TOPAZ BLACK & WHITE EFFECTS AND ALIEN SKIN SNAP ART TOGETHER!
This week I wanted to show some of the results be combining a couple of very popular third party Photoshop plug-ins to get a very painterly or artistic effect with just a little experimenting. This above image was taken at Universal Studios-Orlando – they have some wonderful looking bikes around the park. I particularly like the effect of Topaz (for website see my Tidbits Blog sidebar) Black & White Effects and Alien Skin’s Snap Art together, although this first image did not use both. The above image started with one of the free Seim’s Color Fantasies 2 (see my Tidbits Blog sidebar for website link) using Classic Holga preset in Lightroom. In Photoshop Topaz Detail 3 was used to really sharpen up the lines of the bike by adding a black layer mask and just painting the bike back in in white. (Used a very subtle sharpening preset I use all the time on my images with these settings are just: Detail Overall Medium Details 0.38 and Large Details 0.16 and Tone Contrast 0.30 and Shadows -0.01.) On a duplicated layer Nik Viveza 2 was used to even out the tone and color with several control points. Next on another duplicated layer Topaz Black and White Effects was applied. (Here are my settings: Basic Exposure Contrast -0.33, Brightness -0.01, Boost Blacks and Boost Whites 0.25; Adaptive Exposure 0.86, Regions 18, Protect Highlights 0.02, Protect Shadows 0.10, Detail 2.50, and Detail Boost 1.11, and check PDI box; Color Sensitivity Red 0.15, Yellow -0.14, Green 0.47, Cyan 0, Blue 0.31, and Magenta 0; Color Filter Hue 325.1 and Strength 0.27; Creative Effects Simplify Size 0.12 and Feature Boost 1; Silver and Paper Tone Tonal Strength 0.40, Balance 0.30, Silver Hue 0, SilverTone Strength 0.50, Paper Hue 4.00, and Paper Tone Strength 0.25; Vignette – need to adjust center, Strength 1.00, Size 0.71, Transition 0.44, and Curvature 0.55; and Transparency Overall 1.00.) This is a great plug-in that most people use for black and white image, but I like the Transparency turned on at 100% which adds back roughly 50% of the color in the image. By using the individual Detail, Darkening and Color brushes on the image, a very painterly effect can be obtained. Try experimenting with the brushes in the Topaz products – can get some great effect with them! Back on another duplicated layer of the Nik Viveza 2 layer, Topaz Simplify’s Pencil Hard II preset was applied, moved to the top of the stack, and set to Overlay blend mode at 26% opacity. This gives it a more illustrative feel which I was aiming to get. On a New Layer on top, the vignette and some of the colors were evened out out by sampling in the image using my Chalk Brush (Adobe Chalk Brush 60 with a Shape Dynamics set to 19% in Brush Panel). The last step involved adding a Curves Adjustment Layer to add back contrast to the image. Sometimes all the different manipulations tend to make the image lose its contrast.
This image of a small water fountain at an eatery in The Lost Continent at Universal Studios in Orlando just caught my eye – loved the tiles. Very similar settings in Topaz Black & White Effects were used. On a New Layer above the plug-in layer, the chalk brush was used to even out the vignette, instead of using the plug-ins brushes. On a stamped layer (CTRL+ALT+SHIFT+E) Alien Skin’s Snap Art 4 was applied using the Detailed Watercolor preset. On a New Layer, the Clone Stamp Brush was set to my Chalk Brush as used above, and at 60% brush opacity, it was cloned to add a few brush strokes into the areas so it looks like a really painted effect. On a New Layer on top, some small paint spatters were added back lightly into the image to give it just a little bit of a realistic feel and set to 70% layer opacity. A Curves Adjustment Layer was place on top.
One final image is of the Rooftops at Harry Potter Land at Universal Studios Orlando. Had so much fun taking images there! This image used Topaz Detail 3 with my detail preset from above, then I added a cloud since the sky was a rather flat blue using my Cloud 1 from my free set of Cloud Brushes. Next Snap Art 4 was opened and this time the Impasto Vignette was applied. On a stamped layer Topaz Black & White Effects was applied using a preset I called Harry Potter Sky (Here are the settings if you want them: Conversion Basic Exposure: Contrast -0.04, Brightness 0.09. Boost Blacks 0.29, and Boost Whites -0.24; Adaptive Exposure 26, Regions 26, Protect Highlights and Protect Shadows 0, Detail 1.07, and Detail Boost 0.70; Color Filter Hue 63.87 and Strength 1.00; Quad Tone Color 1 Region 15.08 – R1 G1 B12; Color 2 Region 143.9 – color R63 G78 B85; Color 3 Region R216 G211 B129; and Color 4 Region R255 G254 B237; Vignette – Vignette Strength -0.11, Vignette Size 0.68, Vignette Transition 0.93, and Vignette Curvature 0.75; and Transparency Overall 0.85.) Really gives the more spooky look that I wanted for this image. Next a Curves Adjustment Layer for additional contrast. The last step used the Photoshop’s Camera Raw filter using the same Radial Filter effect to add the largest tower. Lots of fun to do!
I hope you can tell that with just a little experimenting you can get a very painterly feel on an image. And try a different brush, instead of just a round soft brush, to use when cloning – this can really add a painterly feel to the image and the clone effect is not nearly so evident. It is so much fun to try out different presets and sliders and different plug-in combinations to get something very different. Hope you try mixing up your plug-ins and see if you can get some very artistic looks too!…..Digital Lady Syd