This week I thought I would give a few examples of how to use the Auto-Align command in Photoshop – it is really handy once you know how to use it. I have given you a couple standard examples, and also an example on how to go the other direction and use it to add people. Check out a great video on YouTube presented by B&H Photo called Scott Kelby’s Photoshop for Travel Photographers – lots of good tips here including this one. He explains how to do this very clearly.
There actually were two people walking in front of the hubcap exhibit (from the 39th Annual Turkey Run at the Daytona International Speedway), but since I had two slightly different shots, I was able to auto-align the layers in Photoshop and paint them out. If you are on a trip or at a busy place, just keep snapping photos a few seconds apart – eventually you will be able to get a totally clean image by stacking and aligning them in Photoshop. The tych below shows the two original images I stacked to get this image. Just highlight the two images you want to stack in Photoshop. In Lightroom, right click and select Edit In -> Open as Layers in Photoshop. If using Bridge, go to the Menu bar and select Tools -> Photoshop -> Load Files into Photoshop Layers. Once in Photoshop, highlight both layers and go to Edit -> Auto-Align Layers and leave Auto checked and click OK. Now images are lined up perfectly, although a crop will probably be necessary if you did stand perfectly still or did not shoot using a tripod. A layer mask is added to the top layer and a soft black brush was used at 100% opacity to paint out what I did not want seen. Pretty simple and pretty cool! This is a great way to get rid of tourists when taking a photo of a famous place – just take several pictures over several seconds (or it could take minutes) and let people move in and out of the frame. Eventually you will be able to create a very clean image with no people! Oh yes – you should not be shooting in a programmable mode as the focus may change between shots. I shoot in Aperture mode most of the time.
…..Had some fun with this image – reversed the process from above. This time, instead of removing people, I decided to add this young lady in using six images I had taken – two sets for HDR taken at Ormond Beach, Florida, right after Hurricane Sandy had passed by. Basically all that was done was to first, in Lightroom (or ACR), made sure all the exposures were set to 0. That means if the image was shot at -1 for an HDR image, the Exposure slider was set to 0 for that image only, so that it matched the middle exposed image. Then all six images were opened as stacked layers in Photoshop. First I had to decide which image was the overall best for the beach surf since not only was the girl moving, so was the water – it was then placed as the bottom layer. After that, it was pretty easy going. A black layer mask was added to each of the other five layers and just the girl was closely painted back in.
Here is a final pix of my local Lowe’s Home Improvement Store that had a few people wandering around in the background. I took this with my cheap point-and-shoot Kodak (with just an auto-focus so I was lucky it was the same for each shot) and still got good results by taking two images of the same area a couple minutes apart. I was able to just stack two layers in Photoshop and paint out the intruders!
This is a really nice technique to have in your Photoshop bag-of-tricks as it can get you that image you really want when on a trip or at the beach or crowded place. I am starting to use it a lot more now that I know about it. Hope you get a chance to try this out when you are in a busy place and want a nice clean image……Digital Lady Syd
Post-Processing Details of Images:
Image 1: I got this really cool chrome look by applying Topaz (see sidebar for website link at my Tidbits Blog) Adjust 5’s Liquid Chrome preset, then applied another preset of mine I call Some Detail (changed Mild Detail’s preset slider: Details section – Strength to 1.41, Detail Boost to 1.36, Radius to 10.20; and Color section – Color Saturation to 1.24 and Saturation Boost to .79). The layer was set to Hard Light blend mode. Now this is the tricky part – on this layer a Layer Style (double click on thumbnail to open) was added and the Blend If: Gray This Layer tabs set to: black tab – split (hold ALT and they drag apart) to 42 and 92. This keeps the shiny appearance on the hub caps. Not sure why I tried this technique, but it worked! Next a composite layer was added (CTRL+ALT+SHIFT+E) was added on top and a Bevel and Emboss Layer style added to it – a Texture was added here called Laid Vertical which is really a pattern added to the whole layer to get that canvas feel. Need to uncheck Use Global Light, change your Highlight Mode opacity (19% in this case) and Shadow Mode opacity (30% in this case) to get this to work right. Also in the Texture area, need to play around with the Scale and Depth – I used 100% at +167. These settings will vary for each image you and with the different textures you use. A Curves Adjustment Layer was added for some needed contrast. Next Kim Klassen Cafe‘s free textures Revolution set to Linear Burn at 59% opacity and then her Papertrio-stampedright2 texture set to Vivid Light blend mode and 50% opacity with Fill set to 62% (not sure why I did this). The last step involved adding a white PNG frame to the whole image and adding the same Bevel and Emboss layer style (ALT+drag Fx layer icon to layer you want to add it to). I really did like the way the image turned out – much more interesting than the originals.
Image 2: Created a tych using the information provided in my blog Using a Tych Panel to Show Off Your Images.
Image 3: I actually duplicated a couple of the cutout layer mask layers, applied the layer masks by right clicking on them and applying, and moved them. Next they were warped using the Free Transform tool to make them look a little different from the others. That way I have 8 girls instead of 6. Topaz Adjust 5 French Countryside preset (my favorite) with a Detail Strength increased to 1.16 was added. French Kiss Tableaux Texture Collection Sponged Overlay is added as a border and set to a cream color sampled from the image.
Image 4: This image was post-processed using two applications of Topaz Simplify 4 – the first application I created using these settings if you are interested (Simplify Section: Simplify Size 0.29, Feature Boost 2, Details Strength 0.73, Details Boost .61, Details Size 0.23, Remove Small 0.00, and Remove Weak 0.10; Adjust Section: Brightness 0.00, Contrast 1.00, Saturation 1.22, ration Boost 1.24, Dynamics 0.43, Structure 0.47, and Structure Boost 0.69; Tone: Color 1 Region Black Color – 0.00, Color 2 Region R54/G27/B9 – 100.0, Color 3 Region R170/G135/B136 – 180.0, Color 4 Region White Color – 255.0, and Tone Strength 0.57; and Overall Transparency 0.41). The layer was duplicated and the Sketch – Pastel II preset was applied with the Overall Transparency set to 0.34. A New Layer was created above and Fay Sirkis‘s Signature Watercolor Smooth Blender Watercolor Mixer Brush was used to add some detail back into the white flowers which were blown out. A little border was added last.