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Posts tagged “Nik Silver Efex Pro

Same Image – Different Plug-In

I decided to do this blog because I was experimenting in Photoshop trying to see if different plug-ins can get the same look even though they are very different. I started with this basic image from Camachee Cove in St. Augustine, Florida. This is a really pretty place to take images and my beloved sailboat lives there. Only the Basic sliders in Lightroom were adjusted and all the following images used this one as a starting place. Also, whenever possible I used a Smart Layer to save the settings so I could easily go back to tweak the sliders. I am becoming a big fan of doing this with all plug-in adjustments!
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Overall, the above is not a bad picture. That said, I still love the new Topaz Black and White Effect plug-in (click on right in my Tidbits Blog to access site) and decided to give it a whirl and see if the image feeling could be improved. Below is what was achieved using this plug-in.


Personally I loved the results (this is how I remember it) and the cool thing is that it took only two minutes to get this look and it was done! If you are interested in the settings for the Sunny Preset, my Tidbits Blog “Sunny Preset – Topaz Black and White Effects” list how to do it. There was just one further adjustment made in Photoshop which, unfortunately when adding most of these plug-ins, there is some noise created. I took the image back into Adobe Camera Raw (see my blog “Edit Layers with ACR Script“) but any Noise Reduction plug-in would work fine also.

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Next I tackled the updated NIK Color Efex Pro 4.0 (CEP4) plug-in to see what I would get. This plug-in is another fabulous NIK product and I totally love using it. I could not get it to do what Topaz B&W Effects did  as quickly and as well. I spent a long time fooling around in CEP4 trying to get this effect, especially the color effect.

The sky has a really ugly edge in the upper clouds that I could not adjust easily. This image also has Hue/Sat and Selective Color adjustment layers and still is not quite right. The stacked CEP4 filters used for this image were: High Key, Brilliance/Warmth, Graduated User Defined, and Vignette. Normally this image could be adjusted nicely but when trying to copy the Topaz B&W image, it does not do this so easily.

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Now to be fair, since Topaz B&W was used, I next tried the NIK Silver Efex Pro 2 (SEP2). The results are pretty nice, but they still had to be adjusted in Photoshop. Below is the final image that started as a black and white using NIK .

The results are pretty close. The image was processed in SEP2 using the High Structure preset and a Red Color Filter. The layer was set to Luminosity blend mode in Photoshop, a Color Fill adjustment layer using a a yellow-beige Fill Color (9f9f84) set to Vivid Light blend mode and 55% opacity, and a low opacity light beige edge added to the top and bottom of the image. The sky and water color is very close to the Topaz B&W results, but it took a lot longer and required Photoshop work to achieve the results, and you had to know what you were trying to do.

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Now this next image uses OnOne PhotoTools 2.6 (click on right in my Tidbits Blog to access site). They have a new version coming out shortly which may make this much easier to do but overall, it gave a reasonable approximation to the Topaz B&W result.

I do not use this plug-in as much since I seem to have trouble getting the look I want and it is very computer RAM intensive. It also does not support Smart Objects at this point. In all fairness, I do believe it is a really good plug-in and it already has stacking abilities for effects. Unfortunately, at this point it does not have different sliders for the effects, but they do offer several setting choices for each filter, and several filter effects can be brushed on using a brush and mask in the plug-in. I plan on reviewing the upgrade after it becomes available. In this case, the clouds just do not have the detail and water and sky color is not quite right. There were 6 effects stacked to get the effect and I saved it down as a preset to preserve. If I was more familiar with the program, I might have been able to get a better result since there is no shortage of filters in this plug-in.

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Alright, let’s change things up a bit and go back to Topaz using their fairly new Lens Effects plug-in (click on right in my Tidbits Blog to access site).

It also gives a nice result even though it is a different type of plug-in. The Dual Tone Filter Effect was used as a starting point using the Green to Yellow preset. Both Regions A and B were adjusted – this is very similar to the Quad Tones in Topaz B&W Effects. That is one reason there is some similarity, especially in the sky horizon area. A Vignette was also added in the program. It is nice that you can get similar results without buying every plug-in module in the set.

Conclusion

Personally I still like the Topaz Black and White Effects result the best. I hope this gives you some idea about how similar but how different these plug-ins are when applied to the same image. I did not mean to make it look like one plug-in is better than the other, just that it really depends on what your picture is will determine how it looks finished. If you do not like the way it turns out with one of the plug-ins, try a different one – it can be totally different! Have fun experimenting…..Digital Lady Syd


Same Image – Different Look!

I started playing around with the small image below that was taken of the ruins at St. Andrews Cathedral in Scotland. I loved the composition and feel of the image before I ever did any adjustments to it. This image shows what it typically looks like in Scotland.

The original appears pretty flat but overall it has a lot of interest and the details are very sharp in this shot.

  • First I tried processing the image in Lightroom and applied my Vivid Drawing Look preset, a preset from a previous blog (Great Free Plug-in for Lightroom – The Fader!) and is available for download here. Then only an adjustment to the Luminance slider to get rid of a little noise and the Detail slider to add detail back to the overall image was done. (This can also be done after loading image into Photoshop by using Russell Brown’s script – see my blog called Edit Layers with ACR (Adobe Camera Raw) Script.) I also created this preset for people that use Camera Raw from Photoshop and it may be downloaded here (I just realized it has the wrong extension on the file in the Zip folder – change it to .xmp to get it to work). Just download and load into ACR using the pop-out panel in Presets tab.

I modified his technique to make it faster and I will give you a quick recap of how to do this here:

  1. Open image and duplicate the background layer.
  2. Turn off top layer (click on layer eyeball in Layers Palette to remove) and highlight the original Background layer.
  3. Create a black and white image using any method you feel gives a really contrasty high key (washed out or over-highlighted) look. He used Nik Silver Efex Pro 2 which is a great program but very expensive. I think the Black and White Adjustment Layer does a fine job and if you own Lightroom, there are many really nice Black and White presets for that program that can be downloaded for free.
  4. Make a composite of these two layers by highlighting the Adjustment Layer and going to CTRL+ALT+SHIFT+E (keeps image intact so you can adjust later if need be by deleting this layer).
  5. Turn on the top layer (click where eyeball should be and it turn ons) and change blend mode to Soft Light.
  6. This may be all it needs for corrections. If not, create another composite image as in Step 4, duplicate it and set the blend mode to Screen. Add Layer Mask and paint in area to brighten up image.
  • Now this next image really changed up the feeling – it surprised me how good it looks in a monochrome. Nik Silver Efex Pro2 was used but any black and white conversion method that gives a really contrasty appearance can be used. Then a Hue/Sat Adjustment level was added and Colorize was checked. I found a really spooky inky blue color (Hue set to 242) and dropped the Saturation to 25 and this is what you get!

  • Below a totally different look was created in Lightroom and used a preset called whoiswolf_cross_retro – there are several nice free presets in this group that can be downloaded here. Only this preset and then the Luminance and Color sliders in the Noise Reduction panel were used.

  • For this next iteration, Gavin Hoey’s Blast From the Past actions set called Lomo effect Style 1 was applied to create this soft look. This is a very inexpensive set of actions that are great for creating some new effects.

  • In this image below, first the Imaging Factory’s Graduated Fog Filter was applied using a dark blue color for the foggy feel (could just use the Fogs and Mists brush set by BB Brushes to create you own effect – see my Foggy Weather! blog for more on this) ; then a Curves Adjustment Layer to get a vivid blue on top and bright green color on the ground; next a Gradient Map adjustment layer with a tan color (c4b190) to a light blue color (c2d0d8) for the gradient (try different gradients – get some really interesting results doing this) and set layer Blend Mode to Color Dodge at 82%;  a Levels Adjustment Layer to wash out the results to get more of a foggy look; added a New Layer and painted on Wycked – birds-sm brush from the Tranquility brush set (this is a fabulous set to own); and finished off with a PhotoFrame from OnOne Software (simply the best!). This image is presented to show what a very different look you can get with just a little experimentation.


  • The next picture was created using an action I created in my blog “Create Postage Stamps with Your Images” blog under Method Two called Vintage Effect from Cloudy Text Effect (here is the download link). I am presenting it here, even though it has a similar feel to other effects like the Lomo action above, because the action is free and it gives a very nice look on many types of landscape images.

    • My last image is for my son, Metal Chris at DC Heavy Metal (a great music blog with some fabulous musician photography for DC folks), who likes it when I do something different with my photos. The Mirror Filter (Kaleidoscope vertical) was applied from the Plugin Galaxy 2.0 (see my blog Instant Mirror and Quick Mirror for Photoshop for more on this great plug-in), along with the Imaging Factory’s Graduated Fog filter and a Gradient Map adjustment layer. Gives a whole new perspective to the picture.

That should about wrap up the blog for this time. I think I could just keep doing effects – this image lends itself well to that. As I have said before, if you can get a good picture in your camera, you have lots of post-processing options – the image makes the processing easy.

Hope this inspired a few people to try different effects with the same image – it is a lot of fun to see how different the image ends up!…..Digital Lady Syd