Still taking it easy and enjoying just learning a few new techniques and passing them along as I go. This image is from Shorpy.com of Miss E. G. Winship (this links to the original image if you would like to try out the technique yourself) from 1909 who was a 22-year old living in Philadelphia. I have always enjoyed tinting old images so when I found a class on this on Udemy, I decided to check it out. Udemy has many classes and runs specials often where the whole course is offered for $10 or $15 (note – you do not get to download the videos but will always have access to them if purchased). This course was called Photoshop Design: Colorize Historical Photos in Photoshop by Phil Ebiner. Previously I had posted a How to Colorize an Old Photo blog which uses a similar technique as this class – using Solid Color Fill Adjustment Layers to add localized color to each of the different components in your image. This course was pretty basic, but he had one thing that really caught my attention. He showed you how to layer several different fill colors on top of each other to achieve natural looking skin, mainly to the face and a few other skin skin areas. Phil also supplied color charts to use for different skin tones if the one he suggested does not match up correctly. By being able to apply localized color to the face and parts of the skin, it gives a more accurate effect to the overall colorization. This can be very beneficial if trying to hand-tint personal scanned images. With the course information I was able to create a fairly simple Photoshop Action to set up the different colored adjustments layers for a quicker set up.
The image below was completed before the one above. I felt like the one above is the more traditional look and is probably closer to what the dress color was and possibly the skin tone. By just changing out the Solid Color Fill Adjustment Layers, the dress and hair color could easily be changed out. The skin and background took a little longer. Part of the problem with this image is that it is not of a very high resolution. The initial image had to be adjusted to get a nice size to work on. Some parts of the image are hs lost detail and there is not a lot that can be done. On the top image, some hand painting on the upper left bodice area with a regular brush tool to add more detail and remove some of the really dark shadows. On the one below, this was not taken.
If no info was available on the young lady or where she was from, a story could have been built into the image. That is what I attempted to do. By giving her a green toned dress, red hair, and a different skin tone, I hoped a bit of Irish flare could be given to the image. Also, Anthropics Smart Photo Editor was used to add an interesting border and vignette to the image. I forget I have this plug-in, but it contains lots of great effects including many border and vignette effects, which is one of the reasons I bought it a few years ago.
Another one of my blogs on this same subject uses a special brush to paint in the color on New Layers instead of using Solid Color Fill Adjustment Layers. Sometimes it is easier to do this on a new layer if a problem comes up with the adjustment layer color or definition of a subject. (See my How to Hand Tint a Vintage Image and Create a Brush To Do This blog.) The brush was used on a couple layers after I had finished colorizing to touch up parts that were not smooth, especially in the arms. Also the Mixer Brush was used to blend in areas where the photo was a little grainy looking on the skin. It seems like you could spend as long as you want to get the image looking really great. If the image is scanned, the resolution of the photo can be set higher and a better quality colorized image will result. If you are interested in trying out this technique, check out both my Colorize blog and this course. It is actually a lot of fun to do! Well I guess that is all for this week. Later!…..Digital Lady Syd