Anything Photoshop or Photography

WHAT ABOUT THE PATTERN STAMP TOOL? NOT SO BAD!

Image of a painted male lion
This week I tried out the Pattern Stamp Tool, one I do not remember using. Since I have been getting back into painting some of my images using both Photoshop regular/mixer brushes and Corel Painter, I did not think I would like the results since it is a “painting” tool that has been with the program for a very long time. Well, if used correctly, it does a surprisingly good job. The Lion image above is one I downloaded a long time ago from Unsplash and is by Jakob Puff. This looks a lot harder than it was and I was totally surprised how nice the lion turned out, especially considering how fast it was done.

So what brought this on? This week Adobe Create came out with a link called Free Photoshop Brushes: Impressionist Set by Creators Couture. Needless to say I had to check this out. Jessica Johnson did a short video and gives you five Pattern Stamp brushes to try out this technique. What is so interesting is that you are not carefully painting each section with your brushes, you are basically just dragging around to lay down the strokes. The image itself has been turned into a Pattern which the brushes use as guidelines to follow. They look like strokes because each brush has a different make up. Jessica’s brushes are really nice and they were the only ones used in the lion image. I was going to do a video, but I think Jessica’s is pretty good and short – if you want to try this out, follow her video.

Her technique follows a pretty standard painting workflow with an Underpainting layer, Base layer, Detail layer, and then some additional layers to finish up the image. Each type of layer has a brush associated with it to create the effect. A duplicate copy of the image was placed on top and turned off while painting. A solid brown layer was used to build the painted effect up on – basically follow her simple steps to get a pretty decent result. For the above, once done with the Pattern Stamp layers and brushes, a New Layer was added to paint in the white whiskers a little. A black layer mask was placed on the duplicate copy on top and the areas that needed a little more emphasis and detail were painted back lightly – mainly the eyes, nose and whisker areas and it was set to 43% layer opacity. (See Lion Image info for final steps.)

Major Things to Know:

  1. If actually using the pattern to paint over the image, be sure that Aligned is checked in the Options Bar. Impressionistic is always checked to get this effect.
  2. If you want more detail with any brush, just make it a little smaller or want less detail, make the brush a little larger.
  3. Can also adjust the effect by changing either the brush Opacity or the Flow.
  4. Can change the Layer Opacity to reduce effect.
  5. Change the blend mode of the image and often a very different look, and sometimes better, will occur.

What I did learn is that it is not that hard to create your own Pattern Stamp brushes. There are a couple tricks you do need to know though.

Steps to Creating a Pattern Stamp Brush:

  1.  First find a brush that you think might look good for painting – there are a lot that will not work well so it takes a little experimentation here. In the PS CC later versions, in the Brushes Panel select a brush and then click the Save as a Preset icon at bottom and do not check Include Tool Settings.
  2. Now select the Pattern Stamp Tool (which is stacked with the Clone Stamp Tool) and then select the new preset. The brush will now work as a Pattern Stamp Tool.
  3. Make changes in the Brush Settings Panel.
  4. Save down as a new brush with the Include Tool Settings checked.

These steps also work on any brushes you want to change over to a different type, like changing a regular brush to an Eraser, Clone Stamp or even a Mixer. Pretty handy.

I did a lot of research before writing this blog to see if anyone else has a better way of using this Tool or better brushes – I could not find a lot. The great PS Guru Jack Davis had demonstrated this technique in his wonderful Creative Live Class called Painting with Photoshop where he used very different brushes (from 2002 but they still work) and an action, which are provided, but my first results were not good. What I liked about his brushes are that they represent Chalk, Dry Brush, Oil and Watercolor mediums. Need to consider this when creating your own.

How I created a couple of my own brushes was to look at the ones Jessica provided and try out similar settings. It was really trial and error and it totally depends on the look wanted as to which brush to adjust. For more on my brushes I created see below in Lion Palm Tree info. This process can be a little time consuming and Jessica’s brushes work really well IMO. If you only use this process occasionally, her brushes will probably be a good set to use. She also has several for sale on her site if you decide you really like to do this.

*****

Image of a pink water lily at the National Zoo in Washington, DC
This Lily image was created a little differently. Instead of creating a copy of the Water Lily image to use as a pattern and painting on directly, separate layers were used with different brushes to add different painting stroke and color effects on the image. In this case a green Watercolor Pattern was used for most of the leaves in the background and it was painted in using one brush I created. Then on a New Layer on the dark areas in the image a green Glitter Pattern was placed in the Options Bar, and a different brush was used- it created sort of splotchy strokes. On a New Layer the same brush using a Blue Glitter Pattern was added on some of the leaves for interest. Last pattern stamp layer which gave a pretty cool look to the lily was to set the layer to Hard Light Blend Mode and using a pattern called Strokes Gold and Kyle’s Scrape brush converted to a Pattern Stamp brush – the actual flower was painted over. For the rest of the steps and resources, see Lily info below.
*****
Image of two Palm Trees on the Big Island in Hawaii
These two painted Palm Trees from the Big Island in Hawaii turned out to be a good example for using the Pattern Stamp Tool. This time I used both a Pattern of the image itself for painting, and created a pattern using a small portion of a Renoir painting that had lots of pretty greens and blues in it. That meant that I switched between both patterns when creating this effect (turning the Align checkbox on and off). Just used a Solid Color Fill Adjustment Layer with a bright blue for the bottom. Then followed Jessica’s workflow using her brushes for the Underpainting, Base, Detail, Artistic, and Textures layers. Used one of my brushes and created patterns to apply the color behind the horizon and in the foreground. The foreground layer was set to Color Dodge blend mode at 57% layer opacity to get the yellows to pop. In my Two Palm Trees notes below, I have given you all the settings I used to create one of my brushes that was used for the foggy effect behind the trees. That was about it on this one other than the stand finishing as in the other two images.

I found this technique pretty easy to do and would encourage you to try a simple image using Jessica’s brushes and see what you think. She also gives you some patterns if you sign up for her newsletters which are very nice. She has a few videos on her website which show how to create the patterns like I did on the Renoir pattern for the Palm Trees image – this is really very simple stuff. If you like the painterly look, give it a try – you can always use layer masks to remove the effect from faces or objects and give a really interesting overall effect for your images. Well have fun painting! ….. Digital Lady Syd

IMAGE INFO

Lion Image: I just finished up with my normal image workflow: a white Spotlight Effect on face set to 85% layer opacity, a Color Lookup Adjustment Layer (using Foggy Night preset) at 52% layer opacity, Exposure Adjustment Layer to pop the eyes, a Black and White Adjustment Layer set to Luminosity blend mode to adjust the tones, and a Red Channel Curves Adjustment Layer at 58% layer opacity for contrast.

Lily Image: The Green Watercolor pattern was from a set by Ult Designers Watercolors. I tried a lot of Grut brushes (the best around – check out his freebies section for a free brush every week and his sampler for some more good brushes) as he uses a lot of different types of tips , textures, and edges in them. I finally got a pretty good brush using his Grut – OI Chimp Gimble and another with FX IL Choppy Slop brushes in his excellent Inky Leaks Set. Also used PS’s Kyle Webster’s Scrape brush. To get the free patterns, go to Chris Spooner Glitter Patterns. The Brush Strokes (Gold) Pattern is free. To finish up this image, usually I group the Pattern Stamp layers. Then once again just my normal finishing up process. First on a New Layer I did a little flower clean up – one area was too bright and distracted from the focus of the image so it had to be painted using a darker color. Next a free Matt Kloskowski’s Sun Rays Top Left was added, flipped and rotated to have the correct lighting effect, set to Overlay blend mode at 59% layer opacity. I did not like the white light but wanted a warmer color, so clipped a Hue/Saturation Adjustment Layer to the image and set the Hue to -180, Sat 98, and Lightness -27 for more yellow tones in the ray. This added a cool look to the image. Two New Layers were added and set to Overlay blend mode – one for a spotlight effect on the flower, and one to add more orange and yellow tones to just parts of the flower for some contrast. What really popped this image was a Gavin Philips custom pattern with a bright sun ray in the upper left from his Lightmaster Action.  The ray was moved in the pattern by holding the CTRL and dragging in the image. It was set to Overlay blend mode at 39% layer opacity. On a New Layer was set to Overlay, some black paint was added to darken down the upper right leaf – became too bright from the Pattern Fill Adjustment Layer. Next a Color Lookup Adjustment Layer was added using my Sketch Effect cube presets and set to 71% layer opacity. Next a Hue/Saturation Adjustment Layer to just adjust the color a little. A Black and White Adjustment Layer was used to adjust the tones in the image and set to Luminosity blend mode. And Finally a Red Channel Curves Adjustment Layer where both the contrast and the colors were tweaked just a tiny bit.

Two Palm Trees Image: Just a couple things about this image. I created a Pattern Stamp brush using my SJ 3 Pastel brush as a basis. Since I have released my settings for my go-to brush a long time ago, I will give you the settings I used to create the Pattern Stamp brush. First need to follow the instructions in my How to Create My Favorite Brush blog to create my basic SJ 3 Pastel Brush. Then in the Texture section, change Texture to Extra Heavy Canvas, Invert checked, Scale 83%, Brightness -90, Contrast 76, Checked Texture Each Tip, Mode Linear Height, Depth 23% and Depth Jitter 76%. Then add a Dual Brush set to Rocky (a soft round grainy ball), Size 223 px, Spacing 29%, Scatter – check Both Axes and 123%, and Count 5. Now go ahead and Save Brush, then Save again with a Tool checked, select the Pattern Stamp Tool and then save again with Tool checked. The trick to creating a brush is to look at the Texture and the Dual brush sections. These both have a lot to do with how the brush will paint a pattern. A Color Lookup Adjustment Layer using Scott Kelby Warm Reds preset was added at 90% layer opacity. Last steps here were to use two spotlight layers for lightening up and darkening down areas in the trees. Black and White Adjustment Layer and Green Curve Adjustment Layer were used to finish off the image.

14 responses

  1. I hardly ever use pattern stamp tool. So this was a cool reminder of what it can be used for. Thanks for the link to free Photoshop brushes.

    10/22/2019 at 8:44 am

    • Thanks Otto – I am not sure I had ever used it. I am thinking of ways to use the Pattern Stamp Tool, especially for nice background effects or to create nice texture effects. Sort of an overlooked Tool that might be very useful.

      10/23/2019 at 11:34 am

  2. GrutBrushes

    Nice tips Syd! Your posts are always so full of information I’ll have to come back to look into it all

    10/22/2019 at 8:51 am

    • Thanks Nicolai – I have learned a lot from your brushes. I know you have a bunch that would look great as Pattern Stamps. I need to try some more out for this.

      10/23/2019 at 11:32 am

  3. Dean Blondefield

    Hello Digital Lady Syd. Thank you for posting “What About The Pattern Stamp Tool? Not So Bad!”. It struck a chord with me. I also really like the “Guitar Man” picture you did on your Tidbits Blog. I’ve been wanting to get into a painterly effect with my photos without looking artificial. I copied your posts to a document so I can bring it up and try it myself. I’m hoping to take Melissa Gallo’s course. She uses Corel and Photoshop as do you. I saw a photographer post his pictures on a photo forum where he’s trying to get an Edward Hopper effect.

    Thanks for the posts, Dean

    10/22/2019 at 4:18 pm

    • Thanks for the comment Dean. I learned a lot from Melissa -Her PS videos are older but possibly still the best around for painting in PS. She also has brushes that I find very useful and use all the time. The Corel Painter program is as complicated as PS – it does have a bit of a learning curves. That said, if you can figure out a few brushes that work for you, it may be enough with some introductory instruction. I find I mix the two programs up using both Painter brushes and lots of PS regular and Mixers. Let me know how it is going!

      10/23/2019 at 11:43 am

  4. Dean Blondefield

    Yes, I got the impression when I looked at Melisa Gallo’s site, that it was an older course. She does mention using Corel Painter 2017/2018, but nothing about what version of Photoshop she uses. I started with Photoshop Elements 4 and move to Photoshop 7 after that so I think I’ll be okay if I take her course. I’m currently using Photoshop CC 2019. I looked at Corel Painter 2020 and after seeing the price my budget dove under the bed. I’ll eventually get there. Thanks again. – Dean

    10/23/2019 at 2:11 pm

  5. Dean Blondefield

    That’s great information. The offer was closed so I signed up to be notified for the next “bundle”. There’s hope yet. Thank you – Dean

    10/23/2019 at 6:52 pm

  6. Amazing! I have never used the tool 🙂

    10/27/2019 at 11:10 am

    • That’s what I thought too and it is easier than using the Art Brush even. Got to love PS!

      10/28/2019 at 8:34 am

      • Yes, what a great tip! The results are so very neat.

        10/31/2019 at 4:17 pm

      • Thanks. It is so easy to overlook something in PS that actually has really good uses.

        10/31/2019 at 10:37 pm

      • For some reason, I convinced myself that the tool is not useful. My mistake 🙂

        11/02/2019 at 3:35 pm

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