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Posts tagged “Neural Filter Colorize


Colorized image of an old home in Kearney Nebraska 1940

This week I decided to colorize more vintage images using Photoshop’s Neural Filters as I have realized most vintage images need a bit of grain added after colorizing them. This is a very subtle change but it does seem to make a difference. There are so many ways to do this, and I tried several different methods out on these images before creating this blog (i.e, created a film grain layer or downloaded one from the internet to use as a grain overlay and possibly using the Overlay blend mode; applied filters from Topaz Studio, Color Efex Pro, Luminar and others grain settings; or downloaded grain brushes and painted onto a new layer only where the grain should appear). My older blog still seems to have the best method of doing this. It is a workflow by Katrin Eismann. Also, I had created a very simple action for it that still works great.

The image above is of a home in Kearney, Nebraska from 1940 and (click link to see original image – scroll down through the comments to see how different the house now looks!) had it on their site. They have some of the best vintage B&W photos from all over the US that are just perfect for PS’s Neural Filters, especially the Colorize Filter.

NOTE: Wanted to remind everyone when colorizing a downloaded historic photo, especially from this site, the first thing to do is to check its size by going to Image -> Image Size. If it is too large, change the resolution (if needed) to 240 so the image becomes manageable, like somewhere around 10″ X 7″ is what I like – otherwise it is way too large to process. For the other post-processing steps used on the Old House image, check Image 1 info at bottom of blog. The last step involved adding grain using the workflow below:

Film Grain Effect Workflow and Action Steps

This workflow was a tip in an older KelbyOne class by Katrin Eismann (another brilliant PS guru) called Color to Black and White Artistry, but the basic grain technique is still quite current. In this blog’s case, it has been used on colorized Black and White images. Using this method gives a really natural subtle result to the image and adds the effect in the areas you want it, mainly the Blue and Green channels, and leaves the Red Channel alone where the subject usually resides. The film grain is added so that the Blue Channel gets the greatest amount of grain, Green channel less, and Red Channel the lowest amount.

1.Create a stamped layer (CTRL_ALT+SHIFT+E) where the grain will be added.

2. Open the Channels Panel. Note that on the sub-steps below, all Channels used the Add Noise Filter radial button with Gaussian and Monochromatic selected.

  • Highlight Red Channel (no need to duplicate the channels) and go to Filter -> Noise -> Add Noise and set Amount to 4%
  • Highlight Green Channel and go to Filter -> Noise -> Add Noise and set Amount to 6%
  • Highlight Blue Channel and go to Filter -> Noise -> Add Noise and set Amount to 8%

3. Next Highlight each channel again and go to Filter -> Blur -> Gaussian Blur and set Radius Amount to 0.3%

4. In the Layers Panel, change the blend mode to Luminosity so any color noise is reduced.

5. Will probably need to adjust the layer opacity as the effect may be is too much. Or a layer mask could be added and the grain added/removed in just local parts of the image.

For the Old House image, the layer opacity was set to 56% which seemed to be just enough to give a nice vintage feel to the whole image. It also made the replacement sky match the house very nicely.

This technique/action works very well on regular black and white images and I am sure it would look good on any regular image that needed a little grain added. Below is a screenshot of my action panel showing the steps so you can reproduce them if you wish:

Image of the steps for the SJ B&W Grain by Channel action


Image of old filling station from 1941 (click link for original B&W image and great comments again) posted this image a few days ago. I remember seeing one of these little Conoco Stations in Annapolis, Maryland, a long time ago (not sure I ever saw another one). Biggest issue here is that the replacement sky needed some grain to match the image original image grain. By creating a stamped layer on top of the Sky Replacement Group (making sure any layers above it are turned off-by clicking off the eyeballs on the layers above), the grain steps were applied. Then the Sky layer mask in the Sky Replacement Group was copied so only the sky had the grain applied (set layer to 89% opacity). See Image 2 info at end of blog for other post processing steps.


Vintage colorized image of a portrait from

The image above is another one (click link to see original) and was taken by Fritz W. Guerin in 1902. I wanted only a very subtle colorization (and not a lot of film grain, but enough to match the model to the background. Wanted to mention Skylum’s new Neo Filter was opened – the Relight section (which IMHO makes it worth buying) and Film Grain section were applied just to the background by masking out the model in the filter. See Portrait Image 3 below for the Neural Filters used and other steps. The last step was adding the overall grain to a stamped layer and setting it to 43% layer opacity. Two other methods were tried (one using a created film grain layer and another where the grain was actually painted on using a downloaded grain brush), but the above workflow gave the best results.

This grain gives a really nice effect on vintage images, but don’t overdo it or it will not look good. Have a great week!….Digital Lady Syd


  1. Old House Image: After resizing the image, the Neural Colorize Filter was added. It really does not matter what order most of the steps are done, just important to do them. Did a Filter -> Neural Filter -> Colorize and used the default settings. Next a PS Edit -> Sky Replacement using a blue sky from their set was done. Did some sharpening using Topaz Sharpen AI, but any sharpening would have been fine for this. On the above, the house lines were not perpendicular, so the Liquify Filter was used to push it all together. A Color Lookup Adjustment Layer using a Cerulean preset was added at 26% layer opacity along with a Levels Adjustment Layer. Viveza 2 was added. This post processing was definitely just a try this and try that until you get a look you like. The last effect was adding the Film Grain using the Workflow above – it was applied to the whole layer and the opacity was reduced to 56%.
  2. The Filling Station Image: After sizing the image, the image was sharpened. Problem areas were cleaned up – this one had power lines and the kid scratching his face. Created a stamped layer (CTRL+ALT+SHIFT+E) set as a Smart Object, and chose Filters -> Neural Filters -> Colorize. The Adjustments sliders were changed to desaturate it a little to get the overall very sunny effect. (This filter just keeps getting better!) On another stamped layer, the image was taken into Lucis Pro 6 (it appears it is still not available – I keep watching for everyone) to sharpen it just a little more. Then a PS blue sky Replacement Sky was added to add some beautiful clouds. Biggest issue here is that the sky – see blog on image to see how this was handled. A Color Lookup Adjustment Layer was added at 73% opacity using a Cerulean preset. A Photo Filter using Warming Filter (85) with a Density of 56% was added next – it really warmed up the image to make the image look very sunny. A new layer set to Overlay blend mode was created and white color on a brush at a low Flow was used to paint over the gentleman’s shirt, the little boy, and a little on the gas pumps themselves for the focal points. The brush used was just a soft round brush set to 100% Opacity, 9% Flow, and the Airbrush turned on in the Options Bar. The last step added just a slight vignette set to 17% layer opacity.
  3. Portrait Image: Not a lot of steps although I tried a lot of things with this image. After adding Neo, back in PS the Colorize Neural Filter at the default setting was applied (it gave the nice soft colors – I tried the more colorful look but the shadows were too heavy on the face and chin with this filter) and the Smart Portrait Neural Filter – just used the Expression-Surprise set to +16 and Global Light direction set to -14 (gave her a more serious look). Had some clean up layers, and created a stamped layer on top. To get the nice skin tone, a turquoise Solid Color Fill Adjustment Layer was set to Color Burn blend mode at 29% layer opacity and a Color Lookup Adjustment Layer using a free Sparkle Stock’s Choi Hung Estate 01 preset set to 60% layer opacity was added.


Vintage image of the Colonial Hotel in Nassau.

I have been taking a break for a while – lots was going on with all the many Photoshop conferences and the new versions of Lightroom and Photoshop. Everyone seems to be using this one filter in PS – I can’t say that I blame them. It is turning out to be pretty cool! Since writing a blog called Wow! The New Improved Photoshop Neural Filter Colorize in August, the filter has gotten much more stable and works a lot smoother.

The above is an image of the old Colonial Hotel built in 1901 by Henry Flagler in Nassau, the Bahamas. The hotel burned down in 1922 and the British Colonial Hilton Hotel is now located on this area. The image is from (see original black and white). The area has some interesting history including scenes from the James Bond Movie Never Say Never Again! Thought I’d include this vintage 1918 postcard of the original hotel from Wikipedia. Wish I could have visited the original – it looks quite beautiful!

Postcard of the old Colonial Hotel in Nassau from 1913

For post processing on the top photo the relatively new PS Neural Filter Colorize was selected using just the preset called Retro-Faded. After applying the filter on a New Layer, a stamped (or composite) layer was created on top, and the Edit -> Sky Replacement command was used to add in a more interesting sky. On a new stamped layer, Color Efex Pro 4 was used to soften up the whole image to give an overall nice warm feeling (Ink, Darken/Lighten Center and Film Efex: Vintage filters were used). Last step was a Curves Adjustment Layer for some image contrast.


Image of a Fountain sculpture of Neptune

Below you can see the image of Neptune was larger and what settings were used. (See my 1-minute video called Hilton Waikoloa Village Palace Tower Fountain for other fountain images taken a while ago – I have no idea who created it!) It was cropped down to emphasize the expression on Neptune‘s face (this guy had a bunch of children). It took a lot of steps but the color definitely came from the Colorization Neural Filter. Below is the original image in the Colorize Panel. Just the sliders were used this time.

Settings for the Colorization Neural Filter in Neptune image

The main objects were selected, which took quite a while due to the complexity of the subjects and many items had to be covered, removed or added to get a more unified feel in the image – just basic PS clean up. One of my painted backgrounds was used to give a more painterly old feel. An oldie-but-a-goodie filter was brought out to give the image a warmer feel – Topaz Lens Effect’s Gold Reflection filter was applied at 79% layer opacity – then some of the effect was painted out with a layer mask so it was not overdone. Finished up with the Camera Raw to adjust the colors a little more. But overall this is the color palette that was applied from the Colorization filter.


Colorized image taken from B&W image.

The above image was another black and white image of Bannack, Montana in 1942. I wanted to show that this image was colorized in the neural filter twice. First converting a duplicate of the original the black and whiter Background layer with the Output to New Color Layer checkbox on (see first screenshot below), and then using four Focal Points, three adding yellow to the dirt road and one to cool down the first hillside area (see second screenshot below). Back in PS the only other things done to the image were a Levels Adjustment Layer and a little bit of Dodging and Burning on the dirt road to define the edges.

Screenshot of the Neural Filter using the Output to New Color Layer checkbox.
Image of the Colorize Filter in PS using Focal Points.

As stated above PS has added a couple extra tweaks to the new PS 2022 upgrade and the filter no longer is crashing as much (also my brushes are working correctly again!) I did have one big program blow-out (PS just disappeared!) while adjusting the Focal Points, but when tried again it worked.

Still figuring out the other filters. It seems there needs to be a little more work done to get them working as good as the Colorize Filter. I did learn that if your Neural Filters keep crashing your system or shuts the filter down, you can delete the filter file and let Photoshop restore them when you restart the program. This fixed some of my errors with these filters, but not all. Here is the Adobe troubleshooting link.

Hope you have tried out this filter – it seems like it does have some very nice uses for the PS creative. It is nice to see PS adding a few new items to try out……Digital Lady Syd


Unsplash image by Nairit Prachanda of the Himalayan Free Church.

As many of you know I love to colorize images, especially old ones from my own family collection of photos or those from Shorpy’s – the best around for old pix. Now you can actually colorize images that aren’t old black and white shots and get some pretty remarkable results with this updated filter panel. The best information I could find on the Colorize filter is a short YouTube by Photoshop guru Colin Smith called New Neutral Colorize in Photoshop Can do Much More. One thing I found interesting is that the Colorize Filter and the Select Subject command are both using the same AI Sensei Technology PS uses.

The image above is an image by Nairit Prachanda of a Himalayan Free Church from Unsplash. The original image is very dark as seen in the link. By using the Beta Colorize filter, this image can be made to really pop! This filter can be revisited by making the image a Smart Object before beginning the change. Below is a JPG screenshot of what the Colorize interface looked like when opened (go to Filters -> Neural Filters and select Colorize at bottom – need to move toggle to the right to load the panel) and manipulated. In this image an orange triangle told me that the filter had quit working and appeared towards the end of its use – remember, it is a Beta version so it may not work smoothly all the time. The sliders that are checked were adjusted just slightly – a little bit goes a long way. If you do not want the program to do the original adjustments, check Retain original image colors and adjust the sliders manually. To get the warm color on the right, just click in the image and the color picker opens up – choose a color for that area. It will change everything that color so this may have be adjusted back in PS with a layer mask.

Screenshot of Neural Filter Colorize interface

Also note that Colorize has Profiles presets that can be used to give a certain feel – this one used the Retro Green to bring out the oranges especially. (Profiles presets include: Retro in all cases and the following words: high contrast, blue brown, light yellow, purple yellow, bright, red, green, faded, denim, dark, and brown). In this case, it was overall a little too much, so the Profile intensity was checked and the slider set to 70. Note that the Profile and the Profile slider amount settings were not retained in the Smart Object although all the other settings were.

Back in PS, used both a Shadow and a Highlight layer (see my A Few Photoshop and Lightroom Tips and Tricks blog-Tip #2 from Sam Peterson), which showed some of the background a little more clearly. Then the Camera Raw filter’s Calibration Panel was opened and the Red, Green and Blue Primary sliders were adjusted.

A second Neural Filter was applied to add a little more green to the top of the structure and make the orange look more painterly. The colors were reset by pressing the arrow and line icon in the upper right, then the Retro Green Profile was selected again and the Profile intensity was set to 50 – that was all that was done this time. A black layer mask was created and just those two areas were painted back.


Colorized image of an old motel from 1939.

The image above is from my favorite vintage site, – to see the original Black and White version click here. When doing these colorizations, once the image is loaded into Photoshop, be sure to make sure the size is not crazy – like 80 inches X 60 inches at 72 res. What I always do is go to Image -> Image Size and uncheck the Resolution box and change it to 300 ppi, then check the box again and then go up to the size – it should now have adjusted down to something like 8 inches X 5 inches but it can not be changed to a reasonable size. Otherwise you could have problems down the way with the huge size of the image.

This image was taken into the Colorize Filter and not much was done to it – only a little Red and Magenta were added before bringing it back into PS for further processing. (See panel below.) It was definitely too green so a few things were done to get the image above.

Back in PS, a Color Lookup Adjustment Layer using the Cerulean preset was added to darken it. Next Sam Peterson’s Shadows and Highlight layers were added to emphasize the shadows and lighten up the foreground shrubs. A Red Channel Luminosity Curve Adjustment Layer was added on top. On a stamped layer (CRL+ALT+SHIFT+E) set to a Smart Object, Color Efex Pro 4 was opened where lots of filters were applied (Tonal Contrast, Brilliance/Warmth, Vignette-Lens, Contrast Color Range, Remove Color Cast, White Neutralizer, Sunlight, and Image Borders) – all of these were set to taste. Finished off with a Levels Adjustment Layer changing the black Output Level amount to 14 to get a little more of a vintage feel in it.

Jean Beraud's Avenue Parisienne from 1880's lightened up with PS Neutral Filter Colorize.

The above 1880 Avenue Parisienne painting (click link to see original) by Jean Beraud was selected for trying out the Neural Filter Colorize because it was rather dark but was a very interesting image. It is also one of my favorite paintings. Below is the panel and basically the only thing done with the Colorize filter was to check the Retain original image colors box and set the Saturation to +50. After that the Camera Raw Filter was used to just slightly adjust the skin tones as the faces were really over colorized but it looked good in other parts of the painting. (Color Mixer – Saturation Reds +8, Orange +21, and Yellows -15 and Luminance Oranges +65 and Yellows -6) This step also lightened some of the buildings in the background which show the Parisian architecture of the time. Since the skin was still too bright, a Vibrance Adjustment Layer set to Vibrance +44 and Saturation -19 was add and the layer mask filled with black (CTRL+I) – then just the skin areas were painted back in. This helped a lot. Last step added a Black and White Adjustment Layer set to Luminosity to slightly change the tones a little. I really like both iterations and it was fun to try out the filter with a really good painting.

Screenshot of Neural Filter Colorize settings

As you can see, this Colorize filter has a lot of possibilities and I am sure Adobe is working on it as we speak. It is fun just to see what it will do and the creative possibilities are endless. I want to try just bringing a selected area into it to see what it would do in a composite. Hope everyone is having a great summer and gets a chance to play around with this filter and your images…..Digital Lady Syd