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Posts tagged “On1 Photo Raw 2018 HDR


Image of Whitehall (Flagler Museum) in Palm Beach, FloridaThis week I performed just a little comparison of the my HDR programs. I get so confused about which one I want to use and what the differences are between them so I decided to take the same image and run it through each of them. What I found out is although the basic image is the same, depending upon the HDR program used, a totally different look will be achieved. So what my final conclusion is that you need to decide up front what effect you like, and then choose the program that gives this result. That is why running an image through each program is so informative – it shows the subtle differences that need to be known to make the an intelligent choice. So below is the image example and a little info I learned about each software as I experimented. The image was taken of a Hat Rack that is outside a store on St. George Street in the historic district of St. Augustine, Florida. Also, all three images had a little work done in Photoshop – the price tag amounts were removed, the same High Pass filter set to 2.0 Radius and Overlay blend mode was used on each (except the On1 image which was sharpened enough and it caused haloing), and a Red Channel Luminosity Adjustment Layer was applied although different RGB settings were used for each. The top image is a 3 image HDR of the ballroom at Whitehall (Flagler Museum), Henry M. Flagler’s Residence in Palm Beach, Florida. It was post-processed using Aurora 2018.

Aurora 2018

To begin with, I love this new HDR software. Why? Because it is so easy to use. Aurora (for website link see sidebar at my Tidbits Blog) have canned presets (and some more can be downloaded for free from within the program) and the interface is pretty simple. That said, there are a few problems if you are a Windows user. It is hard to navigate around the image when zoomed in is my first pet-peeve. The biggest problem is when using the Dodge & Burn filter which I really like on the image. The program did a great job in removing ghosting but the colors seem to be a little off to me. Below is the result I got using this program. (Here are the settings used on it: AU 2018 – HDR Basic: Temp 9, Tint 16, Exposure -0.44, Contrast -2, HDR Enhance 79, Smart Tone -31, Highlights 24, Whites 36, and Blacks -20; Color Vibrance 44, HDR Structure: Amount 78; Image Radiance Amount 41 and Brightness -20; HSL Sat Red 47, Orange -11, Aqua -67, and Blue -58; Dodge & Burn – set brush to 12% Strength and painted with Darken around the edges and with Lighten on the lighter parts of the hats; Vignette: Amount -62, Size 32, Roundness -51, Feather 53.) Overall, this is a great program, especially for Apple people, but it needs to be updated to the Apple version for Windows people to really get the full punch of the program.

Image of a Hat Rack in St. Augustine using Aurora 2018 HDR software
NIK Efex Pro 2

I decided to include this one since everyone probably owns it since it is free. When this program first came out several years ago there was a lot of excitement generated by this HDR software. I found it still works really good. There are lots of presets to try out and that is exactly how this image was started. It looks very different from the above – the colors are much truer. Is that the look I wanted? Maybe. The disadvantage in this program is there is no Dodge and Burn filter which is what I think made the first image more interesting. (Here are the settings used on this image: NIK HDR Efex Pro 2: Selected Pale & Structure and changed Tone Compression to -18%, Method Strength 41%, HDR Drama far left and the Color Sat to -14%. Add control point to reduce the effect on the bright items in the door on right. Added Vignette Lens 3 vignette and changed amount to -5%.) This is not a fatal flaw since this can be done in Photoshop. I am a little disturbed by the slight amount of haloing that I could not figure out how to reduce in the plug-in so I ended up hand cloning out – still some present. I am not sure this plug-in is still available as a stand-alone, but I have never used it this way. Overall, it gives a nice result and I am sure the haloing issue could be avoided with the proper settings.

Image of Hat Rack in St. Augustine using NIK HDR Efex Pro 2

On1 Photo Raw 2018 HDR

On1 software (for website link see sidebar at my Tidbits Blog) has come a long way in the last few years and their HDR filter within the software interface is pretty great. The HDR section is set up so that once the HDR images are selected in the Browse module, the Create HDR dialog opens showing two tabs, Tone & Color tab (with are the standard LR Basic sliders) and HDR Look  (which has the compression slider among others). Once the HDR image is saved and created, the program lets you use their Develop module or Effects module to further enhance the image which opens a lot of extra possibilities. (Here are the settings used in image below: Create HDR-Tone & Color – Exposure -0.2, Contrast -12, Highlights 0, Shadows -17, Whites 1, Blacks -14, Structure 17, Haze -9, Temp 4650, Tint 4, and Vibrance 37 and HDR Look: Compression 51, Details 21, Clarity 27, Vibrance 10, Glow 0, and Grunge 7. Effects module: HDR with the settings from HDR Look show up; Dynamic Contrast: Small 6, Medium 61, and Large 43, Highlights 17, and Shadows -4; and Color Enhancer: Red Sat 10; Orange Brightness 10; and Blue Sat -11; and Vignette: Big Softy preset and Brightness -51, Size 38, Feather 100, and Roundness -56.) I have done several HDR images with this program and really like it. I found on a water scene it had a little trouble with the ghosting of some sailboat masts. But other than that I have gotten some great results. In this image it seems that the whites are much better than th two above.
Image of Hat Rack in St. Augustine using On1 Photo Raw 2018 HDR software

Lightroom HDR

This is very easy to do in Lightroom – just select the images to create the HDR image, right click and choose Photo Merge -> HDR and in the HDR Merge Preview dialog, check the options you want and click Merge. It brings the new HDR image back into LR as a DNG file. I do not use DNG files usually, but have found not problems with it. Now you can do all the same adjustments that are made in LR normally. Major great and easy! The HDR image allows the Exposure slider to go from (+5) to (-5) to (+10) to (-10). I found the resulting HDR image almost sterile looking – no noise, color absolutely correct – almost a flat look. On the other hand it is very realistic. After doing the Basic changes in LR (Settings were: Basic panel-Tint +21, Exposure +0.71, Contrast -16, Highlights -100, Shadows -7, Whites +2, Blacks -48, Clarity +2, Vibrance +18, and Saturation +4; HSL Panel Luminance Orange -20 and Yellow -8; and with the Adjustment Brush set to Exposure 0.80, Clarity 77 and Sharpness 83, the hats were painted over.), the photo was taken into PS. A Color Balance Adjustment Layer was used to add a little more brown-gold look to the image. Since there was not texture at all in this image on the background, a Digital Grain texture I had created a while back was applied on top. It did seem to help a little.

Image of a Hat Rack in St. Augustine using Lightroom HDRSo which of these programs did I prefer? This is such a hard one to decide. I did not use Photomatix Pro as I own version 3.3 and apparently they are on version 6.0 – I did not mind using it a few years ago as it gave very good results. They all gave sharp and clean images. I believe that Lightroom’s HDR effect is extremely realistic and that is perfect when you need something with really sharp lines. It does a fantastic job with this. On1 has this great advantage of also being tack sharp which one of the things I like about this program even when not doing HDR – their Dynamic Contrast filter is just fabulous! Their HDR is also very good. Nik HDR Efex Pro 2 may be lagging just slightly behind, but this is extremely power HDR software and if you cannot afford to buy new program, just download this one. It is still just fine for most image. The new guy for me, Aurora 2018, is really good – it is the brainchild of Trey Radcliff, a major HDR guru, so this is why it is so good and easy to use. I thought it did a really good job on the Flagler Museum image which has a lot of exposure issues in it. Overall, the best way to figure this out is to try them all. I can see if I do not like the results of one software, try a different one – it will look different!

Hope you enjoyed this blog – have a great week…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Sunny Florida
Checking Out Aurora HDR 2018 for Windows
Trying Out On1 Photo Raw 2018’s New HDR Filter
Digital Lady Syd Reviews Nik HDR Efex Pro 2
HDR Using Photoshop Merge to HDR and Nik”s HDR EFex Pro and Silver Efex Pro? Wow!


Image of sunset at Spanish Cay in the BahamasThis sunset was taken at Spanish Cay in the Bahamas. Just doing a really quick blog and discussing the new HDR filter in On1 (for website, see sidebar link at my Tidbits Blog) Photo Raw 2018 software. I really gave the software a tough image to process – lots of wind so the flags and the lines on the foreground boat were slightly moving. I took 5 hand-held shots. All the midground and background objects looked perfect. But the foreground was a problem.

In On1’s HDR dialog, the HDR was set to Very High for deghosting, but the ghosting effect was still obvious. I decided to compare the results with Lightroom’s fairly new HDR Photo Merge (select images and right click Photo Merge -> HDR) where the Deghost Amount was set to High – had no ghost issues at all! The problem for me is that I liked the Tone and Color effects in On1 better than what could be achieved in Photoshop or Lightroom. So what I did was highlight both HDR images in Lightroom (a tiff for On1 and dng for LR) and right clicked, and selected Edit In -> Open as Layers in Photoshop. In PS an Auto-align command (Edit -> Auto-align layers) and Crop Tool was done first. With a mask applied to the top On1 layer, the problems with the foreground lines and flags were corrected by using the Clone Stamp Tool set to 80% brush opacity. This took a lot of time but I liked the result. Basically what I wanted to pass on is, if possible do use a tripod to take your HDR images – it will help in abnormal conditions. If having a big problem with post-processing it with On1 HDR, then do a second HDR image using Lightroom’s Merge to HDR and stack the images.

This being said, I have used the On1 HDR filter with no problems. This was a very difficult image with the high winds. Also, just to double check, I took the 5 images into Nik HDR Efex Pro2 and a little ghosting occurred in this HDR image with the flags. Therefore, it confirmed it was a pretty hard image to create. Overall with the stacking, the image turned out pretty good – and the sunset really did have those rays. I believe that On1 has some really nice settings to adjust to get very good HDR images. Have good weekend!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Work Around to Get Luminar for windows to Work with Photoshop (image in blog is a On1 5 shot HDR image)
How to Use Google (Nik) HDR Efex Pro 2


Image of Spanish Cay Hidden Inlet in the Bahamas Out BanksIt seems that there is a major glitch when using Skylum’s (Macphun) Luminar 2018 for Windows 10 as a plug-in for Photoshop. (For website link see sidebar at my Tidbits Blog.) The problem occurs when you try to apply the changes made in Luminar – it goes back to the duplicated layer in PS and the layer is exchanged for a totally blank layer. The company is aware of the issue but have not offered any time frame for the fix as yet. An update was released on 11/24/17 that was supposed to fix this issue, but I am still getting it. I am sure the final fix will be out shortly. I found out this work-around from KelbyOne‘s Community and found it very useful. Below are steps and a short video demonstrating the issue and fix:

1. Bring image into PS and do any changes needed to get ready to go into Luminar. Need to create a stamped layer (CTRL+SHIFT+ALT+E) so all changes are now combined on one layer.

2. Duplicate the stamped layer and turn off all the other layers below including the original stamped layer.

3. Move duplicate stamped layer to the very bottom of the stack and highlight it.

4. Now here is the trick – make this layer a Background layer by going to Layer -> New -> Background. It will not work if you just click the Lock in the Layers Panel. Only through the File menu does this work.

5. Make changes in Luminar and click Apply. It now comes back into PS and applies the changes to the bottom layer.

6. Last step is to unlock this layer by clicking on the lock and dragging the layer to the top. Turn on all the layers underneath and it is a set to continue with your workflow.

You can do the changes in Lightroom and the image comes back to Lightroom as a Tiff which can then be opened in Photoshop. It can also be stacked with the NEF file in PS so there are other ways to do this. I like to make the special effects changes later in my workflow after making other changes in PS so this technique works for me.

The image is a 5-shot HDR image taken at Spanish Cay in the Bahamas several years ago of a totally barren inlet – looking out ocean side here. It was first processed using the new On1 Photo Raw 2018 (for website link, see sidebar at my Tidbits Blog) HDR filter which did a very good job, and finished up using Photoshop and Luminar 2018. Hope this helped some of you out. Have a Happy Turkey Day for those of you in the US!…..Digital Lady Syd