Still taking it easy and enjoying just learning a few new techniques and passing them along as I go. This image is from Shorpy.com of Miss E. G. Winship (this links to the original image if you would like to try out the technique yourself) from 1909 who was a 22-year old living in Philadelphia. I have always enjoyed tinting old images so when I found a class on this on Udemy, I decided to check it out. Udemy has many classes and runs specials often where the whole course is offered for $10 or $15 (note – you do not get to download the videos but will always have access to them if purchased). This course was called Photoshop Design: Colorize Historical Photos in Photoshop by Phil Ebiner. Previously I had posted a How to Colorize an Old Photo blog which uses a similar technique as this class – using Solid Color Fill Adjustment Layers to add localized color to each of the different components in your image. This course was pretty basic, but he had one thing that really caught my attention. He showed you how to layer several different fill colors on top of each other to achieve natural looking skin, mainly to the face and a few other skin skin areas. Phil also supplied color charts to use for different skin tones if the one he suggested does not match up correctly. By being able to apply localized color to the face and parts of the skin, it gives a more accurate effect to the overall colorization. This can be very beneficial if trying to hand-tint personal scanned images. With the course information I was able to create a fairly simple Photoshop Action to set up the different colored adjustments layers for a quicker set up.
The image below was completed before the one above. I felt like the one above is the more traditional look and is probably closer to what the dress color was and possibly the skin tone. By just changing out the Solid Color Fill Adjustment Layers, the dress and hair color could easily be changed out. The skin and background took a little longer. Part of the problem with this image is that it is not of a very high resolution. The initial image had to be adjusted to get a nice size to work on. Some parts of the image are hs lost detail and there is not a lot that can be done. On the top image, some hand painting on the upper left bodice area with a regular brush tool to add more detail and remove some of the really dark shadows. On the one below, this was not taken.
If no info was available on the young lady or where she was from, a story could have been built into the image. That is what I attempted to do. By giving her a green toned dress, red hair, and a different skin tone, I hoped a bit of Irish flare could be given to the image. Also, Anthropics Smart Photo Editor was used to add an interesting border and vignette to the image. I forget I have this plug-in, but it contains lots of great effects including many border and vignette effects, which is one of the reasons I bought it a few years ago.
Another one of my blogs on this same subject uses a special brush to paint in the color on New Layers instead of using Solid Color Fill Adjustment Layers. Sometimes it is easier to do this on a new layer if a problem comes up with the adjustment layer color or definition of a subject. (See my How to Hand Tint a Vintage Image and Create a Brush To Do This blog.) The brush was used on a couple layers after I had finished colorizing to touch up parts that were not smooth, especially in the arms. Also the Mixer Brush was used to blend in areas where the photo was a little grainy looking on the skin. It seems like you could spend as long as you want to get the image looking really great. If the image is scanned, the resolution of the photo can be set higher and a better quality colorized image will result. If you are interested in trying out this technique, check out both my Colorize blog and this course. It is actually a lot of fun to do! Well I guess that is all for this week. Later!…..Digital Lady Syd
Not sure I have blogged on photo restoration much. This week I am going to show you how to colorize old images to give them a nice tinted effect. This image is of my Grandmother Francis Carlton Smith and says it was from 1913.
I learned how to do this from photo restoration specialist Suzette Allen when she appeared on Creative Live a while back. This is how she uses Solid Color Adjustments Layers to add color to her images. I might add the skin effect is also from her video but that is another blog as it is a bit tricky. In this case various Solid Color Adjustment Layers were used for her skin, then hair, and finally the dress and background. In all 7 were used. I would suggest you first download Suzette Allen Color Guide Faces photo – a free download from her website – before beginning. Frequently I open up this image in Photoshop to use for sampling skin and lip color. Nik’s Color Efex Pro was used at the end and Flypaper Textures Nik Color Efex Presets White Buttons was applied. The Frame was added in the Smart Photo Editor plug-in using the white border with gray stroke classic border. The Solid Color Adjustment Layer technique is the same as in the workflow below.
The cute kid image was downloaded from one of my very favorite websites, Shorpy Historical Photo Archive (this links directly to the original black and white image and there are some pretty interesting comments on the playground itself), and was taken in New York City on July 14, 1941. A few months ago I did a little vintage blog on how to make a nice old photo really look vintage. (See How to Add More Vintage Feel to An Old Photo blog.) (Also check out my Related Blogs below for how Calvin Hollywood uses Solid Color Adjustment Layers.) So here is the basic workflow on how to colorize your old images.
1. First I sharpened the image overall using Topaz (see sidebar at my Tidbits Blog for website link) Detail 3’s Overall Detail Light preset, but you can sharpen anyway you want. Do any major adjustments to the photo before starting the colorization process.
2. Select a Solid Color Adjustment Layer. Fill the layer mask with black by clicking on it and CTRL+I to fill with black.
3. Change the blend mode of the adjustment layer to Color and the layer opacity to 32%. Name it so you can tell quickly where it was used.
4. Suzette suggests starting to colorize with the skin first. Open up her Color Guide Faces in Photoshop. In the image click on the foreground swatch and then click in the guide and click on a skin tone to use in your image.
5. Go back to your image and double click on the Solid Color Adjust Layer color box in the Layer Panel which brings up the Color Picker. By dragging your cursor outside the Color Picker, it turns into an eyedropper to sample the Foreground Color in the swatch at bottom of the Toolbar. Your adjustment layer will now have the the skin tone color from the guide.
6. Click on the black mask and paint with a brush with a white (brush changes from the colors to black and white when painting in a layer mask). Set your brush to white and 12-30% brush opacity in the Property Bar and add a little hardness to the brush so you can get some fairly close edges. You will now see the color being painted on the skin area.
7. When finished with that color, duplicate the layer by CTRL+J. Now rename this layer to indicate the new area you will be working on and fill the layer mask with black again (CTRL+BACKSPACE in the mask). Go back to the Guide and choose another skin tone for the Foreground Color – back in your photo sample the Foreground color and start painting in white on the mask again.
It really is an easy process once you do it a couple of times. I created separate Solid Color Adjustments layers for each skin area, along with hair, dress color, background colors, etc. To keep everything straight, Groups were created (highlight the layers and press CTRL+G to group them) with those titles since there were 10 or 11 Solid Color Adjustments Layers in each group.
The nice thing about this technique is that it is easy to go back and change a color if it does not look right. By double clicking on the color swatch of the adjustment layer, you open the color picker where several different colors can be selected – a live update will show in your image as you hover over each color. This is a really easy way to add believable color to an image.
The rest of the image effect was created using a New Layer and doing some skin smoothing by sampling nearby colors to smooth some of the splotchiness, and by applying Nik Color Efex Pro’s Glamour Glow, Film Efex-Faded, Image Borders, and Brilliance/Warmth to get the final result. This image actually took quite a while to complete, but the localized colors in both the clothes and skin tones did create a nice result from a rather dull and cluttered black and white image.
Not all images work well for this type of technique – you just have to experiment to see how it looks. It can be a bit tedious to really get a good result, but overall it can really make your vintage images pop. It is fun to try and figure out what your long lost relative may have looked liked in color. Give this technique a try – works great on any type of image. I find I am really enjoying trying this out on my old photos. Have a great week!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
How To Use A Solid Color Fill Adjustment Layer
Digital Lady Syd Reviews Smart Photo Editor Photoshop Plug-In