Digital Lady Syd Reviews Topaz Clarity
Topaz Clarity is Here! I was surprised that Topaz (see sidebar at my Tidbits Blog for website link) was coming out with a new plug-in and am finding that I actually love it! It is very different from any of their other plug-ins. So what are we talking about here? In a nutshell, this program provides two major features for your images: the use of Dynamic sliders to add contrast by using variations already in the image, and the use of their IntelliColor Technology (keeps unwanted color shifts under control) by adjusting the Hue/Saturation/Luminosity of the image. I believe that Clarity does exactly what you expect a good plug-in to do – it takes a canned program’s limited capability and creates many more options, which is especially useful for that difficult image or for us “creative types.” This plug-in lets you create a very natural, sometimes quite stunning, look without any halos or artifacting (and that alone is a major accomplishment!). I am confident that I will use this plug-in on most of my images now that I have learned how to use it. The above is a farm located outside Minsk in Belarus. I have included the original RAW file images throughout the blog as I believe this is the best way to see what the plug-in can really do. See Image 1 info below for more on how it was post-processed, the Clarity settings used, and the before and after images.
WHAT I LIKE!
1. The fact that the four Dynamics sliders are very similar to my very favorite Dynamics slider in TopazFXlab and Topaz Simplify. I believe it uses slightly different technology, but Nicole at Topaz Labs describes these four sliders as the original Dynamics slider “on steroids.” They do a great job of bringing out detail (using contrast instead of detail size) without looking unnatural. It has a really subtle sharpening feel to it. This alone is why this program is worth getting!
2. The Hue/Saturation/Luminosity sliders can be targeted to specific areas of your image easily. I like the Overall sliders at the bottom of each section that can give some very surprising results – sometimes just the thing to pop your image! And once again we get Orange (for skin tones) and Purple sliders which I really love. And if you have used Detail or photoFXlab, you know how good the IntelliColor technology is.
3. The addition of Color Range Brush and Feather Brush. I am still working on using these effectively, but so far they are proving to be quite useful. I like that certain areas of my image can be targeted by color(s) – saves a lot of time trying to get your selection in the Masks sections just right. The Color Range works very much like the one in Photoshop, which I use all the time. The Feather Brush is really nice since it now has the capability of softening or sharpening a selection’s edge as needed – once again similar to Photoshop’s Properties Panel for their layer masks. These are both great additions for the Masks panes. (And don’t forget this little Color-Aware Brush that is hidden with the Content-Aware Brush – it is becoming my favorite mask brush!) There is also a Gradient Tool Feature in the brush area that can be handy when working on your masks too.
4. I like that I can create more than one preset collection. I am finding it handy to have one that only addresses Hue/Sat/Lum Section changes and one for the Clarity Section changes. And you get previews for all of your own preset too!
5. The Dynamics/Tone Level section and the HSL Filter sections can be left open at the same time so that you can go back and forth between them to make adjustments very quickly. Small thing but really saves time. Unfortunately this is not true with the two Mask sections.
6. Overall Opacity sliders at the top of each section is proving to be very handy to use – works like the Layer Opacity slider in Photoshop or the Overall Transparency sliders in their other plug-ins. (This is different from the Overall sliders in 2.)
7. Maybe the best thing I like is that Topaz pushed the bar a little and tried something new. There is no one out there that I have found recently who is creating new plug-ins or effects to make your Photoshop experience a little better. Kudos to the staff for this!
WHAT I DON’T LIKE! (Not much)
1. It needs an Apply button so several different presets can be added since the Dynamics and Tone Level effects are so different from the HSL sliders effects. It would so nice to be able to stay in the program and selectively add the different section changes to the image instead of exiting the program and re-entering the plug-in for each change. My understanding is that they are trying to implement this shortly.
2. It can be a bit time-consuming to work on a mask that is at 1:1 – you have to keep hopping back into the Navigator pane to move the preview box to the next area to paint in. They need a toggle shortcut key or something else to make this easier. I left a request with the Topaz folks so hopefully this will be an option soon. On the good side, the Mask pane is much larger and easier to see than in their other plug-ins.
3. Would love to be able to copy the Clarity mask to the H/S/L mask and vice versa. Right now you have to create it again if you want the same areas selected. Possibly a shortcut key would be all that is needed here too.
4. This is a small nag, but when you zoom in on an image to mask out some eyes or something really small, the brush size is really hard to get to a reasonably small size. Some brush preset choices would be nice also, as they have in Black & White Effects.
This image is actually of some beautiful bright red dahlias (see original below) that I planted in my front yard recently. Since I do not have an Apply button at this point, Topaz Clarity was actually opened three times, on three separate layers, by exiting, duplicating the layer, and going back into the program. For info on the processing and Clarity settings, see Image 2 notes at end of blog. No detail or color enhancers were required – it was all done with the sliders in Clarity. What was so nice is that it was relatively easy to give these flowers a totally different look without a lot of hassle. When playing around with HSL sliders in other programs, it is almost impossible to get two radically different colors on something that was one color to begin with – and make it look believable. Below is the original RAW file as it was brought into Photoshop (and yes, I did add a flower in the top right to balance out the image).…..
Below, this rather ordinary tourist shot taken of Umauma Falls on the Big Island is a good example of the results after processing with just Clarity, showing much improved color and contrast. This image would have been a great HDR candidate due to the large tonal range, except that there was no place to set up a tripod. Since I had the opportunity to get just a few quick snaps of this gorgeous waterfall, Clarity really gave me exactly the feel I wanted to accomplish in the first place. Considering this was a marginal hand-held, very shadowy shot, it turned out much more natural than an HDR tone-mapped image would have created!
See before and after close ups below. See Image 3 note at end of blog for more post-processing info. …..
The photo above is just a little bit of a change up here. This image, taken from Edinburgh Castle in Scotland, used Topaz Clarity and Adjust to get this slightly artistic effect. Clarity was again applied three times and Adjust once. I really love to combine several different Topaz plug-ins, especially in photoFXlab (check out its InstaTone tab to get some really creative results), to try out different looks. See notes for Image 4 below for details on how this image effect was created.
It is hard to imagine that these beautiful Zinnias were adjusted using only Topaz Detail and Clarity, but it is true. I was really pleased at how I could get an almost illustrative look to the flowers by using Clarity. For more info on how this image was processed and my Clarity settings, see Image 5 notes below.
Topaz Clarity is a great addition to the Topaz arsenal of plug-ins. I am not going to quit using Topaz Detail 3, my most used plug-in, just because of its release, but I am finding they work quite nicely together. This plug-in is definitely a great alternative to that over-the-top HDR effect that comes with too much sharpening, or even the over-application of Detail or Adjust. I think it would improve almost any kind of image you apply it on. It does take a few minutes to figure out exactly what each of the sliders will do. But once a combination is found, it is easy to set up a preset and use this as a starting point for your particular type of processing. And once again, you get it at a reasonable price and the Topaz guarantee that upgrades will always be free! Just another quality product from a quality company!
I will be doing more experimenting with this plug-in in the coming weeks and will share my findings, so stay tuned. Download a trial and give this new plug-in a try. You might be surprised at your results – I was!…..Digital Lady Syd
NOTES FOR POST-PROCESSING OF IMAGES
Image 1: No changes in Lightroom except cropping and checking Enabling Profile Corrections and Removing Chromatic Aberration. Once in Photoshop a preset I had created was applied in Topaz Clarity. (Here are the settings for my Very Vivid Sharp preset – Clarity Section-Dynamics: Micro Contrast 0.84, Low Contrast 0.56, Medium Contrast -0.31, and High Contrast -0.09, and Tone Control were all left at 0. In the Hue/Sat/Lum Section: No changes to Hue; Sat – Red 0.25, Orange 0.13, Blue 0.06, and Overall 0.17; and Lum – Red -0.81, Orange -0.09, Green -0.08, Blue 0.23, Magenta 0.33, and Overall -0.12. Then the Blue Lum was adjusted to -1.00 and Sat t0 0.22 to bring out the clouds a little more. See middle image below. Since I felt this whole look was a little too much, the layer was duplicated and this layer was taken into Clarity again. This time a preset I created with a more desaturated look was applied and the result is shown in the left image. (Here are these settings: Clarity Section-Dynamics: Micro Contrast 0.50, Low Contrast -0.42, Medium Contrast 0.03, and High Contrast -0.27; and Tone Level: Black Level 0.25, Midtones -0.37, and White Level -0.52. Hue/Sat/Lum Section: No changes to Hue; Sat – Overall -0.45; and Lum – Red -0.10, Orange 0.10, Yellow 0.10, Green 0.10, Aqua 0.10, Blue -0.10, and Purple -0.10) This gives a bit of spooky look to the image but the opacity of this layer was set to 28% to give the too bright effect a little softening. What an improvement to the clouds! Click on image for a larger view in Flickr.
Image 2: I did nothing in Lightroom except apply the Lens Correction Profile and check Remove Chromatic Aberration before taking the image into Photoshop. Cleaned up some spots on the flowers with the Spot Healing Brush and then into Topaz Clarity. First the Macro preset Flower 1 which changes only the Clarity Sections (Dynamics and Tone Level sliders) was applied. Then the Color Aware Brush (use eyedropper to sample the color first) was used in the Mask Section where the middle red flower was painted to keep the effect from applying on it. Since I wanted the opposite effect, the Invert icon was clicked so now just the middle flower contained the Clarity settings. Said OK to apply this to image and duplicated this layer. Entering Clarity again, the Reset button was clicked to start over. This time I wanted the three small flowers to be softer and a different color. This time only the Hue/Sat/Lum Section was used. To get the yellow flowers, the Hue Overall slider was set to o.41 to get all yellow flowers. In Lum settings, the Orange was set to 0.72 to lighten the center to give a greenish look, and the Overall Lum slider was set to 0.08 just to lighten up the flower color a little. Again these settings were applied and in Photoshop a layer black mask was added to this layer and just a touch of the pink color was brought into the petals. To get the painterly look, Painted Textures Creamsicle texture was layered on top using Soft Light at 100% opacity. The top painterly looking border was created using 2 Lil’ Owls Studio Bonus Texture 4 (see my Tidbits Blog sidebar for website link), turned 180 degrees, and turned into an overlay. (See Related Blogs below for more info on this.) Any border you have would work, but what is interesting is that the border was a then opened up in Clarity and the whole color scheme and contrast was changed. (These are the settings used: Dynamics: Micro Contrast -1.00, Low Contrast -1.00, Medium Contrast 0.26, and High Contrast 0.69; and Tone Level: Black Level -0.72, Midtones 0.16, and White Level -0.03. HSL Filter: Hue settings: Orange -0.44, Yellow 0.50, Green 0.33, and Overall -0.42; Sat settings: Orange -0.20, Yellow -0.11, Green -0.66, and Overall -0.09; and Lum settings: Orange 0.11, Yellow 0.08, Green -0.53, and Overall 0.09. Created Textures preset.) Note: When you change the Hue of an item, and then go to the Saturation or Luminance sliders, be sure you adjust the same sliders and not the new color sliders- there will be little or no change. In other words, if you change the Red Hue to a Yellow color, when you enter the Saturation sliders, you will need to still adjust the Red Saturation to adjust the actual yellow color saturation. Took me a minute to get the hang of this.
Image 3: Lightroom was only used to crop the image, add a Lens Correction profile, and check Remove Chromatic Aberration. In Photoshop the Background layer was duplicated and then Topaz Clarity was opened where the Landscape-Color & Contrast III preset was applied. The Micro Contrast slider was changed to -0.22, and in the Clarity Masks section the waterfalls were lightly painted out – they were sharper than I wanted for the water effect.
Image 4: First just HSL adjustments to the whole image; second time the Landscape Midday I preset was selected with the effect removed from the sky using the Clarity Masks section – and adjusting some of the HSL sliders; then my favorite Adjust preset – French Countryside – was applied as is; and finally Clarity’s Cityscape I preset was added. 2 Lil’ Owls (see my Tidbits Blog sidebar for website link) Color Bokeh Grunge Set – overlay 2 was added to give a slight vintage vignette effect using Vivid Light blend mode at 74% layer opacity.Image 5: Just the same Lightroom changes – Lens Correction and cropping. If you would like the illustrative look, here are settings: in Clarity Section – Dynamics: Micro Contrast 1.00, Low Contrast 0.28, Medium Contrast -0.50, and High Contrast 0.06; Tone Level: Black Level 0.61, Midtones 0.14, and White Level 0.72; and in Hue/Sat/Lum Section – Hue: Only Red 0.16, Yellow -0.05, and Green -0.17 were adjusted; Sat: only Green -0.22 and Overall -0.45 were adjusted; and Lum: Only Orange 0.36, Yellow 0.89, Green -0.91, Aqua 0.30, and Blue -0.09 were adjusted. Kim Klassen Cafe‘s January Set 2801 texture was applied and set to Multiply at 100% opacity. Shadowhouse Creations Text Brush 1 was put on its own layer at 61% layer opacity. (These brushes are free and really cool, as is his site, too.) A couple other steps were done to get the nice texturized feel, but overall, the flowers benefited greatly by using Clarity.
Digital Lady Syd Related Blogs:
Clarity with Texture!
Topaz Simplify Artistic Workflow
How to Make Frames or Borders
InstaTone in photoFXlabs – Great Fun and Great Results!