Native American Beauty
This week I decided to just display a few of the beautiful images I got from the 24th Annual Native American Festival in Ormond Beach, Florida this past January. If you get a chance to go to a Native American event, it is a great place to photograph unusual items and the colors are wonderful! This headdress was one of the most beautiful things I saw. Topaz (for website link see my Tidbits Blog sidebar) Detail 3’s Overall Strong II preset was applied first. Topaz Simplify’s BuzSim preset was applied to a duplicate layer. With a soft black brush on an added layer mask, the edges of the feathers were painted back in showing the layer below. A composite layer was created (CTRL+ALT+SHIFT+E) on top and Topaz Adjust 5’s French Countryside preset was selected. The layer mask for the Simplify layer was copied by highlighting it – press ALT and drag it up to the Adjust layer. Next Kim Klassen‘s texture 1612 (beautiful texture that was free by signing up for her newsletter) was left to Normal blend mode at 89%, but a layer mask was applied to the texture and the center painted out to clear out the middle. A Curves Adjustment Layer was used to lighten the image up just a little. A New Layer was added to burn in and define some of the feather edges where they overlap in the image. (See my Fun Photoshop Blog The Best Dodging and Burning Technique! for more information on how to do this.) The last step involved adding my free SJ Painter Oil Frame to the image with a Bevel and Emboss Layer style (check Texture and set Scale 100% and Depth +79} – used my SJ Smudge Texture set to grayscale for a pattern, but any gray and white pattern would be fine). The frame was set to 72% opacity.
These Rawhide Rattles are something I do not ever remember seeing before. One of the vendor’s had this assortment for sale. The image was first processed in Nik Color Efex Pro 4 using three filters stacked: Detail Extractor, Midnight set to Neutral Color Set and Opacity of 67%, and Monday Morning using Sepia Color Set at 80% opacity – kind of an unusual group. 2 Lil’ Owls Workbook Bonus Texture 16 (see my Tidbits Blog sidebar for website link) was applied using Soft Light at 100% opacity. In the white layer mask, some of the detail was brought back on the left rattle. Basically that was all that was done to get this very antique look.
This image of a Mexican Aztec dancer was a little difficult to process due the fact that there were a lot of distractions in the background, and his face was not real clear and needed a lot of clean up. The feathers in his headdress were so beautiful that I really wanted to process the image. Therefore, first the headdress was carefully extracted the Quick Selection Tool and Quick Mask Mode, and Shadowhouse Creations Rage Texture was placed behind him and set to Normal at 100% opacity. Topaz Adjust 5’s Painting Venice preset and Topaz Detail 3’s Overall Detail Medium II preset were applied. A Selective Color Adjustment Layer was used to adjust the Reds and Yellows in the image. A frame was added and set to a tan color.
This was a wide assortment of Native American toys that were on a bright red tablecloth. I decided it would look better as a sketch with toned down colors. In Photoshop a Curves Adjustment Layer was used to make the image overexposed. Topaz Simplify 4 was added and a preset was created using a painting preset as a starting point and Quad Tones of Black/Deep Red/Gold/Light Yellow tones were applied at a Tone Strength of .57. An Overall Transparency of .31 was applied. I ran Simplify 4 again on a duplicate background layer and this time applied a light black and white preset. Back in Photoshop it was stacked it on top of the first Simplify layer and set to Soft Light. A Hue/Saturation Adjustment Layer was placed on top where Reds Saturation was set to -41 to desaturate the color slightly. Kim Klassen’s Mary texture was applied using Normal Blend Mode and just painting out the center of the texture in a layer mask. As a last step, a Curves Adjustment Layer was applied using the Auto button to even out the colors and contrast. I think it gives a really nice sketch look and is appropriate for the various types of objects that were being displayed.
These are feather headbands that were also being sold by a vendor. This is a funny story as I would never have used these settings if not for some spam I received from a comment that referenced how he added texture to his images. Here is the result I got from following some of the process. First Topaz Adjust 5’s Spicify preset was applied at 83% opacity. Next apply Topaz Simplify 4’s Watercolor II preset. Changed image to an 8-bit mode and went to Filter -> Stylize ->Diffuse Filter and selected anisotropic. Exit filter and rotate document -90 degrees counter clockwise using Free Transform (CTRL+T). Apply same filter again. Exit and rotate image clockwise +90. Apply the filter for a third time. Now go to Filters -> Texture -> Texturizer and set texture to Canvas, Scaling 200%, Relief 7, and Lighting Top. A Hue/Saturation Adjustment Level was applied increasing the saturation to +30 and a Curves Adjustment Layer was applied to increase contrast. Kind of a strange technique but I really liked the results.
I hope you enjoyed these images – nice to do something a little different. Have a nice week!…..Digital Lady Syd