PAINTERLY PLUG-INS – SO MANY CHOICES, SO MANY CHOICES!
Created this blog to show some painterly effects using the same image with some different Photoshop plug-ins. I started by first trying to get Topaz Impression and Alien Skin Snap Art to give a similar look. I really thought that if one looked nice a certain way, the other would give similar results since both plug-ins create painterly, and in this case oil painting effects. It just did not work! They are as different as can be and yet both plug-in are very good at what they do. The final results on all the images are ones that I thought looked good for each of the plug-in(s) used. I was pleasantly surprised at the variety in the images and all the very nice painterly results even though processed so differently! I hope you will get some ideas on how to achieve the look you want. Also, at the end of the blog I have links to reviews on each of the plug-ins used if you want more info on any of them.
The original image above was taken at the Native American Festival in Ormond Beach, Florida. This image had a large group of people dancing and watching so it had to be totally clean up and the sky extended. The clouds were still there at least. Then a stamped layer was opened into Alien Skin’s Snap Art 4 where a preset I created from the Default preset for Snap Art 3 was used. One thing I like is that up to three different Detail Masks can be painted onto the image and different settings can used to pinpoint those areas. In this case two were used. There is a Photorealism brush which will bring back a little more of the image which is great to emphasize the focal point of the shot. Some clean up painting and horizon adjustments were done on separate layers. To get the pretty orange tones, Topaz (see my Tidbits Blog sidebar for website link) ReStyle was opened and the Shadowy Orange preset was applied. A Radial Filter was used to emphasize the wrap just below her head area. A Selective Color Adjustment Layer was used to tone down her shadow. It actually took a lot of manipulation to get the final look but I really like the results. The plug-in settings are listed below under Image 1 if you are interested.
The above was more how I had envisioned this particular image. This time Topaz Impression was applied using the Turner Storms I preset with no changes. I liked the way the ground and shadow looked a little more realistic and the sky does look stormy, which it was not. I had originally tried to get this image to look somewhat like the Snap Art Image by applying the Oil Glaze by Blake Rudis, but it did not give quite as nice a final look. Therefore I went with a totally different filter look. Topaz ReStyle was also applied to this image – the Zambest Zest preset (changed the Basic section to Luminosity blend mode and the Structure to -0.59 and Sharpness 0.73). Nik Viveza 2 was used to emphasize the back of the wrap.
For those of you who own the Topaz Suite of plug-ins, this is an example of using both Topaz Simplify and Black & White Effects to get the above result. I think it looks just as good – just took a little creativity to get the total look. The background layer was duplicated twice. The bottom duplicate was taken into Black & White Effects and a preset showing lots of detail that I created was applied. Then on the top layer Topaz Simplify was applied and another of my presets that added the painterly look was applied. A layer mask was added to it, and just the parts of the B&W Effects that I liked were lightly painted into the Simplify layer mask – used my Chalk brush with black paint at 20% brush opacity. This technique was used since the Simplify preset added the painterly feel but basically wiped out any of the texture in the image – B&W Effects was used to add back the texture a little. This mainly included the shadow area and the details in the wrap. Lots of clean up was done using my Chalk Brush to just go around and sample and add in paint where needed. A Gradient Map Adjustment Layer, using the Gold-Copper gradient that comes with Photoshop, was set to Darken blend mode. A Curves Adjustment Layer was used to add contrast back into the image. Finally Nik Viveza 2 was added to direct attention to the focal point, but the Radial Filter in the Camera Raw Filter could have been used instead. For settings in the plug-ins, check Image 3 below.
Can this look more different from the other? This time I used Nik Analog Efex Pro 2 first. Then Smart Photo Editor was opened and just the Daniel-Davidson Lost and Taken 4-02 preset was applied to get this pretty result. The effect had to be adjusted in the plug-in to line it up properly. I did not love the resulting color when brought back in Photoshop – a real color shift occurred. Therefore a Hue/Saturation Adjustment Layer was added and Yellows were set to Hue +11 and Sat +29, and then Master Hue -2 and Sat -49. Next a Solid Color Fill Adjustment Layer was added and set to a deep purple color (R68/G35/B75), set to Overlay blend mode at 29% layer opacity to get the final more colorful effect. See Image 4 settings for Nik Analog Efex Pro settings.
I hope you can see that it probably does not matter which plug-in(s) you have, you can get something rather painterly and interesting in many different ways. I guess that is why we get them – you can often get a surprise while using them. I have my favorite plug-ins that seem to give me the results I love, but I was also pretty pleased to see some different results by just combining them in various ways. I hope this blog gave you some ideas on how to use plug-ins you already may have and maybe get you interested in some of the ones you do not have. Any way you do it, it is always fun to play with these filter effects! Have a very Happy Turkey Day if you are one of my U.S. friends and otherwise, just have a great week!…..Digital Lady Syd
Digital Lady Syd Related Posts:
Digital Lady Syd Speaks Out on Topaz Impression
Digital Lady Syd Reviews Alien Skin Snap Art 4
Digital Lady Syd Reviews Topaz ReStyle
How About That Update to Nik Analog Efex Pro 2?
Digital Lady Syd Reviews Smart Photo Editor Photoshop Plug-In
Digital Lady Syd Reviews Topaz Black & White Effects 2.1
Digital Lady Syd Reviews Topaz Simplify 4
Nik’s Viveza 2 Plug-In – A Hidden Gem!
Image 1 Settings: Alien Skin’s Snap Art 4 SJ Factory Default preset – Artistic Style Oil Paint; Background – Brush Size 35, Photorealism 35, Paint Thickness 85, Stroke Length 45, Color Variation 30, Brush Style – Default Brush, and Random Seed 7556; Detail Masking used on the feathers and the small face portion – Effect Detail, Brush Size -22, Photorealism 56, Paint Thickness -6, Stroke Length -31, Color Variation 44, and Brush Style Default Brush; Detail Masking used on just the diagonal lines in her skirt – Effect Detail, Brush Size -30, Photorealism 7, Paint Thickness 43, Stroke Length 0, Color Variation 66, and Brush Style Default Brush; Colors – Brightness 22, Contrast 25, Saturation 12, and Temperature (cool/warmth) 34; and Lighting – Preset Default – Highlight Brightness 46, Highlight Size 35, Direction 120, Angle 59, Highlight Color White, and Vignette – Preset: None; and Canvas – Preset: No Texture. Topaz ReStyle settings: Shadowy Orange Rose preset with these changes: ReStyle blend mode Color; Color Style Hue Third 0.33; Sat Primary -0.69, Secondary 0.17, Third 0.47, Fourth 0.03, and Fifth 0.45; Masked out the bright green shadow to make it much blacker – used Edge Aware Brush, Strength 0.58, Brush Size 0.10 and Hardness 0.33; Basic Color Temperature 0.14 and Saturation 0.19; Tone Black Level -0.47, Midtones 0.14, and White Level -0.20; and Detail Structure 0.42.
Image 3: Topaz B&W Effects settings: Conversion Section – Basic Contrast -0.33, Brightness -0.01, Boost Blacks 0.25, and Boost Whites 0.25; Adaptive Exposure – Adaptive Exposure 0.86, Regions 18, Protect Highlights 0.02, Protect Shadows 0.10, Detail 2.58, Detail Boost 1.11 and checked PDI; Color Sensitivity – Red 0.15, Yellow -0.14, Green 0.47, Cyan 0, Blue 0.31, and Magenta 0; and Color Filter – Hue 325.1 and Strength 0.27; Creative Effects Section – Simplify 0.12 and Feature Boost 1; and Finishing Touches Section – Silver and Paper Tone – Tonal Strength 0.40, Balance 0.30; Silver Hue 0, Silver Tone Strength 0.50, Paper Hue 4.00, and Paper Tone Strength 0.25; and Transparency – Overall Transparency 1.00. I also had Border (Border Type Grungy BW7 set to Size 0.36) and Vignette (Vignette Strength 1.00, Size 0.71, Transition 0.44 and Curvature 0.55) that were turned off before applying the preset. The Topaz Simplify preset settings were: General Adjustments Section – Simplify – Colorspace RGB, Simplify Size 0.84, Feature Boost 0, Details Strength 1.29, Details Size 0.96, Remove Small 0.10, and Remove Weak 0.20; Adjust – Brightness 0.02, Contrast 1.11, Saturation 0.60, Saturation Boost 2.06, Dynamics 0, Structure 1.00, and Structure Boost 1.00; and Edges – Edge Type Color Edge – Normal, Edge Strength 0, Simplify Edge 0.60, Reduce Weak 24.00, Reduce Small 0.20, and Fatten Edge 0. My Chalk Brush settings: Select Photoshop’s Chalk 60 brush and in the Brush Panel set size to 200 pixels and in the Shape Dynamics section set the 19% – everything else off. I use this brush usually at 30% brush opacity or less to paint in texture and clean up layers.
Image 4: Here are the settings used for my Nik Analog Efex Pro 2 plug-in: Basic Adjustments – Detail Extraction 81%, Brightness 4%, Contrast -17%, Saturation 13% and two control points were used on the image – both placed in the sky on the right and left and set to Detail – 100%, Brightness -16%, Contrast -42%, and Sat -100 to soften the overall detail effect in that area; Bokeh – Bokeh Style – circle for apply elipse, Blue Strength 87%, and Boost Highlights 90%: Light Leaks Strength 50% and set to Soft choosing the 3rd row and 1st column soft red glow leak set right in the center of the image; and my favorite section Levels & Curves – Opacity set to 100%, Luminosity Curve pulled down with two points (7.5/6 and 12/16.5), Red one point at (12/13), Green two points at (7/6) and (12/14), and Blue two points at (5.5/6) and (12/16).