I really love taking photos but I am slowly realizing that once in Photoshop, I end up with something entirely different than what I had in mind! There is an older book, Photoshop Secrets of the Pros by Mark Clarkson, where players “pass images back and forth making changes as they go” for a set number of rounds, ie., Photoshop Tennis. This book first got me thinking about doing radically different effects to images. Last week I did a blog on Digital Lady Syd’s Photo Art Workflow where I basically showed what I do to give a different feel to an image. This week I am continuing with that theme showing other options to get more of that photo art look. The images are also examples of what happens when I start playing around with different combinations of effects in Photoshop – I am never quite sure what I will end up with. I also downloaded and tried Photomatix Pro’s new program Merge to 32-bit HDR this week so that was part of the first two images’ workflow. This image of the Ormond Heritage Condominiums (located where the old Hotel Ormond used to reside in Ormond Beach, Florida) was first processed as a five-image HDR shot using Merge to 32-bit HDR. The really neat thing is that if you already own Photomatix HDR Pro 4.2 and Lightroom 4.2, you can download it for free from the link above. All you do is select all the HDR images in Lightroom, go to File -> Export and select Merge to 32-bit HDR (or just right click and go down to Export and select the program). A dialog opens where I chose the following: Preprocessing and Merging (Align Images, Crop aligned result,by matching features, and include perspective correction) and Remove ghosts; and Name Merged File: Combined file names and check Stack with first selected photo and Scale pixel values to fixed range. The images are processed very quickly and a TIFF file is placed back with the original images, just as if you had done this in Photoshop’s Merge to HDR, except Photomatix never opens up a program – it all happens inside Lightroom. What a cool little program from Photomatix! The above image was mainly processed in Topaz photoFXlab (see sidebar for website at my Tidbits Blog) plug-in using Topaz Adjust presets. See Image 1 settings below for more info.
When adjusting the crop on the top image in Lightroom, I got a quick look at what a small crop would look like. Basically I just liked the way it looked – the frosted light of the lamp post and the comfortable porch balconies make you want to sit outside and enjoy the view and weather. The only thing done on this image in Photoshop was using Nik Color Efex Pro 4 and stacking a bunch of filters: High Key, Sunlight, Detail Extractor, Dark Contrasts, Bi-Color Filters and Image Borders. It just works!
This image was also processed in Lightroom using PhotoMatix Pro’s Merge to 32-bit HDR. I then did my adjustments on the resulting TIFF file in Lightroom. In Photoshop I decided right away to use the new Topaz photoFXlab program where Topaz Simplify and Topaz Lens Effects were used from the Plugins tab. See settings for Image 3 for the exact info on how this was applied.
Here is the same image with exactly the same settings as in the image above except for the framing, but the twist is that a Hue/Saturation Adjustment Layer was clipped to the Vivid Light texture and set to a Difference blend mode at 71% opacity. I loved the way it looks like as if it is being drenched in some bright light – almost a spooky feeling. I am glad I did not stop with just the image created above as I think I like this one better – there may be more of a story in this image.
The next two images show an example of starting with a night photo taken with my point-and-shoot camera at the Gold Lion Cafe in Flagler Beach, Florida, and turning it into a really interesting almost wintery looking sketch. I did not exactly plan this result. The night image is definitely what it looked like that night as I sat topside and listened to the ocean waves rolling in. But I really like the final image with the artistic pop added.
Here is the image with a more photo art feel.
Both images took a lot of manipulation but the second one used the Layer Styles dialog to get the beautiful color out of it. See Image 6 settings below to see how this was done.
As you can see, if you stick to the basic workflow, which all these images did, but add in that new tool or different feature (like the Layer Style Blend If sliders or the new Lookup Adjustment Layer or a unique crop or blend mode combinations), you can get some very different and interesting images and end up in a totally different spot. As always, every time I work on images, it is always completely consuming and lots of fun – otherwise, why do it? Tennis anyone?…..Digital Lady Syd
Settings for Image 1: Once the Tiff image is taken into Photoshop after making Lightroom adjustments, the background layer was duplicated Topaz photoFXlab plug-in was opened. After duplicating the layer, the Mask tab was selected and the plain sky was deleted. A new cloud image was load using +From File and placed under the top layer. A stamped layer was created using +From Stack and Topaz Adjust was opened up and Photo Pop preset was applied. In the Brushes tab, detail was increased throughout the image. PhotoFXlab was exited. The background was duplicated again and put on top in Photoshop. This layer was taken into Topaz photoFXlab again and Topaz Adjust’s preset Painting Venice was applied. Back in Photoshop a black layer mask was added and the bright areas of the image were painted in to add depth to the trees in the image. ShadowHouse Creations You’d Be Surprised texture was applied using Overlay blend mode at 34% opacity. Finally a Curves Adjustment layer was added. My frame layer style (see DLS Free Layer Style Frames) was added sampling colors from the image.
Settings for Image 3: Duplicated layer in plug-in. In Adjustments tab used these settings: Temp -4, Tint 23, Sat -12, Exp 1.80, Contrast -8, Dynamics 49, Sharpness 51, and Shadows 22. In InstaTone tab image from 500 px of an orange leaf from Aliona Shewtsova and set the layer to Saturation blend mode at 74%, which really brought out the colors. Next a +From Stack stamped layer was created. In Plugins tab Topaz Simplify was opened and the BuzzSim preset was applied as is. In the Adjustments Tab these settings were used: Temp -17, Contrast -5, Dynamics 87, and Sharpness 3. Layer opacity was set to 83%. Stamped using +From Stack. Plugins Tab used Lens Effects and applied Vignette Selective section-Soft Olive Green preset with these settings: Center on right side of slide, Vignette Strength 0.21, and Opacity 50%. Exit plug in. Exit Topaz photoFXlab. Flypaper Apple Blush taster texture was applied using Vivid Light blend mode at 100% opacity. A Curves Adjustment Layer was applied with the individual channels being adjusted to bring out the colors I wanted. My thin double edges layer style was applied (see DLS Free Layer Style Frames).
Settings for Image 5: After basic color adjustment in Lightroom (just a single shot), this image was opened in Photoshop CS6 and Nik Color Efex Pro 4 plug-in was opened. These filters were stacked: Midnight using Neutral Color Set set to 65% Overall Transparency; Bi-Color Filters using the #1 Color Set; and Photo Stylizer using Cool Silver, Style 1, Strength 38% and Overall Opacity 61%. Back in Photoshop Sarah Gardner’s Blush Ginger texture was added and set to Overlay blend mode. The new Lighting Effects Filter in CS6 was used to add some soft light to the center lantern lights – the Spotlight effect was used at an Intensity of 7 and Ambience of 60. A Color Lookup Adjustment Layer set to Abstract and Gold-Blue and the layer was set to a Screen blend mode at 64%. OnOne PhotoFrame (see sidebar for website at my Tidbits Blog) Emulsion 02 was added sampling a dark color from the image for the color.
Settings for Image 6: After applying the same Color Efex Pro filters as Image 5, the image was opened up into Topaz Simplify and a Sketch preset I had previously created was applied so that the lines looked pretty much like a black and white sketch. (To create, use Mode Edges; Colorspace RGB and all sliders in Simplify section – set all to 0.00 except Details Boost 1.00, Remove Size 0.08, and Remove Weak 0.10; Adjust section – Brightness 0.00, Contrast 0.73, Saturation 1.40, and Saturation Boost 1.92; and Edges – MonoEdge Normal, Edge Strength 5.00, Simplify Edge 0.22, Reduce Weak 0, Reduce Small 0, and Flatten Edge 2.28. To adjust the sketch detail and darkness, adjust the Simplify Edge slider.) Now here is the tricky part – a Layer Style was added by double clicking on the layer and in the Blending Options dialog, the Blend If section is used. On This Layer, the black tab was split by ALT + clicking on the tab the split tabs set to 0 and 164 – the white tab was left at 255. On Underlying Layer, the White Tab was split and set to 0 and 72 and the Black Tab left at 0. It looks really weird but it gave me the color effect I liked. This layer was set to Lighten at 100% opacity. A composite layer was created (CTRL+SHIFT+ALT+E) and using Select -> Color Range, the white was selected. CTRL+Backspace to delete the white from the image. Two layers were created underneath the top layer and using Best Mcbad Watercolor Brushes 22 and 30, a watercolor sky was created using blue and light pink. A Hue/Saturation Adjustment Layer was added to increase the saturation in the Yellows. A Curves Adjustment Layer was added to increase contrast. This image used different settings for the Lighting Filter – Intensity 5 and Ambience 93 – only wanted a slight glow since it is daylight. Some clean up was done. My Layer Style (see DLS Free Layer Style Frames) was added to frame the image and that was it! Whew!
These beautiful pink dahlias grow in my front yard. This image composition really fits the criteria for a good vintage feel. One of the major objectives is to have some nice negative space – or blank area – in your image to show off the textures. This image had a clean light gray background because they were shot in front of a white board on a shaded porch with lots of natural light before being planted. If they are planted already, try using a very wide open aperture setting so the background is blurred slightly, or have someone hold a white reflector behind them while shooting (and one over them if it is a really sunny day – overcast days are the best for photographing flowers). This image was shot at eye level using a 60 mm AF Micro Nikkor at F6.7. After uploading to Lightroom, the image was cropped and all the sliders in the Basic section were adjusted. In Photoshop bad spots on flowers were cloned out and then the following layers were added: 1) the new Color Lookup 1 Adjustment Layer using 3DLUT File set to FoggyNight preset (gives a more purplish flower color) at 89% opacity; a Gradient Fill Adjustment Layer (adds the pinkish bottom half) set to a deep brown red color (foreground color in Color Picker) to translucent gradient, Linear Style, 90 degree angle and Scale 149% with layer opacity set to 39%; Paul Grand’s terrific Scratches Texture set to Soft Light at 38% layer opacity and removing some cracks using a layer mask on texture; ShadowHouse Creations Old Photo 2 (click Large View and right click to select Save Image As) set to Soft Light at 100% (gives the beautiful old looking frame around image); ShadowHouse Creations Bokeh 2 (really lightens up the image) set to Soft Light at 62% opacity – painted out most of the bokeh on a layer mask; ShadowHouse Creations T2 (this is one of my favorite textures – old lace) set to Soft Light at 63% opacity; a Curves Adjustment Layer to add a little contrast back into the image; and finally a Levels Curve with black Output tab set to 8 to lighten the whole image only a little. This is really not as hard as it seems. The important thing is that you need find a few favorite textures and then try them out on various dark and light images to get a feel for how they look when set to different blending modes and opacities. I use Soft Light frequently for the textures but try out other blend modes to see what they will do. The textures used in the above image are some of my favorites.
One of the reasons I am so inspired this week is that Sarah Gardner‘s Art Beyond the Lens book on using textures in your digital images finally was reprinted and came in the mail. She creates some beautiful textures on her website along with some beautiful images. Her book is a great read and very easy to follow. She demonstrates a few different techniques for adding textures and using some of Photoshop’s other tools to create beautiful effects! The above was my first attempt using some of her tips and I am pretty happy with it. These flowers are called Phloxy Lady Phlox and also grow in my front yard. Both textures are from free give-aways Sarah had going a few months ago, one is Beyond – Seagrain Dark set to Soft Light at 100% opacity and Artisan Ink set to Overlay at 42% opacity. She also posts interesting things on her Facebook page so follow her. The frame is my basic layer style using sampled colors from the image (see DLS Free Layer Style Frames blog).
Here are some delicious chocolate covered strawberries from the Melting Pot Restaurant. For starters, this was a five image HDR processed using Nik’s HDR Efex Pro 2. Then in Photoshop lots of the same textures were added – Caleb Kimbrough’s Summer 5 texture set to Overlay at 34% opacity to get that beautiful golden Tuscan feel; Paul Grand’s Scratches Texture (link listed above) used twice to give it more interest (both set to Soft Light with 50% and 23% layer opacities – using layer masks to paint out different parts of image); and ShadowHouse Creations OldPhoto 6 set to Overlay at 100% opacity. Now here are a couple things you can do to get a really nice vintage feel. Next a Color Fill Adjustment Layer was added and the color I used was a deep red (49250f) – it was set to Soft Light at 80% opacity and the plate and chocolates were painted out with black in a layer mask. This created the marvelous deep brown in the upper background especially. I now realized I had some texture areas that were slightly bare looking so this time a New Layer was added on top. Using Gorjuss Grunge Again Brushes (unfortunately these are no longer available but any grunge type brush would do) with Brush 01 at 30% and sampling a darker brown color in the image for foreground color, the area in the upper right was filled in lightly. Another New Layer was created using Brush 08 at 30% and sampling a lighter brown color; and finally yet another New Layer was added using Scratch Heavy Brush (this is a mystery brush – not sure where I got it) at 30% and rotating it 90 degrees to paint in the top with a yellow-gold color sampled from the image. A few more strokes were added to the left to brighten the image a little more. If you find you have a hole or want a little different texture, go back to your brushes and see if you have something that will fill it in. In fact you can make your own textures with these brush effects.
Here is another example of following Sarah Gardner steps from her book. I added three textures using Russel Brown’s Texture Panel (see my blog links below to find more information on this wonderful free panel) – ShadowHouse Creations T2 lacy texture (see download link above), Oil Painting-2 and Painted Clouds. Parts of the lacy texture were painted out to sharpen the mid-section flowers, which is the focus of the image. Something different I did and have not really seen before is to add a Pattern Fill Adjustment Layer set to Parchment at Scale 397%. Then the layer mask was filled with black and just the foreground flowers were painted with the pattern texture. Finally the layer opacity was set set to 35%. Since I wanted a little color in those areas, a Hue/Saturation Adjustment Layer was added and linked to the Pattern Fill Adjustment Layer below by ATL+clicking between the two layers (a little box shows let you know it is working) so the changes in the Hue/Sat Adjustment Layer only occur on the layer below. The Hue was set to +292, Saturation +34, Lightness +21 and Colorize was checked – this gives the light pink color to the grain in the foreground flowers only. That was it – used my layer style to frame the image (see DLS Free Layer Style Frames blog). I believe this image portrays that soft Victorian look quite nicely.
Since this is such a long post, here is a summary of what I think is important about using textures.
1. Textures definitely add that old time look to an image if used properly. Flowers really benefit from this type of look. If you check out some of my blogs below, there are some landscape images using textures that turned out really nice.
2. The Pattern Fill Adjustment Layer can add a vintage feel to your images – they look like a texture when added to an image and by using the Scale slider, very different effects can be created. (See image 4 information.)
3. The new Color Lookup Adjustment Layer in CS6 also gives you another way to add texture and color to get the vintage feel. (See image 1 information.)
4. Create a New Layer and use unique brushes – there are many grunge brushes and scratch brushes available for download on the internet. Sometimes it is necessary to create a texture using brushes to fit the needs of your image. And don’t forget you can change the settings to make the brush stroke in a different direction or to stretch out the spacing. (See image 3 information.)
5. Use a Gradient Fill Adjustment Layer to give some color variation and then paint out in a layer mask areas you do not want affected. Be sure to try different blend modes. (See image 1 information.)
6. Use a Color Adjustment Layer to add a bold color and then reduce the opacity of the layer. Again, be sure to try different blend modes. (See image 3 information.)
7. Use Russell Brown’s texture panel to try out texture looks really fast – this is a really great tool (see download information in blog links below). The Flypaper Textures that are loaded with the panel create some wonderful results. I also keep a folder of my favorite textures on my Desktop so I can access them really fast when using this panel. (See image 1 information.)
It usually takes several attempts to get the effect you want. All these images took several hours to get the look I liked. If one techniques does not work, try a different one. Check out some of my blogs below to find more ways to create the vintage feel in Photoshop. …..Digital Lady Syd
Digital Lady Syd Related Blogs:
How to Create Unique Watercolor Background Texture
How to Create Unique Textured Backgrounds
Russell Brown’s Paper Texture Panel – A Real Winner!
Orchids with Russell Brown’s Paper Textures Panel
Russell Brown Texture Panel Landscape Image
Tips for Flower Textures
Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect
Create a Winter Scene with Photoshop Brushes and Textures
Adding a Texture for Flair!
The Soft, Dreamy Look
Soft-Look Flowers Using Textures
Usually I try to have a particular theme for my major blog. I have been busy this week but doing all sorts of different things so I decided to just post some of my favorites. The image above is from the Big Island in Hawaii and it was not a first pick when I was processing. After I got a chance to play around in Photoshop with it though, it turned out to be one of my favorites. Sort of represents the kind of terrain that the trees in the area have to contend with and the light was very nice at this spot.
This is a 3-image hand-held HDR shot that ended up with a lot of different steps, starting first with Photoshop’s Merge to HDR to align and remove any ghosting. That tone-mapped image was then taken into Nik’s HDR Efex Pro and one of my favorite presets, Grannys Attic, was applied. Next Nik’s Color Efex Pro 4 was applied using another one of my favorite presets, Midnight at 3% blur, which gives the tree more of a silhouette feel. Wow – not finished yet! Next Topaz Adjust 5 (see website link in my Tidbits Blog sidebar) was applied with the Timeless IV preset. But there’s more – one of my favorite textures, Shadowhouse Creations Paper Texture Scratchbox4 which has a golden lower half and a light greenish-turquoise top half set to Overlay at 80%, gives the image the warm vintage tones. A Levels Adjustment Layer was added for some tonal contrast. Finally, my Thin Double Edge Frame was applied (see DLS Free Layer Style Frames blog) – it creates a really nice slim framing and the colors can be changed easily by sampling within the image. Done!
This wall art image is on display in the open-air one mile long corridor that contains all sorts of art at the Hilton Waikoloa Village on the Big Island in Hawaii. Just one of the very unusual pieces that is available to view on your leisurely stroll about the resort, but this guy means business or else he has some really bad breath!
This time I tried a sharpening technique in Photoshop’s Merge to HDR (see John Paul Caponigro’s blog Creative Sharpening with HDR Software) as a first step. Next, using Russell Brown’s Paper Texture Panel (see links at end for blog link), two Flypaper textures were added, Paper Texture Creme Anglaise Taster set to Blend Mode Exclusion at 100% Opacity which turned the whole image dark and Paper Texture Touchstone Taster set to Color Burn Blend Mode at 64% Opacity. A slight S-Curve Curves Adjustment Layer was added to increase contrast a little. Finally OnOne’s PhotoFrame (see website link in my Tidbits Blog sidebar) acid burn controlled 04 frame was used with the color being sampled from the image.
Oh no! Where did he come from? Back in my blog again?? – this is my office-mate Ted – had him way before he got famous. Seems to be enjoying himself. Hum! (See my Tidbits Blog My Office Friend Ted.)
Ted was processed using the wonderful Topaz Simplify 3 plug-in (see website link in my Tidbits Blog sidebar) and here are my settings used: Simplify – Colorspace YCbCR, Simplify Size 0.52, Feature Boost 3.83, Details Strength 1.51, Details Boost 1.27, Details Size 0.62, Remove Small 0, and Remove Weak 0.16; Adjust – Brightness 0.01, Contrast 1.07. Saturation 1.03, and Saturation Boost 0.97; and Edges – Mono Edge Fine, Edge Strength 4.47, Simplify Edge 0.39, Reduce Weak 7, Reduce Small 0.07, and Fatten Edge 4.11. A composite was created above this layer (CTRL+SHIFT+ALT+E) and set to Linear Light at 37%. Next Sarah Gardner’s texture Blush Cherry was added (the website is no longer offering this texture but ShadowHouse Creations Pastels Texture Set Pastel-10 is very close) set to Soft Light Blend Mode at 100% Opacity lightened up the image. A text layer was created using Sassys Teddys 3 font and a Layer Style with these settings were added to the text layer: Bevel & Emboss set to Contour and Texture, Style Inner Bevel, Technique Smooth, Depth 100, Direction Up, Size 7, Soften 0, Angle 25 wit Use Global Light checked, Altitude 30 and the rest default settings; Outer Glow set to Normal Blend Mode, Opacity 100, color R77/G30/B19, Technique Softer, Spread 0, Size 237 and the rest default settings; and Drop Shadow – just dragged around on screen a bit in Multiply Blend Mode and Black, Opacity 75%, Angle 25 & Use Global Light checked, Distance 29, Spread 0, and Size 7. Whew! Finally the same Layer Style was applied as for the first image using different colors in the frame.
Thought I would finish off with an effect that reminded me of one of my kids favorite books from forever ago, The Berenstein Bear’s Spooky Old House. This old building image I use a lot for practice with the plug-ins is in Jackson, Mississippi and stands under one of the most striking buildings in the area, the Lamar Life Insurance Building (see my Tidbits Blog Topaz Adjust 5 Is Here! First Look!).
The processing for this image was practically all in Nik’s Color Efex Pro 4 – four filters were stacked: Detail Extractor, Tonal Contrast, Pro Contrast, and Midnight using Color Set Blue and Blur set to6%. These are some of my favorite filters and are used often with various other filters for different looks. Got to love Color Efex Pro! A Curves Adjustment Layer was added for a little more contrast and OnOne’s PhotoFrame Jack Davis 02i. Pretty simple but really cool looking.
Hope you enjoyed some of the images I was working with this past week and hope I did not put you to sleep with all the details. Most of these images did not require a lot of work and the plug-ins gave a really nice boost to the final look in all of them……Digital Lady Syd
Digital Lady Syd’s Related Blogs:
HDR Using Photoshop Merge to HDR and Nik”s HDR EFex Pro and Silver Efex Pro? Wow!
Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect
Russell Brown’s Paper Texture Panel Updated!
White Daisies! Using Color Efex Pro Midnight Filter