you don’t watch the wonderful webinars and training videos that all the major plug-in makers are offering, you are really missing out on some great tips for using their software. Recently Nik released a really great video titled “Mastering Macro Images with Nik Software and Photoshop Elements, presented by Mike Moats” and is located at Nik Software On Demand Center. Mike Moats (he has a really interesting blog) shows how he changes up the workflow from what one might normally do with the Nik products. He first applies Nik’s Color Efex Pro 4 (CEP4) and then Nik’s Viveza. He is never quite sure what the CEP4 filters will do to an image. Since the Viveza plug-in adjusts the color and light of an image, it does make sense to apply it after adding CEP4 filter changes. Note: All my CEP4 settings for images are listed at the end of the blog.
I bought the Viveza plug-in when it first came out and everyone was singing its praises. I must confess that after getting Lightroom, I hardly used this plug-in. Now I think I was crazy not too! This video refreshed my memory on why this is the great little plug-in that everyone was raving about. The reason this image pops is that Viveza is able to pin-point small or large areas on the image and adjust it individually – adding in a bit of detail, or toning down a certain color. He teaches you how to set the Control Points that Nik is famous for to get exactly the results you want. In this case, both the saturation and structure control point sliders were individually adjusted on the butterfly and flowers without affecting the background. This is very similar to Lightroom or Adobe Camera Raw’s adjustment brushes, but with much better control and more variables available. It absolutely made a huge difference to all of the images in this blog. See the comparison below showing the layer with Vizeva filter turned off and then on. Seven control points were set to get this effect and no Global Adjustments were made. Both plug-ins can be applied to the same Smart Object layer and all image control points are saved for each plug-in on this layer so you can go back and adjust a slider if you do not like the results. The final processing involved cloning out some of the brown spots on the leaves and sharpening the body and wing lines of the butterfly.
The pink daisies are in a container on my front porch. CEP4 and Viveza (using 11 control points) were both used along with OnOne PhotoFrame weathered wood frame (see sidebar on my Tidbits Blog for website).
This last image is a different shot of my carnation and daisies Christmas flowers. The original image required me to duplicate the original layer and apply a Gaussian Blur at 9.1 pixels to block out the distracting background. A layer mask was added and the flower painted back into the mask with a black brush. Then the CEP4 and Viveza (with 17 control points) plug-ins were applied. OnOne PhotoFrame grunge 05 was added along with the Sharpen Tool and a Curves Adjustment Layer.
As you can see, by using the control points to your advantage, very interesting images can be attained. The Viveza plug-in definitely helps sharpen up a slightly soft image. And by setting control points with Structure at -100, the background can be smoothed almost like a gaussian blur effect. If you own either or both of these plug-ins, definitely take a look at this video. Even though he is using flowers and close up photography, he illustrates how to use the control points very well. I learned a lot and am very happy Nik released such a good example of how to use their products…..Digital Lady Syd
CEP4 Settings for each of the images:
The Monarch Butterfly image above was first adjusted in CEP4 with these filters stacked: Detail Extractor (Detail Extractor 26%, Contrast 37%, Saturation 53% and Effect Radius Large); Darken/Lighten Center using #1, Center Luminosity 28%, Border Luminosity -100, Center Size 53% and centered on butterfly head); and Bi-Color User Defined (Opacity 7%, Blend 17%, Vertical Shift 41%, Rotation 46 degrees, Upper Color R66 G68 B98 and Lower Color R184 G103 B4). I would never have thought about using a Bi-Color User Defined filter without viewing this video, but it really enhanced the oranges in the wings and brought out the pink in the flower.
The Daisies used Detail Extractor (Detail Extractor 86%, Contrast 78%, Saturation 39% and Effect Radius Large); Bleach Bypass (Brightness -2, Saturation -20%, Contrast 50% and Local Contrast 50%); and Cross Processing (Method L02 and Strength 45%). This example uses similar setting to his first example.
The Christmas Flowers CEP4 settings were: Bleach Bypass (Brightness -6, Saturation -2%, Control 27%, and Local Contrast 65%), Darken/Lighten Center (#1, Center Luminosity -10%, Border Luminosity -27%, Center Size 44% and Place Center just below red carnation), and Detail Extractor (Detail Extractor 36%, Contrast 6%, Saturation 21%, and Effect Radius Large with control points in background to remove effect).
A no brainer here – another winner! Topaz Adjust has been probably the best plug-in value since the first version came out (and the first plug-in I bought). The price is always reasonable and the results are always great! Therefore there was no reason not to believe that this plug-in would not be up to the same standard and it is. The train engine image above was created using the classic Spicify preset which has been their signature look since they created this plug-in. Still looks great and there are many adjustments that can made to the preset to get the overall feel you want. (To access the Topaz website, click on my Tidbits Blog and click on the Topaz Adjust 4 sidebar.)
Below I created several different looks using the same HDR (done in NIK HDR Efex Pro – Realistic Strong preset) storefront image to show the vast variety of looks with a minimal amount of adjusting. So here they are:
This storefront image is from Jackson, Mississippi. The same tone colors used in my Tidbits Blog “Topaz Adjust 5 is Here! First Look!” image which were the same colors I have used in the Black and White Effects plug-in – see “Quad Tones in Topaz Black and White Effects Plug-in” for exact colors. I really like the Tone section in Adjust – very similar to the Quad Tones in Black and White Effects plus the added benefit of a Tone Strength slider to change the amount applied. Another benefit over the Black and White Effects is that a preset with just the Tone section can be saved so the colors can be changed to your favorites easily.
The above uses two presets applied separately – first the Lomo III preset as is and then the Vintage III preset, both from the Film Collection. In the last preset, on the right side I adjusted in the Color Section the Hue slider to 0.1o to change the storefront color from orange to yellow and then the Color Saturation slider to 2.39. The Tone slider was set to 0.94. In the Local Adjustments section, with the Brush Out tool set at 100% opacity, the whole image was brushed out except for the yellow storefront. Therefore you are getting the Lomo III preset effect on everything except the middle storefront. I thought it turned out really nice and was very easy to do.
The unusual look of the image above was created by applying the Spicify preset in Topaz Adjust 5 with a Tone Strength set to 1.00, Warmth set to 0.57, and Transparency set to 0.44. Then the photo was taken into Topaz Black and White Effects and a sunset effect preset I had created a while back with Transparency set to 1.00 (which is really 50% of the color in the image). Overall a very nice combination of the two plug-ins.
1. They have changed to the interface to look like their new great plug-in “Topaz Black and White Effects” and what a great improvement!
2. You can apply more than one effect to get some really great new looks like in their “Topaz Lens Effects” plug-in. This allows you to save your favorite Tone colors or Vignette settings as presets to apply individually. Much increased versatility here.
3. There is a new Local Adjustment Brush (like in Lightroom or ACR) that can used to brush out effects (at varying depths) that is totally fabulous. You can apply a new effect and brush out everything except what you want to show through. It is a great addition!
4. Price is still the best in the plug-in world and once you buy the plug-in, all the newer versions are free! Now that is unheard of in the plug-in world!
5. It loads in Photoshop very quickly – very refreshing!
1. Does not save the settings you applied with the first effect if using Smart Objects unless you saved that portion as a preset first.
2. Smart Object does not save your Local Adjustments that you did with the various brushes.
3. Topaz said that the plug-in can be set to save as a new layer with the changes instead of having to duplicate the background layer and then apply the plug-in. So far I have not been able to find how to enable this.
4. When you brush out the effect, I am not having much luck brushing out the vignette I applied within Adjust. It has to be turned off completely, not painted away from certain areas.
Here is a final image done with the new Topaz Adjust 5. It is of a closed cafe’s sign in Jackson, Mississippi.
The Extreme Color Blast preset in the Stylized Collection was applied and the letters and white part of the little pictures were painted with the Dodge brush to make them whiter. That was it and I love the beautiful texture in the wall and sign.
Well, once again I do believe that Topaz has created a very strong plug-in to compete with its more expensive competitors. I would say if you cannot afford much but would like a great plug-in to start with, this is the one hands down. Lots of versatility in a small bundle. The pros definitely outweigh the cons and the cons may be fixed without much difficulty. Have fun experimenting and see what you think – I will be…..Digital Lady Syd