As many of you know I love to colorize images, especially old ones from my own family collection of photos or those from Shorpy’s – the best around for old pix. Now you can actually colorize images that aren’t old black and white shots and get some pretty remarkable results with this updated filter panel. The best information I could find on the Colorize filter is a short YouTube by Photoshop guru Colin Smith called New Neutral Colorize in Photoshop Can do Much More. One thing I found interesting is that the Colorize Filter and the Select Subject command are both using the same AI Sensei Technology PS uses.
The image above is an image by Nairit Prachanda of a Himalayan Free Church from Unsplash. The original image is very dark as seen in the link. By using the Beta Colorize filter, this image can be made to really pop! This filter can be revisited by making the image a Smart Object before beginning the change. Below is a JPG screenshot of what the Colorize interface looked like when opened (go to Filters -> Neural Filters and select Colorize at bottom – need to move toggle to the right to load the panel) and manipulated. In this image an orange triangle told me that the filter had quit working and appeared towards the end of its use – remember, it is a Beta version so it may not work smoothly all the time. The sliders that are checked were adjusted just slightly – a little bit goes a long way. If you do not want the program to do the original adjustments, check Retain original image colors and adjust the sliders manually. To get the warm color on the right, just click in the image and the color picker opens up – choose a color for that area. It will change everything that color so this may have be adjusted back in PS with a layer mask.
Also note that Colorize has Profiles presets that can be used to give a certain feel – this one used the Retro Green to bring out the oranges especially. (Profiles presets include: Retro in all cases and the following words: high contrast, blue brown, light yellow, purple yellow, bright, red, green, faded, denim, dark, and brown). In this case, it was overall a little too much, so the Profile intensity was checked and the slider set to 70. Note that the Profile and the Profile slider amount settings were not retained in the Smart Object although all the other settings were.
Back in PS, used both a Shadow and a Highlight layer (see my A Few Photoshop and Lightroom Tips and Tricks blog-Tip #2 from Sam Peterson), which showed some of the background a little more clearly. Then the Camera Raw filter’s Calibration Panel was opened and the Red, Green and Blue Primary sliders were adjusted.
A second Neural Filter was applied to add a little more green to the top of the structure and make the orange look more painterly. The colors were reset by pressing the arrow and line icon in the upper right, then the Retro Green Profile was selected again and the Profile intensity was set to 50 – that was all that was done this time. A black layer mask was created and just those two areas were painted back.
The image above is from my favorite vintage site, Shorpy.com – to see the original Black and White version click here. When doing these colorizations, once the image is loaded into Photoshop, be sure to make sure the size is not crazy – like 80 inches X 60 inches at 72 res. What I always do is go to Image -> Image Size and uncheck the Resolution box and change it to 300 ppi, then check the box again and then go up to the size – it should now have adjusted down to something like 8 inches X 5 inches but it can not be changed to a reasonable size. Otherwise you could have problems down the way with the huge size of the image.
This image was taken into the Colorize Filter and not much was done to it – only a little Red and Magenta were added before bringing it back into PS for further processing. (See panel below.) It was definitely too green so a few things were done to get the image above.
Back in PS, a Color Lookup Adjustment Layer using the Cerulean preset was added to darken it. Next Sam Peterson’s Shadows and Highlight layers were added to emphasize the shadows and lighten up the foreground shrubs. A Red Channel Luminosity Curve Adjustment Layer was added on top. On a stamped layer (CRL+ALT+SHIFT+E) set to a Smart Object, Color Efex Pro 4 was opened where lots of filters were applied (Tonal Contrast, Brilliance/Warmth, Vignette-Lens, Contrast Color Range, Remove Color Cast, White Neutralizer, Sunlight, and Image Borders) – all of these were set to taste. Finished off with a Levels Adjustment Layer changing the black Output Level amount to 14 to get a little more of a vintage feel in it.
The above 1880 Avenue Parisienne painting (click link to see original) by Jean Beraud was selected for trying out the Neural Filter Colorize because it was rather dark but was a very interesting image. It is also one of my favorite paintings. Below is the panel and basically the only thing done with the Colorize filter was to check the Retain original image colors box and set the Saturation to +50. After that the Camera Raw Filter was used to just slightly adjust the skin tones as the faces were really over colorized but it looked good in other parts of the painting. (Color Mixer – Saturation Reds +8, Orange +21, and Yellows -15 and Luminance Oranges +65 and Yellows -6) This step also lightened some of the buildings in the background which show the Parisian architecture of the time. Since the skin was still too bright, a Vibrance Adjustment Layer set to Vibrance +44 and Saturation -19 was add and the layer mask filled with black (CTRL+I) – then just the skin areas were painted back in. This helped a lot. Last step added a Black and White Adjustment Layer set to Luminosity to slightly change the tones a little. I really like both iterations and it was fun to try out the filter with a really good painting.
As you can see, this Colorize filter has a lot of possibilities and I am sure Adobe is working on it as we speak. It is fun just to see what it will do and the creative possibilities are endless. I want to try just bringing a selected area into it to see what it would do in a composite. Hope everyone is having a great summer and gets a chance to play around with this filter and your images…..Digital Lady Syd