No question about it, this has been the year of the great Photoshop plug-ins! I just decide that one of them has got to be the best and another one comes along that is just as good!!! What to do, what to do! My personal feeling had been that the Perfect Effects plug-in was not going to be as good as my favorite Topaz Black and White Effects or NIK Color Efex Pro, but I was wrong! Very nice plug-in with a very good interface. It can be used alone or as part of the updated OnOne Perfect Photo Suite 6.0 (see my Tidbits Blog sidebar to access site). I had a great time creating the images below with just Perfect Effects and sometimes PhotoFrames (by far my favorite border app and it has not been updated for the Suite package).
Above is an inside view of some of the interesting antique items in the Florida Heritage Museum at the Old Jailhouse in St. Augustine, Florida. This image just kept getting better the more the effects were stacked up. This was a pretty easy image to do – just add and click away on all the different effects and see what you come up with. This image has stacked the following effects (press Add after adding an effect to each layer): Black & White effect Chrome with Blending Option set to Softlight at Strength 84; Vintage effect Honky Tonk set to Screen Blending Mode at Strength 99 – Apply Effect To Flesh Colors and Fuzziness 40; and Vignette effect Grunge Vignette Dark – Texturizer set to 73 strength. At this point I created a preset that was placed in my User Presets group and it was defined as a vintage feel. Very handy and easy to do!
Just another great example of the interesting results that can be achieved with this plug-in. The image is of one of the beautiful covered walkways at the University of Central Florida, Orlando, Florida. It is an HDR image created from three photos in Photoshop CS5’s HDR Toning program using a preset I had created for dilapidated buildings. (Be sure to keep your HDR presets if you find one you like.) Next the HDR photo was taken into Perfect Effects and once again I did a vintage effect. Started with a Black and White effect Casablanca set to Darken; on the Empty Layer, the Effect Options was opened and Effect Duotone was selected using an Orange Color for Highlights and Blue Color for Shadows – Strength was set to 35, Midpoint 29 and Mode to Color; Movie Looks effect Urban Sickness at Strength 40; Vignette effect Subtle Vignette set to Strength 47; and Textures effect Scratched Film Light at Strength 100. A preset was created for this stack as I really liked the results. Back in Photoshop, an OnOne PhotoFrame (also part of the OnOne Perfect Photo Suite 6) border Dave Cross_14 was added – the beige color in the image was sampled to make the border that color.
In the Old Town Trolley image the basic issue was a very plain blue sky. Following one of the short videos supplied on the OnOne website, the clouds were added using the Masking Bug. It does not sound like it would work, but the bug did a really good job of adding the sky with a slight gradient to it. They also have this feature in the Focal Point plug-in and Lightroom’s Perfect Layers plug-in (also provided with the OnOne Perfect Photo Suite 6), and I like it in this plug-in. This is a big improvement! The border was also added in Photo Effects and adjusted using the Effect Options that are available once an effect is chosen. I have not completely figured out how to determine how to use all these effects as they change with the effect selected. This was a really fast and great way to swap out the sky.
This is a statue of Sir William Wallace over the doorway of an old church in the town of Stirling, Scotland. I liked the way the stone color turned out and the way the statue stands our from the wall. This stack incorporated Dirty Bird (Strength 83) applied to just Highlights (Fuzziness 60), Warm Polarizer (Strength 100) , Rice Paper Light (Strength 77) with the Masking Bug down center vertically, Amazing Detail (Strength 100 ), and Subtle Vignette (Strength 100). The nice thing about this image is that the first effect, Dirty Bird, the Apply Effect To drop-down was changed to Highlights – this makes for some great looking effects. The effects can also be applied to just the Shadows, Midtones, RGBCYM colors, Flesh colors, Vivid colors and Neutrals. This is a really nice addition. A OnOne PhotoFrame was added to this image (no update to this plug-in but it does not need it – still the best out there for frames!) and it is included in the OnOne Perfect Photo Suite 6.0.
The good news is that Perfect Effects is a much improved program over OnOne’s old PhotoTools 2.6 and it is now much easier to use. Download the manuals on how to use Perfect Effects and all the programs in OnOne’s Perfect Photo Suite 6.0. A good keyboard shortcut to use is CTRL+P to toggle between the original image and the current image. Go to the Help menu item for a complete list of shortcut keys.
1. The interface is much easier to use. There are many different ways to add interest to the basic effects. Many of them are shown in the preset views across the bottom but there are more variations if you use open up the Effects Options button that is available with each effect. The Blending Options are very versatile and as discussed above, the Apply Effect To drop-down creates some very interesting images – I do not believe this is in any other plug-in I have seen.
2. The Texturize Effect section and Landscape Effect section have some very different presets that can be applied including many weather effects. This could turn out to be a lot of fun. Adding the Clouds to an image is really easy using some of these choices. This is also something I have not seen in any other plug-in. And if you choose, say Dark Clouds in the Textures Section and go to the Effect Options drop-down box on the right, there are five choices for clouds besides many other textures to choose from. Blend mode and strength and scale of the effect can be set also. Very versatile and unique!
3. The Masking Bug that was made famous in the OnOne’s original Focal Point plug-in is a great addition that works very fast and creates some very nice results. It works very good in coordination with the Masking Brush.
4. The speed of the plug-in is much faster than the original PhotoTools plug-in. This had been one of my biggest complaints. It works much faster and you have much better control over the brush when masking.
5. Can Invert the effect and by selecting the Masking Brush, the effect can be brushed in just where you want it at whatever opacity you like.
1. It still bothers me that I cannot access this program like my other filters by going to Filters -> OnOne; instead, to get to the program you must go to File -> Automate -> Photo Effects. I am not sure why this is. This is also true for PhotoFrames. If you have the Suite, all the plug-ins can be accessed from inside one interface and do not have to be opened individually – that is a big improvement.
2. When the layer is first converted to a Smart Object before entering the program, the Masking Bug and/or Mask Brush results are not retained when you go back to adjust one of the effects. This can very annoying if you did not takes notes on what you did. All the other settings are retained. When stack is saved as a preset, all but the Masking Bug/Mask Brush results are retained, which is what you would expect since it is being applied to a different image.
3. If you had PhotoTools, the presets cannot be used in Perfect Effects due to the fact that PhotoTools is based on actions inside Photoshop and Perfect Effects has been re-engineered to stand alone now. They are currently trying to recreate all the presets from PhotoTools and hope to have them available soon.
In this final image the red trees and flag were selected in Photoshop using Color Selection. A layer mask was then added to the layer before it was converted into a Smart Object. I wanted only the background to be affected by the plug-in (the manual said this could be done so I thought I would try it out). I think the results turned out really nice – these settings were used: Black and White Effect Casablanca; Nicely Toasted (Strength 46) and Apply Effect To: Flesh Colors at Fuzziness 53; and Vignette – Edges to Black with Effect Options Brightness -86, Midpoint 47, Feather 56, and Roundness -28. The Casablanca black and white effect is turning into one of my favorites.
Well I believe this is a very good plug-in – OnOne has really stepped it up to compete nicely in the plug-in field – it is so very user friendly. The Pros definitely outweigh the Cons which I believe can be fixed pretty easily. I had a lot of fun working with all the effects and I know I have not even touched on some of the looks you can get if you get your combinations right. I will be checking out the complete suite when I get a chance. I already use many of the plug-ins included but there are a few new ones I want to experiment with. In the meantime, at least take a look at the Perfect Photo plug-in – it has a 30-day trial that is fully functional. I am looking forward to trying some of the other plug-ins – already tried Perfect Portrait (it is in brand new and in the Suite) and really like it. Hope to report on it soon!…..Digital Lady Syd
Digital Lady Syd’s Related Blogs:
Another OnOne Perfect Effects Pix – Got to Love It!
Pseudo HDR in OnOne Perfect Effects
First Try – OnOne’s Perfect Effects 3
“Perfect” Perfect Layers
There is a lot of excitement in the Lightroom community this week about this new plug-in from OnOne software (see Digital Lady Syd’s Tidbits Blog sidebar to access website). If you love Lightroom, like I do, you need to try it out. Not unlike my “Fader” blog from a few weeks ago, this plug-in is accessed from the Plug-In Extras under the File menu. Below is a version I created solely in Lightroom (even OnOne’s PhotoFrame can be accessed from Lightroom) except for my signature layer. The following three images are all of Urquhart Castle in Scotland – a wonderful place to take photos!
I spent a few hours looking at the various short videos (most about 2 minutes long) on the OnOne site that were very helpful. When I first installed the program, I had some problems and had to reinstall it. It worked fine after that. Check out both Matt Kloskowski’s and Scott Kelby’s videos (on the same page as the download) for great explanations on how to use this add on. For the above image, I just used the original image and a Virtual Copy with a preset I created called Emphasize Purple (you may download here). A layer mask made inside Perfect Layers masked out the drab sky from the one image and added the beautiful virtual copy sky layer. which was set to Darken Blend Mode at 100% opacity. Very easy and very clean! Most of the Photoshop shortcuts work so it does not have that large a learning curve. Please note that in this version of Perfect Layer, the following Photoshop options are not supported – text layers, vector masks, layer styles, adjustment layers, paths, alpha channels, smart objects, layer groups, and clipping masks. These options will be flattened into a new psd file copy and rendered as a single layer in Perfect Layers. Simple psd files containing basic layers and masks will open correctly. Your original version with all your original layers is always left untouched.
The image above uses the original image and a virtual copy that was converted to black and white – no preset used. Both copies of the image were selected and loaded into Perfect Layers with the B&W image on top. A Darken Blend Mode at 84% opacity was added along with a “Painted Out” Layer Mask so that the castle itself would retain its color and detail. The B&W layer was copied so the background water and hill could be emphasized even more – this new layer was set to Multiply Blend Mode at 100% opacity with the Layer Mask painted to hide the castle and foreground. An OnOne PhotoFrame was added to finish.
Below, two virtual copies were created and the Fader plug-in applied with a setting of 150% for each preset: the Blue and Gray preset (one I created to correct the water color) and Lightroom’s packaged preset called Direct Positive (for the castle and foliage). Both virtual copies were selected and loaded into Perfect Layers with the Blue and Gray preset layer on the bottom. The Direct Positive preset layer on top was put into an Overlay Blend Mode. A Layer Mask was “Painted Out” using the Brush Tool at 75% opacity over the water on the bottom edge. An OnOne PhotoFrame was added last. I am glad the two plug-ins both work together in Lightroom.
Texture and image blending can easily be handled. In the image below, after bringing a Maui landscape into Perfect Layers, the sky was stretched and cropped to become the whole image. One of Caleb Kimbrough‘s beautiful free grunge textures (that can be downloaded here) is not in my Lightroom catalog but was added by going to File and selecting Add Layer(s) From File. Really sweet!
I have not tried all the ideas suggested in the videos and hope to try them soon. Once again, this has been a fun week of trying out something new – that is what is so great about Photoshop and Lightroom – there are always new things to explore! Hope you try out this new plug-in – I believe it is worth the time to do so!…..Digital Lady Syd