YET ANOTHER GREAT WAY TO CREATE A VIGNETTE!
This week I am just presenting a simple vignette technique – I have to admit I am always looking for the best and easiest way to create one. Blake Rudis, one of the best Photoshop gurus around, used this technique recently in a video – he always comes up with really original ways to use Photoshop and this simple vignette technique is one of them. Here is the video link called How to Make a Gradient Vignette in Photoshop.
To sum up the steps to what is happening, set the Foreground/Background swatches to black and white, then add a Gradient Fill Adjustment Layer, set the Style to Radial and check the Reverse box. A gradient must be created once to do this technique quickly so double click on the gradient strip in the dialog box. In the Gradient Editor dialog, on the top edge of the strip, drag the left tab right to Location 68. On the lower edge, move the left black tab all the way over next to the black right tab. Click the New button and name the gradient (mine is named BRudis Vignette) and it saves at the bottom of the Presets list. Click OK to return to the Gradient Fill dialog, adjust the opening size by setting the Scale to 700 to over 800%. By dragging the cursor in the image (it turns into the Move Tool), the vignette can be moved around. Just for your information, before adding the vignette the image was duplicated and taken into Topaz (see website on sidebar at my Tidbits Blog) Studio – used my uploaded to the Community SJ Small Flower preset which contains the Impression Adjustment for the painterly effect. In Photoshop the layer was set to just 42%. A layer above was set to Overlay and with a large soft brush set to a really light yellow, the flowers in the center were painted in to lighten up the focal point – then the layer was set to 77% layer opacity. As a last step the Gradient Fill Adjustment Layer vignette was placed on top at 72% layer opacity.
This Hilton Waikoloa Village image used the same type of vignette – I created a little action to add it onto the image. (Basically two steps: first add a Gradient Fill Adjustment Layer to image, and second go into the Gradient Fill dialog and check Reverse, Radial and a large scale like 750%, then go into the Gradient Editor by clicking on the gradient strip and choose the new gradient preset, and OK twice.) This vignette creates a very simple and subtle effect. Also try changing the blend modes, using Blend If tabs in the Layer Style Dialog Box, or painting out other areas in the layer mask. For the above the adjustment layer was set to Soft Light blend mode at 53% layer opacity. The image was also first post-processed in Topaz Studio using Precision Contrast, Blurs, Focal Blur, and Color Theme Adjustments.
A colored vignette can get a different look to the image. The London Eye image used a soft brown-colored vignette effect. To change the vignette color, apply the BRudis Vignette gradient. In the gradient strip click on the bottom left tab and in the color field, change the color – it changes on the fly as you sample in the image or try a different color. The landscape was set to a Scale of 1000% do to the large width of the image, Soft Light blend mode, and layer opacity of 85%. Topaz Studio was used with my posted preset called SJ Building Sharp applied.
I am finding this is a very fast and natural way to add a vignette. A while back Matt Kloskowski had a great way of creating a vignette that I presented in my How to Create a Subtle Vignette blog. I find I use them both – sometimes one looks better than the other. Most of the plug-ins have very nice vignette presets. Another quick vignette can be made from a Curves Adjustment Layer (by dropping the right top point down the side and then painting in the layer mask with a soft black brush). Overall this technique by Blake is probably the fastest and easiest to use quickly, especially if the action is created . Well that’s it for this week – have a good one!…..Digital Lady Syd