HOW TO GET A SOFT TEXTURED FLOWER EFFECT
In the process of reorganizing my office so have not done a lot of Photoshop. But I did recently enjoy one of my favorite texture people, Kim Klassen, blogs and some of her really nice give-aways. She also is a Lightroom expert but her textures have always been great for that soft subtle look. Most of her looks are with florals and of very peaceful surroundings. Sign up for her newsletter and she will give you some great textures. Also a Jai Johnson texture was used (see more on this below) and her textures are a favorite for me, especially with my animal images.
For the above image, Topaz (see sidebar at my Tidbits Blog for website link) Sharpen AI was applied on a duplicate layer. The spotlight effect was added to bloom and leaves (see my How to Add a Spot of Light blog to do this) to draw the eye to the focal point. To further sharpen the bloom only, a High Pass filter was added with a black mask – painted back only what needed a little more sharpening. Chris Spooner’s Wood Grain Texture 01 png was added next and the plant was painted out in a layer mask so the grain only affected the background. (These are really nice textures and are a free download – check out Chris’s site for lots of free goodies.) A Selective Color Adjustment Layer was clipped (ALT+click between the layers to clip) to add the blue color to the wood grain. A texture by Jai Johnson at Daily Textures called Watercolor Experiment was set to Vivid Light at 20% layer opacity. This was a free give-away from Jai – if you sign up for her newsletter she will give you several great textures. Her specialty is creating natural textures that look great with animal images. Jai also has some great tutorials at her site for adding animals into her textures which is a lot of fun.
Now Kim Klassen’s Mocha stamp brush was used to soften the whole image down – this was a free give-away this month and is in her Dry Brush Stamps set. Set it to 43% and did just one stamp down. Kim’s Minimay grunge frame was added with a layer mask and everything but the frame was painted out. The texture was set to Pin Light at 83% layer opacity. Another Selective Color Adjustment Layer was clipped to the frame to adjust the color for a very rusty effect. The last step was a Curves Adjustment Layer to add back some contrast.
This is more of a real Kim Klassen “look” compared to the top image. This also was a much simpler workflow. On a duplicate layer converted to a Smart Object, the Camera Raw filter was opened and the Calibration Panel was opened to add a little more pink back into the flowers – it really improved the color. This is one of Kim’s tricks when she is processing her images – a great way to remove some greens if they are overdone or not quit the right color. I brought a butterfly image taken at the Butterfly Rain Forest to just add a little interest – this orange beauty was turned into purple to fit in subtlety. Wish there really was a purple butterfly like this – to soften those edges a little, put an Inner Glow on it (compositing trick learned from Matt Kloskowski) – set your blend mode to Normal and sample color from image for swatch. Clip a Hue/Saturation Adjustment Layer to butterfly layer to change its color. On a new layer another free brush set from Kim called Edged Stamp (used 2) was selected – just clicked once – it gave a beautiful textured look. On top another Kim Klassen texture called Paper and Grit 2 was added (this is from a set I got several years ago but I believe she still sells it – these are really beautiful textures). This one was sort of a concrete look but in a light beige color and was set to Soft Light blend mode at 100% layer opacity.
The last step is pretty nifty – very similar to my Spotlight Effect, but this time Unmesh Dinka did a One Trick to Add Light or Shine to Anything in Photoshop video that shows how to add some shine to any object. That is what was done on this image to just slightly pop the flowers. I actually created a simple action to do this as I found this technique really helpful – just need to create the brush first so it can selected in the action.
Just another example of a Kim Klassen’s effect. This time the steps in her A Start to Finish Quote Art Photoshop Video Tutorial were followed using her mostly-subtle stamp brushes that are available on the site. It was a lot of fun to do. The flowers are from Vector Huts Globe Flowers – 40 Plant III No. 4 which were free a while back.The outside frame is from Jai Johnson and is called Chaos Frame Border. The dark lines were selected using Color Range and a layer mask added – you want the dark areas to appear as white in the mask. It was one of her give-aways from December. That was all that was done.
If you want to get some nice textures to tryout, get on both Kim’s and Jai’s mailing lists – they are super about giving you samples to try out and their textures are absolutely fabulous! Have a good week…..Digital Lady Syd