Yesterday I found this really cool action that can be used in Photoshop using the Art History brush on any image. I have always been a bit fascinated by this type of painting as it is really simple to do, has been in Photoshop for ages, and is very flexible in the way you can create with it. (See my How to Use the Art History Brush-It Really Is Pretty Nice! blog for more info.) This time Marko Kozokar, on of my favorite digital painting creatives, came up with yet another great action (Check out his Envato list for lots of other actions).
CREATING THE ACTION
The three images shown both used the Palette Knife action that I created by following the steps in his How to Create a Palette Knife Photoshop Action on Envato. Unfortunately Envato has changed it’s policy and you cannot buy an individual action, so you must join the site for a fee. Therefore, it is necessary to follow the instructions to make the action if you want one. This action took me quite a while to figure out, but if you have done them before, it follows the same basic steps. So here are my tips if you decide to do this:
- First need to make sure image is in 8-bit mode, RGB Color (go to Image -> Mode to see this), and less than 4000 px on the largest size (go to Image -> Image Size to see if it needs to be resized.) It is important to know if you resized the image.
- Note that when you start recording an action, you can always turn it off to do another step that should not be recorded, before continuing with the action. This happens a lot when making this action. Marko created a few brushes and I went ahead and made them first before continuing with the action so they would be ready to use. With these brushes, make sure you save them as a set (Palette Knife-Art History Brushes) to use again. I named the brushes Palette Knife-Art History Brush1, Palette Knife-Art History Brush2 and Palette Knife-Art History2-small for the second painting layer, and Palette Knife-Art History3 for the last painting layer. You will see these steps appear as you continue creating the action. When a new brush is introduced, I add a Stop in my action and note which brush to use at this point so I won’t forget next time I run the action.
- If you downsized or changed the mode of the image, need to stop recording before painting and make a Snapshot in the History Panel. If you do not put your Art History brush icon by the snapshot, but leave it by the top image, it will not paint because you changed the mode or size of the image. Just remember to this before painting if you are having an issue painting.
- When creating the action and a Background copy needs to be moved up in the layer list, be sure to use CTRL+] – dragging will not be picked up right in the action.
Once you finish the painting part of the action, adding in the other adjustment layers and filters is pretty easy. Also remember there are a few other things you can do with the brushes. The image below used a default Legacy PS Artist Brush called AH Oil Medium Wet Flow brush instead of the Art History2 brushes. Besides the size and opacity, try changing the Mode in the Options Bar when applying paint. Also you do not have to paint out the whole image, try just painting out parts of it as in getting rid of an ugly background. For some of the best tips on using the Art History Brush, check Julieanne Kost (the Adobe Photoshop Evangelical) and her Art History Brush in Photoshop video – it is older, but since the tool has not changed in forever, it is still accurate.
This is a really great action once you get it running properly. If you have problems, don’t hesitate to drop me a comment. As I said, it did take me a while to get it working smoothly so maybe I can help.
GETTING THAT FINAL TEXTURED LOOK
There is a “Secret Sauce” that he added to his images to give them a really nice painterly texture effect that is not in the action. If you look at the leopard image at the bottom of his link, you will see a really nice finished painterly effect. How do you get this effect? It is one of my favorite techniques that I have actually written about several times, but it is so useful, I will go through it again. (For a video on this, check out my How to Add Texture to an Image without Adding Its Color blog.
- Load any texture you like that has some really great painted look that will match the recently painted image. – I like those from French Kisses Artiste Collection (see my Tidbits Blog sidebar for website link) which show strong stroke lines but there are many texture creators that do this. Even making you won is definitely an option.
- Add a Hue/Saturation Adjustment Layer on top – clip by clicking on the first icon at the bottom of the Adjustment Layer. Set the Saturation Slider to -100 to desaturate the texture so the color in the texture does not show up on the image.
- The texture blend mode was then set to Hard Light blend mode and a layer opacity around 30% as a starting point. I find these settings work well with this technique but try different blend modes to see which looks best on your image.
- A Levels Adjustment Layer was added to brighten the image as the texture tends to darken the midtones.
This Leopard at the Jacksonville Zoo is one where I had to downsize and use a different snapshot to paint the image. This image shows the texture better as it was a little different type – French Kiss’s Atlelier Canvas texture using the Hard Mix blend mode and 27% layer opacity. (The Guitar image used her Artiste Dove Wings texture at Vivid Light blend mode at 35% layer opacity and the Egyptian Mask used the Tableaux Sea Nymph 2 texture at Hard Light blend mode at 22% layer opacity.) Not sure I would use this image but used it to create the action. Still I learned a lot from just experimenting with it.
Hope everyone is still learning some new things (and old in my blog’s case). It was a lot of fun to create this action. ….. Digital Lady Syd