This week on CreativeLive I watched a two-day webcast called Photoshop Mastery: Retouching and Collaging with Ben Wilmore – another totally fantastic webinar by the best Photoshop teacher around. Check out CreativeLive’s calendar for their list of upcoming free live webinars. After all this inspiration, I decided to try out a few things I learned. It took a while to create, and lots of mistakes were made, but overall it was just super fun – and to me that is what Photoshop is all about! A new 8X10 document was opened, and then Photoshop’s Grass brush in a pink color got me started. After that, just different items were added to it until I ended up with something I will eventually use on my website! Since several techniques were used, I thought I would go over some of the steps on how to get this graphics look – it was not hard – just time-consuming.
1. Started with an 8 X 12 inch, resolution 300, 16-bit New Document.
2. A New Layer was created on top and the Grass brush was painted on top using the color 8f618e. A Layer Style was opened up (double click on the layer to bring up the Blending Options dialog box) and the Blend If Gray – This Layer’s white tab was set to 191. (Ben gave a good explanation of this – basically by dragging the white tab left, it removes any white areas in the image up to the point you stop. So a 191 setting corresponds to all tones between 191 to 255 on a histogram being eliminated. This technique is used a lot to remove skies and background areas. Split the tab by ALT+clicking on it to make a smoother transition if needed. This step did not split the tab.) This removed a lot of the white in the grass blades that were painted. Also an Outer Glow in a light pink and a Drop Shadow were added. The layer was set to Multiply Blend Mode at 100% opacity.
3. To make the grass look like it was on a cloud my free SJ Cloud 4 in a light grayish color (#bfbfbf) was clicked once on a New Layer and placed under the grass layer. It was stretched across the bottom using the bracket key to make the brush large although the Free Transform key (CTRL+T) could have been used to do this. (Tip – it does not make a difference whether you make the brush larger first or Free Transform holding the SHIFT keep to in proportion – get the same result.)
4. I selected 2 Lil’ Owls Studio French Script Brush 4 (see my Tidbits Blog sidebar for website link) in a dark pink/purple. A Layer Style (double click on layer to open) was added using a Bevel and Emboss with Contour on, an Inner Shadow, and a Gradient Overlay going from gray to purple. The image below is where I was at – notice I had some birds that I removed later.5. This step would have been much easier if I had decided what I wanted to do with the French sign brush at the start – but I did not plan in advance so it took me a long time to get this right. Just realize that it would have been much easier to add the wood to the background sign (this used Caleb Kimbrough’s free Old Wood 3 texture), add one of my Overlays created in my How to Create Personal Overlays for Your Images blog and was in png format, and then displace the text on the wood using the steps in my Displacing an Overlay blog in a different file and add it back into this file. Otherwise this gets really messy, which is what I realized after-the-fact. I ended up doing all this as Smart Objects, and used three sub-groups within a top group to nest all the sign effects. The webcast did a very nice job of explaining how to use Smart Objects. At least I got some practice doing this. At this point, a layer mask was created on the top group and the sign post painted into the grass so it looks like it is coming out of it.
6. Since adding just brush strokes onto different layers gives transparent areas, a texture can be added behind them with no selection required. After trying at least 10 or 11 different textures, French Kiss Atelier Valley texture was chosen – I liked the subtle colors and the way it made the clouds look like soft grassy areas. It was placed just above the Background Layer set to Normal at 100% opacity.
7. Since there was no ground edge, a New Layer was created under the Grass brush layer and a Mixer Brush was used to add some straight lines to define the shoreline of the image. Used Fay Sirkis’s Palette Knife Classic FX Highlights #1 Brush, (one of the great brushes that can be downloaded for use with her Four Seasons painting online training classes on NAPP – she teaches you how to use this brush in her great Four Seasons painting series Fall training class on NAPP).
8. Another New Layer was created above the Clouds brush layer and using Fay Sirkis’s Cloud Moist Sky Blender 05 brush (included with the brushes in Step 7 – learn to use cloud brushes in her Four Seasons Spring training class), the clouds in the background were embellished a little to make them look a whiter and puffier. It was set to 54% layer opacity.
9. I wanted to add some kind of building structure to my image. I went up on the free stock photo site Stock.xchng and found an image called abandoned stone house – perfect for what was now getting that spooky feel. The house image was brought into the image above the sign groups layers and then Free Transformed (CTRL+T) to fit. A layer mask was added to paint out the road and green trees around the house. It was way too bright so a Hue/Saturation Adjustment Layer was clipped (ALT+Click between the layers) to the image and the Yellows and Greens sliders were adjusted to match the feel of the image. I put these layers into a Group called Old House Image.
10. The last major thing done was to add a reflection to the foreground grass by using Flaming Pear’s Flood plug-in – an oldie but a goodie. I do not know of any other filter that does this as well. A composite was created on top (CTRL+ALT+SHIFT+E) and the filter run. Just played around with the various sliders until I got just a slight wave effect and that was a a little darker than the image. See my The Flood Look blog for more details on this plug-in. (Here are the settings I used for this image to give you a feel for the amount of detail this plug-in contains: Horizon 83, Offset 0, Perspective 42, Altitude 50, Waviness 9, Color Swatch Black, Complexity 20, Brilliance 44, Blur 9, Size 0, Height 33, Undulation 40, and Glue Normal.) Lots of fun to use! A black Layer Mask was added to the layer and just the reflection was painted back where I wanted it.
11. The French Kiss Atelier Valley texture was duplicated and placed at the top of the stack to add the canvas feel to the whole image. First a Hue/Saturation Adjustment Layer was clipped to the texture and set to Saturation -100 and Lightness +46. Then the texture was set to a Multiply blend mode at 12% layer opacity. Now the whole image has the texture but no color from the texture. See my Getting a Nice Painterly Landscape Effect with Topaz Simplify and Texture blog for more on this.
These were the basic steps. There was some clean up and a Curves Adjustment Layer added, but overall this was it. Sort of surprised how it finished up – the beautiful texture really added the overall effect to the image. Try just fooling around with some of the interesting brushes that come with just Photoshop (or check out some of my other blogs for some interesting brushes that can be downloaded free from the Internet) and some of the skills you know – you might be surprised what you come up with. Have fun creating!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
Create a Winter Scene with Photoshop Brushes and Textures
Just Plain Fun Brush Effects!
Spooky Halloween Fun!
Hyacinths Deep in Reflection
This entry was posted on 06/15/2013 by sydspix. It was filed under Photo Art, Photoshop, Photoshop Brushes, Photoshop Filter, Textures and was tagged with 2 Lil' Owls Studio, Flaming Pear Flood plug-in, free cloud brushes, French Kiss Textures, Graphics, overlays.
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