This week I want to cover a very simple thing – creating a signature block for your images, but more importantly, how to make it show up without being over-powered by the image. The image above is of one of the wood boats at the Hilton Waikoloa Village on the Big Island in Hawaii – one of the most relaxing things you can do at the hotel, especially at night when the stars are out! Anyway, I did not want to place my signature block in the right corner as I felt it would have ruined the effect I was looking for. Instead it was placed in the left corner, but had to be brought out a little to see.
Creating the Signature Block
A few months ago I went to my local photo club meeting where one of the members showed everyone how to make a nice signature effect for your images. I decided to upgrade my basic copyright symbol and name (last line of my signature brush) that I have used for years to create the one above. To do this, these are the very basic steps – probably a review for most of you – but worth the time to do.
1. Open up a New Document in Photoshop. I used a 10 x 8 inch document with 240 dpi. I believe you can make this much smaller, but this worked for me.
2. Select Text Tool and create your line of text. Since I wanted to create an overlapping text design, three text layers were created, each using the same font and sizes. The font I used was Easy Street Alt ESP. The first letter was set to 100 pt. and the smaller ones to 40 pt. I wanted to space the lettering so they would overlap evenly, so the letters were adjusted using a few of these tricks:
- Highlight two characters in text line and press ALT + -> key to increase the space between them
- Highlight two characters in text line and press ALT + <- key to decrease the space between them
- To change word spread, highlight the text and ALT + right or left arrow keys like above
A fourth line of text was created using the Dom Casual BT font and the last line that is my copyright line uses Freehand 575 BT font. See my Adding Copyright Information to Your Image blog to add a copyright symbol to brush. The Move Tool was used to line up the different layers of text to create the one used above. And you are not limited to using just one brush for your photos or using only text layers for your signature. You can write on the layer with the Brush or Pencil Tool to get an authentic signature in your brush.
3. Flatten the image by going to the fly-out menu in the upper right corner of the Layer Panel.
4. Go to Edit -> Define Brush Preset and voila! you have your custom brush listed at the end of your Brush Presets Panel. If it is too large, you can either Free Transform (CTRL+T) it and recreate it at a smaller size. Also, you can just save it as a Tool Preset. To do this, in Options Bar set the correct size for brush and go to the far left brush icon and click – press the little bottom icon on right that Creates a New Tool Preset. Now anytime you select the Brush Tool, you can click on the icon and it will always be listed with that size setting. I keep it as a Tool Preset since I use it on almost every image.
Adding Layer Style to Make Name Brush Stand Out
Now that you have a preset of your photography brush set up, you need to make it so that the brush does not get lost in the photo. The image above is one I actually created in Photoshop. You can see the signature block would have not shown up well if I had not added something to smooth out the area behind the lettering. This is how I do this.
To create the Layer Style, add a New Layer to an image, select your signature brush and apply one once. Then open the Layer Style by double-clicking on the layer in the Layers Panel. Click on the words “Outer Glow” in the left-hand list. Change only these settings – Blend Mode: Normal, Opacity 34%, Spread 15%, and Size 20 px. Click on New Style button and name and save – mine is SJ Sig Out Glow.
To apply the Layer Style to your signature layer, do this:
1. Create a New Layer and add your signature brush to the layer in the color you would like it to appear.
2. Double-click on the layer to open up the Layer Style dialog and click on Styles in the upper left-hand list – your new layer style should be listed at the bottom. Click on it to apply and click on the checked Outer Glow words in the left-hand list.
Or open up the Layer Style Panel and at the bottom will be the new style – click on it to apply. Then double-click on the Outer Glow line attched under the layer to open up this section.
3. First click on the color swatch and sample in your image to a color that will make your signature show up. In the case above, the bluish-gray tone was chosen. Now adjust the opacity, spread and size to make it as noticeable as you want. Sometimes it takes a couple different colors to get it to blend in correctly, but it does a very nice subtle job of enhancing your signature. The Opacity was set to 89%, Spread 18% and Size 35 px on the image above. Note that in this image it says Painted By in the signature block – a new brush was created for my images created from scratch.
For the top image, a light pink tone was added at 72% opacity, Spread 41%, and Size 65 px – different settings than on the bottom image. I know this seems really basic, but it is an important part of every image. You do not want the signature to be overwhelming but you do want it to be noticeable. Hope you can use these tips to create a very nice signature block on your images…..Digital Lady Syd
These beautiful pink dahlias grow in my front yard. This image composition really fits the criteria for a good vintage feel. One of the major objectives is to have some nice negative space – or blank area – in your image to show off the textures. This image had a clean light gray background because they were shot in front of a white board on a shaded porch with lots of natural light before being planted. If they are planted already, try using a very wide open aperture setting so the background is blurred slightly, or have someone hold a white reflector behind them while shooting (and one over them if it is a really sunny day – overcast days are the best for photographing flowers). This image was shot at eye level using a 60 mm AF Micro Nikkor at F6.7. After uploading to Lightroom, the image was cropped and all the sliders in the Basic section were adjusted. In Photoshop bad spots on flowers were cloned out and then the following layers were added: 1) the new Color Lookup 1 Adjustment Layer using 3DLUT File set to FoggyNight preset (gives a more purplish flower color) at 89% opacity; a Gradient Fill Adjustment Layer (adds the pinkish bottom half) set to a deep brown red color (foreground color in Color Picker) to translucent gradient, Linear Style, 90 degree angle and Scale 149% with layer opacity set to 39%; Paul Grand’s terrific Scratches Texture set to Soft Light at 38% layer opacity and removing some cracks using a layer mask on texture; ShadowHouse Creations Old Photo 2 (click Large View and right click to select Save Image As) set to Soft Light at 100% (gives the beautiful old looking frame around image); ShadowHouse Creations Bokeh 2 (really lightens up the image) set to Soft Light at 62% opacity – painted out most of the bokeh on a layer mask; ShadowHouse Creations T2 (this is one of my favorite textures – old lace) set to Soft Light at 63% opacity; a Curves Adjustment Layer to add a little contrast back into the image; and finally a Levels Curve with black Output tab set to 8 to lighten the whole image only a little. This is really not as hard as it seems. The important thing is that you need find a few favorite textures and then try them out on various dark and light images to get a feel for how they look when set to different blending modes and opacities. I use Soft Light frequently for the textures but try out other blend modes to see what they will do. The textures used in the above image are some of my favorites.
One of the reasons I am so inspired this week is that Sarah Gardner‘s Art Beyond the Lens book on using textures in your digital images finally was reprinted and came in the mail. She creates some beautiful textures on her website along with some beautiful images. Her book is a great read and very easy to follow. She demonstrates a few different techniques for adding textures and using some of Photoshop’s other tools to create beautiful effects! The above was my first attempt using some of her tips and I am pretty happy with it. These flowers are called Phloxy Lady Phlox and also grow in my front yard. Both textures are from free give-aways Sarah had going a few months ago, one is Beyond – Seagrain Dark set to Soft Light at 100% opacity and Artisan Ink set to Overlay at 42% opacity. She also posts interesting things on her Facebook page so follow her. The frame is my basic layer style using sampled colors from the image (see DLS Free Layer Style Frames blog).
Here are some delicious chocolate covered strawberries from the Melting Pot Restaurant. For starters, this was a five image HDR processed using Nik’s HDR Efex Pro 2. Then in Photoshop lots of the same textures were added – Caleb Kimbrough’s Summer 5 texture set to Overlay at 34% opacity to get that beautiful golden Tuscan feel; Paul Grand’s Scratches Texture (link listed above) used twice to give it more interest (both set to Soft Light with 50% and 23% layer opacities – using layer masks to paint out different parts of image); and ShadowHouse Creations OldPhoto 6 set to Overlay at 100% opacity. Now here are a couple things you can do to get a really nice vintage feel. Next a Color Fill Adjustment Layer was added and the color I used was a deep red (49250f) – it was set to Soft Light at 80% opacity and the plate and chocolates were painted out with black in a layer mask. This created the marvelous deep brown in the upper background especially. I now realized I had some texture areas that were slightly bare looking so this time a New Layer was added on top. Using Gorjuss Grunge Again Brushes (unfortunately these are no longer available but any grunge type brush would do) with Brush 01 at 30% and sampling a darker brown color in the image for foreground color, the area in the upper right was filled in lightly. Another New Layer was created using Brush 08 at 30% and sampling a lighter brown color; and finally yet another New Layer was added using Scratch Heavy Brush (this is a mystery brush – not sure where I got it) at 30% and rotating it 90 degrees to paint in the top with a yellow-gold color sampled from the image. A few more strokes were added to the left to brighten the image a little more. If you find you have a hole or want a little different texture, go back to your brushes and see if you have something that will fill it in. In fact you can make your own textures with these brush effects.
Here is another example of following Sarah Gardner steps from her book. I added three textures using Russel Brown’s Texture Panel (see my blog links below to find more information on this wonderful free panel) – ShadowHouse Creations T2 lacy texture (see download link above), Oil Painting-2 and Painted Clouds. Parts of the lacy texture were painted out to sharpen the mid-section flowers, which is the focus of the image. Something different I did and have not really seen before is to add a Pattern Fill Adjustment Layer set to Parchment at Scale 397%. Then the layer mask was filled with black and just the foreground flowers were painted with the pattern texture. Finally the layer opacity was set set to 35%. Since I wanted a little color in those areas, a Hue/Saturation Adjustment Layer was added and linked to the Pattern Fill Adjustment Layer below by ATL+clicking between the two layers (a little box shows let you know it is working) so the changes in the Hue/Sat Adjustment Layer only occur on the layer below. The Hue was set to +292, Saturation +34, Lightness +21 and Colorize was checked – this gives the light pink color to the grain in the foreground flowers only. That was it – used my layer style to frame the image (see DLS Free Layer Style Frames blog). I believe this image portrays that soft Victorian look quite nicely.
Since this is such a long post, here is a summary of what I think is important about using textures.
1. Textures definitely add that old time look to an image if used properly. Flowers really benefit from this type of look. If you check out some of my blogs below, there are some landscape images using textures that turned out really nice.
2. The Pattern Fill Adjustment Layer can add a vintage feel to your images – they look like a texture when added to an image and by using the Scale slider, very different effects can be created. (See image 4 information.)
3. The new Color Lookup Adjustment Layer in CS6 also gives you another way to add texture and color to get the vintage feel. (See image 1 information.)
4. Create a New Layer and use unique brushes – there are many grunge brushes and scratch brushes available for download on the internet. Sometimes it is necessary to create a texture using brushes to fit the needs of your image. And don’t forget you can change the settings to make the brush stroke in a different direction or to stretch out the spacing. (See image 3 information.)
5. Use a Gradient Fill Adjustment Layer to give some color variation and then paint out in a layer mask areas you do not want affected. Be sure to try different blend modes. (See image 1 information.)
6. Use a Color Adjustment Layer to add a bold color and then reduce the opacity of the layer. Again, be sure to try different blend modes. (See image 3 information.)
7. Use Russell Brown’s texture panel to try out texture looks really fast – this is a really great tool (see download information in blog links below). The Flypaper Textures that are loaded with the panel create some wonderful results. I also keep a folder of my favorite textures on my Desktop so I can access them really fast when using this panel. (See image 1 information.)
It usually takes several attempts to get the effect you want. All these images took several hours to get the look I liked. If one techniques does not work, try a different one. Check out some of my blogs below to find more ways to create the vintage feel in Photoshop. …..Digital Lady Syd
Digital Lady Syd Related Blogs:
How to Create Unique Watercolor Background Texture
How to Create Unique Textured Backgrounds
Russell Brown’s Paper Texture Panel – A Real Winner!
Orchids with Russell Brown’s Paper Textures Panel
Russell Brown Texture Panel Landscape Image
Tips for Flower Textures
Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect
Create a Winter Scene with Photoshop Brushes and Textures
Adding a Texture for Flair!
The Soft, Dreamy Look
Soft-Look Flowers Using Textures
Usually I try to have a particular theme for my major blog. I have been busy this week but doing all sorts of different things so I decided to just post some of my favorites. The image above is from the Big Island in Hawaii and it was not a first pick when I was processing. After I got a chance to play around in Photoshop with it though, it turned out to be one of my favorites. Sort of represents the kind of terrain that the trees in the area have to contend with and the light was very nice at this spot.
This is a 3-image hand-held HDR shot that ended up with a lot of different steps, starting first with Photoshop’s Merge to HDR to align and remove any ghosting. That tone-mapped image was then taken into Nik’s HDR Efex Pro and one of my favorite presets, Grannys Attic, was applied. Next Nik’s Color Efex Pro 4 was applied using another one of my favorite presets, Midnight at 3% blur, which gives the tree more of a silhouette feel. Wow – not finished yet! Next Topaz Adjust 5 (see website link in my Tidbits Blog sidebar) was applied with the Timeless IV preset. But there’s more – one of my favorite textures, Shadowhouse Creations Paper Texture Scratchbox4 which has a golden lower half and a light greenish-turquoise top half set to Overlay at 80%, gives the image the warm vintage tones. A Levels Adjustment Layer was added for some tonal contrast. Finally, my Thin Double Edge Frame was applied (see DLS Free Layer Style Frames blog) – it creates a really nice slim framing and the colors can be changed easily by sampling within the image. Done!
This wall art image is on display in the open-air one mile long corridor that contains all sorts of art at the Hilton Waikoloa Village on the Big Island in Hawaii. Just one of the very unusual pieces that is available to view on your leisurely stroll about the resort, but this guy means business or else he has some really bad breath!
This time I tried a sharpening technique in Photoshop’s Merge to HDR (see John Paul Caponigro’s blog Creative Sharpening with HDR Software) as a first step. Next, using Russell Brown’s Paper Texture Panel (see links at end for blog link), two Flypaper textures were added, Paper Texture Creme Anglaise Taster set to Blend Mode Exclusion at 100% Opacity which turned the whole image dark and Paper Texture Touchstone Taster set to Color Burn Blend Mode at 64% Opacity. A slight S-Curve Curves Adjustment Layer was added to increase contrast a little. Finally OnOne’s PhotoFrame (see website link in my Tidbits Blog sidebar) acid burn controlled 04 frame was used with the color being sampled from the image.
Oh no! Where did he come from? Back in my blog again?? – this is my office-mate Ted – had him way before he got famous. Seems to be enjoying himself. Hum! (See my Tidbits Blog My Office Friend Ted.)
Ted was processed using the wonderful Topaz Simplify 3 plug-in (see website link in my Tidbits Blog sidebar) and here are my settings used: Simplify – Colorspace YCbCR, Simplify Size 0.52, Feature Boost 3.83, Details Strength 1.51, Details Boost 1.27, Details Size 0.62, Remove Small 0, and Remove Weak 0.16; Adjust – Brightness 0.01, Contrast 1.07. Saturation 1.03, and Saturation Boost 0.97; and Edges – Mono Edge Fine, Edge Strength 4.47, Simplify Edge 0.39, Reduce Weak 7, Reduce Small 0.07, and Fatten Edge 4.11. A composite was created above this layer (CTRL+SHIFT+ALT+E) and set to Linear Light at 37%. Next Sarah Gardner’s texture Blush Cherry was added (the website is no longer offering this texture but ShadowHouse Creations Pastels Texture Set Pastel-10 is very close) set to Soft Light Blend Mode at 100% Opacity lightened up the image. A text layer was created using Sassys Teddys 3 font and a Layer Style with these settings were added to the text layer: Bevel & Emboss set to Contour and Texture, Style Inner Bevel, Technique Smooth, Depth 100, Direction Up, Size 7, Soften 0, Angle 25 wit Use Global Light checked, Altitude 30 and the rest default settings; Outer Glow set to Normal Blend Mode, Opacity 100, color R77/G30/B19, Technique Softer, Spread 0, Size 237 and the rest default settings; and Drop Shadow – just dragged around on screen a bit in Multiply Blend Mode and Black, Opacity 75%, Angle 25 & Use Global Light checked, Distance 29, Spread 0, and Size 7. Whew! Finally the same Layer Style was applied as for the first image using different colors in the frame.
Thought I would finish off with an effect that reminded me of one of my kids favorite books from forever ago, The Berenstein Bear’s Spooky Old House. This old building image I use a lot for practice with the plug-ins is in Jackson, Mississippi and stands under one of the most striking buildings in the area, the Lamar Life Insurance Building (see my Tidbits Blog Topaz Adjust 5 Is Here! First Look!).
The processing for this image was practically all in Nik’s Color Efex Pro 4 – four filters were stacked: Detail Extractor, Tonal Contrast, Pro Contrast, and Midnight using Color Set Blue and Blur set to6%. These are some of my favorite filters and are used often with various other filters for different looks. Got to love Color Efex Pro! A Curves Adjustment Layer was added for a little more contrast and OnOne’s PhotoFrame Jack Davis 02i. Pretty simple but really cool looking.
Hope you enjoyed some of the images I was working with this past week and hope I did not put you to sleep with all the details. Most of these images did not require a lot of work and the plug-ins gave a really nice boost to the final look in all of them……Digital Lady Syd
Digital Lady Syd’s Related Blogs:
HDR Using Photoshop Merge to HDR and Nik”s HDR EFex Pro and Silver Efex Pro? Wow!
Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect
Russell Brown’s Paper Texture Panel Updated!
White Daisies! Using Color Efex Pro Midnight Filter