HOW TO USE THE MATCH COLOR COMMAND
This week I am going back to something a little more fun than what was done the last two weeks on organizing your brushes. The Match Color Command is one I have not used often, but it can help when you need a slightly different color scheme for your image. By finding an older picture that had colors you liked, it is pretty easy to apply to a new one. The shot above attracted me because of the rather hidden feel of the gazebo – it was taken at the Jacksonville Zoo and is along the Trout River. See the end of blog for more info on the rest of the post-processing and settings for this image.
The Match Color Command has been around for a while. Basically you are selecting a layer that shows your current image and by going to to Image -> Adjustments -> Match Color to open dialog, another Source image can be selected in the drop-down. Luminance, Color Intensity and Fade sliders can be used to make the current image look correct. For this to work, you need to have the other image that you want to use as a Source opened in Photoshop. Below is a screenshot showing the image before Match Color was applied.
I used a very different color scheme from an image created a while back as the Source file. (See my Little White Convertible in my Tidbits Blog.) It can be seen in the little preview box below. There are 3 sliders that can be used to adjust how the image looks since just applying the colors as is does not usually look great. In this case the Luminance (lightness) slider was set to 55, Color Intensity (saturation) set to 130, and Fade (amount the Source image colors are used – set to 100 will have no Match Color effect at all) set to 44. The Neutralize check box is used to neutralize any color cast in the image – I find it does not usually help my image.
There are a a few other choices at the bottom of the dialog. The Layer drop-d0wn lets you select any layer in the Source image to use as the color samples. It defaults to None when opened. You have an option to choose Merged to merge layers together to create one layer. See the list in the Layer drop-down below for the Source image layers that could be used. The screenshot shows what the image would look like if the original Source background layer was used – quite a different effect! I made sure I was using a stamped layer (CTRL+ALT+SHIFT+E) on top to apply the effect so I did not have to worry about this. It is also worth noting that a different image does not have to be used to apply Match Color if there are several layers in the original image. I could have selected this image (Target image) and also select it as a Source and choose the Background layer, for example, to this layer. It will give yet a different effect! Definitely worth experimenting with this.
Unfortunately this command does not work as a Smart Object. The two check boxes in the Image Statistics section can be used if you have an active selection when you enter the dialog. There is a pretty handy feature listed here and I would not have know what it was without Lesa Snider’s wonderful Photoshop CS6 – the missing manual that is my constant resource. She says in the Tip Box that you can save your settings as a preset by clicking on the Save Statistics button and give the preset a name. Next time you want to use these settings, you do not have to open the Source image but can just click the Load Statistics button and select your preset.
Above is a screenshot showing how the preset made from the White Car Source in the first image was used on a second image (see original image at my Tidbits Blog Desolate Roller Coaster) without opening the image. I did discover that the slider settings do not save in the preset so they have to be adjusted for each image after the preset is applied. This is an important feature to have if you want to carry the same color effects across several images, like for a photo book or triptych. I made a folder called Match Color presets in my Adobe CC Roaming folder to store them.
Well I hope you found this informative. It is a command I have not used much, but I can actually see some uses for it. Give is a spin and see what you think. Stay warm until next time…..Digital Lady Syd
Image 1: As you can see, the final image is not what the Match Color Command result looked like. That is because I decided to set my Match Color layer to Divide at 65% layer opacity which turned it a major yellow. Topaz Glow using TG SJ Mysterious II Water preset and just changed colors to these amounts – Orange Sat 0.56 and Lightness -0.43; Yellow Sat 0.93 and Lightness -0.29; and Green Sat 0.17 and Lightness 0.69; Set layer to Soft Light. (Here are the other slider settings: Primary Glow: Glow Type Dark, Glow Strength 0.30, Effect Sharpness 0.63, Electrify 0.14, Simplify Details 0.17, Edge Color 0.28, Detail Strength -0.06, Detail Size 0.20, Brightness -0.56, Contrast 0.44, Saturation 0.00, Line Rotation 0.00, and Glow Spread 0.00; and Secondary Glow: Glow Type Light, Glow Strength 0.00, Effect Sharpness 0.22, Electrify 0.03, Simplify Details 0.00, Brightness 0.45, and Contrast 0.64.) Set this layer to Soft Light blend mode. On a stamped layer Topaz Impression’s Blake Rudis Abstract Settings was applied as is (this may come with Impressions as I cannot find where I got the settings.) Nik Viveza 2 was used to direct the eye to the gazebo. Several adjustment layers were added along the way like Color Balance, Curves, and Levels. The last step was to create another stamped layer and open Photoshop’s Texturizer Filter (Filter -> Texture -> Texturizer) and these settings were used: Texture Canvas, Scaling 151, and Relief 4.