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Posts tagged “Russell Brown

2012 Inexpensive Gifts for the Photoshop Lover on Your List

Last year I did this blog and felt that it would be a good idea to list a few more reasonably priced gift items that you might not know about. I hope you find it useful for that perfect stocking-stuffer or gift for your favorite Photoshop user. These are all items I personally own and recommend for your use.  Also, scroll down to the Totally Cheap Corner for some free great gift ideas! So here we go!

1. TOPAZ ADJUST 5 FILTER – ($50)

I am keeping my number 1 from last year as my number 1 for this year too. This plug-in is the best and this company is the best – once you buy any of their products, all updates are free – who does that in this day and age? It was a hard choice to choose just one to showcase as I use most of their plug-ins regularly. Topaz Adjust is wonderful as it gives that HDR feel to an image even if it is not an HDR and now there are more choices than ever for creating this look. If you are an artistic person, try their newly updated Topaz Simplify 4 – totally fun to use! And the Black and White Effects is really good!  Topaz Adjust (see sidebar for website at my Tidbits Blog) using the Vintage Grunge IV preset was applied below without the vignetting. Otherwise just my usual workflow in both Lightroom 4 and Photoshop CS6. It was taken recently at the 39th Annual Daytona Turkey Run in the infield of the Daytona International Speedway – it is the largest antique auto show in the U.S.

2. FRENCH KISS COLLECTIONS – ($8 to $60)

Leslie Nicole of French Kiss Collections has some of the most beautiful and unique textures. She offers many free textures to try out and several inexpensive sets you can download. She has some good video tutorials on how to use her textures. Below are some bougainvillaeas that use one of her textures and one of her overlays. (For more information on how it was processed, see my Tidbits Blog Checking Out French Kiss Textures.)

http://farm9.staticflickr.com/8474/8114780763_31fe9bd42e.jpg

3. PRESET VIEWER BREEZE PROGRAM – ($20)

Once again I am recommending this little program. I would be lost without the Preset Viewer Program. When you need that special brush to load into Photoshop and cannot remember which set is it in, this program will open them up to view within seconds to help you find what you need. Definitely a real time-saver. It also reads patterns, fonts, jpgs, shapes, styles, and swatches. A great addition for speeding up your Photoshop workflow. I often have it open while working on an image to see which brushes I need to load. Below is a screenshot of how my program looks when open – I have several folders where I store extra brush presets. These are my cloud set brushes that can be downloaded for free at my Deviant Art site.

4. CREATING ART WITH MACRO IN NATURE E-BOOK – ($14.95)

If you like taking Macro images, or even if you don’t know if you do, Mike Moat (one of the best macro photographers around) has an E-Book called Creating Art with Macro in Nature that is terrific! I learned so much from this 184-page pdf book that covers everything you need to know with beautiful images to show you the results. Very enjoyable read. His website Tiny Landscapes also has very helpful information on it. Below is an example of using some of Mike’s tips to create a nice Macro image.

5. THE DIGITAL PHOTOGRAPHY BOOKS – 1 THROUGH 4 – ($13 and up)

Scott Kelby (need I say anymore?) started creating “quick tip” Digital Photography Books a while back and this year he released his fourth. They are all loaded down with lots of photography and Photoshop tips to make shooting any kind of image painless. He covers every kind of shot and has many recipes sprinkled throughout the books to help with processing. I have totally enjoyed all of them as they are a quick read – you can look up whatever you want to shoot at the moment and get the quick tip for taking the image. The HDR image below is a shot from my hotel room in Orlando while attending Photoshop World (these are a blast to attend if you have not done so yet) a few years ago that follows the tip “Shoot From Up Really High” in Book 3. I just checked the price on his books and they are quite reduced from the cost on the cover – very good buys!

6. THE FADER PLUGIN FOR LIGHTROOM – (now $10)

I did a blog on this cool little plug-in program back when it first came out. (See Great Free Plug-in for Lightroom – The Fader!) They have since upgraded it but it is the same basic program and I find I use it all the time. The basic concept is that when you apply a preset in Lightroom, it is applied at 100% – that is your only choice. Using this Fader plug-in, you can set it to any amount up to 150% and you get a live view of how it looks while adjusting the one slider. It is absolutely ingenious! The image of the mum below used Photoshop Guy Matt Kloskowski’s Wedding Fairytale Dark Edge preset applied to it at 115% using the Fader. Then an adjustment brush adding the slight yellow color for the centers was added. The texture is Painted Textures Taupe Canvas, French Kiss PhotoStudio2 Overlay ( from No. 2 above), and my free SJ-Snow1 Overlay.

7.  THE ARTIST QUARTER (TAQ) WATERCOLOUR BRUSHES – (around $30)

As I have always said, I am no painter but I just love dabbling. So when Dr. Russell Brown (my Photoshop hero) and Tim Shelbourne (a wonderful artist) came up with their Artist Assistant panel, I fell victim. The Watercolour Assistant Panel is free for Photoshop CS6 and can be downloaded from Dr. Brown’s Scripts page. I can tell you it takes practice to be successful at this, and I have not mastered it yet, but using Tim’s TAQ Watercolour Cloning Brushes definitely helps to create a nice watercolor feel from an image. If you are interested in painting watercolor, check out his website and his brushes. I hope to do a future blog on this technique since it really is a lot of fun to do.

8.  STEADEPOD CAMERA ACCESSORY – ($29.95)

How many times have you been out shooting and wished you had a tripod with you? Unless I plan on going somewhere that is easy go with my car, I usually just wing it. When I went to Photoshop World a couple years ago, this was one of the items in the vendor area. I bought a Steadepod and I now carry it with me whenever I shoot. It may not be a great as a tripod, but it sure beats having nothing. What a life-saver! and fairly inexpensive. This is one of those gadgets you wonder how you ever got along without it. It sets up very quickly and you can get those wonderful HDR landscape and indoor shots you want – and no one says you cannot use it in some places where tripods are not allowed!

9.  LIGHTROOM 4 UNMASKED E-BOOK – ($20)

Recently I decided that I needed to get a new Lightroom reference book since the latest version has been updated a lot. When Craft & Vision issued a notice that a new E-book on Lightroom was available for a reasonable price, I decided to give it a try. Piet Van den Eynde does an excellent job with this Lightroom 4 Unmasked E-book. It is 313 pages long and covers everything, and from a fresh perspective. Besides a Table of Contents which links through properly, he has a Cases page with links that answer basic questions and offer new techniques. Also check out Craft & Vision’s other E-books – David duChemin (a really great photographer) and Piet have several listed. These E-books are great reads at reasonable prices.

10. LIGHTROOM PRESETS BY DAVID duCHEMIN – ($10)

Speaking of David duChemin, he came out with a set of 36 Lightroom Develop Presets and instructions on how to use them. I bought them as I really liked the Milford Greens presets and several of his Black and White presets are now my favorites. This is a very handy set and reasonably priced (approx $0.25 a preset). The Hawaiian Boy and Turtle Sculpture below uses one of the beautiful Milford Greens presets, then The Fader plug-in (see No. 6 above) was opened and applied at 115% before finishing up in Photoshop.

http://farm9.staticflickr.com/8064/8238688964_bbfd5f52c3.jpg

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TOTALLY CHEAP CORNER!

11. SHADOWHOUSE CREATIONS – LARGE VARIETY AND BEAUTIFUL TEXTURES – ($0 but he deserves donations!)

Jerry Jones of Shadowhouse Creations is one of the most generous people in the texture community. His textures are fabulous with a large variety from which to select. He often adds good examples and details on how to use the set he is featuring. He also creates brushes, layer styles, overlays, and actions. This is a “must have” bookmark for anyone who dabbles in the artistic aspects of Photoshop. The pink daisies are treated with two of my very favorite textures from Shadowhouse Creations: Marshmellow Skies set to Normal blend mode at 72% opacity and Oil Painting 1 set to Hard Light at 26%.

http://farm8.staticflickr.com/7175/6813181699_a95ea3bef8.jpg

12.  SEVERAL RUSSELL BROWN PANELS – ($0)

I mentioned one of these in No. 7 above – Russell Brown’s panels are the best! Download them all from Dr.Brown’s Scripts page.

  • The one I use the most is the Adobe Paper Texture Panel. This is a quick and easy way to try several textures on top of your image quickly – it sizes them and sets them to any blend mode you want to see. See my blog Russell Brown’s Paper Texture Panel Updated! for more info. I noticed he does not have the CS5 version posted anymore.
  • Another panel I really like is the Edit Layers in ACR (Adobe Camera Raw) panel for Photoshop CS6. (Scroll down the page to get the same as an equivalent script for CS5.) This is very useful, especially if you use Lightroom. It saves time if you need to fix something in Camera RAW quick (like remove noise or Chromatic Aberration or adjust orange which is not in Photoshop) and you do not want to go back into Lightroom to adjust it.  Basically all you have to do in CS6 to access this script is to open the panel and click on the button  – it immediately turns your layer into a Smart Object so you can edit again later if needed, and takes you right into ACR. For CS5 you will have to go to the File -> Scripts -> Dr. Brown’s Edit Layer in ACR to run. Check out my blog Edit Layers with ACR (Adobe Camera Raw) Script for more information on this.
  • As already mentioned above, Dr. Brown’s Painting Assistant Panel for CS6 and CS5! is another fun free panel to try out! It takes you through several steps – like a Photoshop action that stops at each step. It also takes some practice but if you are a little artistic, you will love it. See my blog Dr. Brown’s Painting Assistant Panel for CS6 and CS5! on how to do this.
  • And once again, the Watercolour Assistant Panel is free for Photoshop CS6 only – see No. 7 above for more on this.

The flowers below were created using the Photoshop CS5 Painting Assistant.

http://farm9.staticflickr.com/8454/8008222158_bd9608f384.jpg

13. PIXEL BENDER (FOR PHOTOSHOP CS5 ONLY) – ($0)

This item has been around a while – is a great little plug-in offered over at Adobe Labs Downloads that contains several different filters, and others can be added in. Click on 7. on download page to get to the Adobe Pixel Bender Exchange to find what they have to offer. I am so sorry that it cannot be used with Photoshop CS6 because some of my favorite effects were in this little plug-in. That is one reason why both CS6 and CS5 are on my computer – I still use this plug-in. When you download the plug-in, you get the really nice Oil Paint Filter, which is similar to the one added to Photoshop CS6 – see my blog Photoshop’s CS6 (and Pixel Bender’s) Oil Paint Filter. One that is a lot of fun is the Escher’s Droste Effect – see my blog Pixel Bender Droste Effect for more information on this filter. The filter I use the most in Pixel Bender is from an outside source and is called Kill White – it takes out all the white from an image in a single click. Very handy! (Mike at Mike’s Extra says the 32-bit filter download currently works with the 32-bit Photoshop CS6 but he has not been able to get the 64-bit plug-in working.) This image is of one of my Orange Hibiscus using instructions from my Droste Effect blog link above.

http://farm6.staticflickr.com/5256/5459666308_4ca45d5487.jpg

14.  PHOTOMATIX MERGE TO 32-BIT HDR PLUG-IN FOR LIGHTROOM 4.1 USERS – ($0 if you already own Photomatix Pro)

Since there is not much for the HDR fanatic (although the Steadepod in No. 8 above is perfect for HDR in difficult places), the Merge to 32-Bit HDR Plug-in is a little heralded plug-in that HDR Soft released earlier this year and I find it indispensable. Since it is free to owners of the Photomatix Pro program (one of the HDR industry standards for processing HDR images), I thought I would mention it here. The first image in this blog was created from 3 images stacked with this program.  You first select your HDR images in Lightroom, go to Export -> Merge to 32-Bit HDR – it then aligns and brings the file back into Lightroom as a TIFF for processing. Very quick and very useful – much faster than going into Photoshop to stack and align them.

15. 50 FREE HIGH QUALITY TEXTURE PACKS – ($0)

This is a just-for-fun link I found over a year ago but it has 50 sites which also have links and lots of freebies on each site, not just great textures. Total fun and your Photoshop buddy will love browsing through all the wonderful things available and you will be a hero! Check out 50 Free High Quality Texture Packs by tutslist.com.

I hope this blog has given you some ideas and places to check out if you are looking for that special Photoshop or Photography gift that will not “break the bank!” If you want more ideas, check out my Inexpensive Gifts for Photoshop Lovers for 2011. I know with the economy the way it is, it is hard to find something that is really nice or unique – maybe this blog will give you some great ideas. Happy Shopping!…..Digital Lady Syd


Dr. Brown’s Painting Assistant Panel for CS6 and CS5!

Here is another Photo Art application from the wonderful Russell Brown. Very rarely would I be posting about something that is different for CS6 from CS5, but on occasion this is happening – especially when it comes to Dr. Brown’s panels. I had previously downloaded Dr. Brown’s Painting Assistant Panel for CS5 and got some really nice results. I actually blogged about it in my Tidbits Blog Think Pink! Rally for the Cure Pink Rose a while ago. He recently came up with a new panel for CS6 that gives different results as it creates specifically an impressionistic oil painting look.  I like both panel version’s results. The Fairfax County Courthouse cannon above was my first attempt at using the CS6 Painting Panel and to be honest, it is a little tricky to master. You definitely need to review the videos that he distributes with the download before starting.  And he does make a major point that once you start, you cannot go back to a previous step. When you open the panel in either program, he gives you the brushes you need to complete your images. Here is the link to the Dr. Brown’s Scripts Page – there are two versions of the Painting Panel, you must scroll down a ways for the CS5 version – and as always with Dr. Brown, these are free downloads. To finish the image above a  clean up layer was created, a Curves Adjustment Layer applied to add some contrast, and my Double Edge Frame Layer Style was applied. Also note that a Wacom tablet really helps with this panel and he recommends using the barrel rotation pen – I use a large Wacom Intuos 3 tablet (I cannot justify upgrading as it works great – if you cannot afford a new tablet, you might want to check out E-bay for one of these older versions), and I bought the pen a couple years ago from Amazon (I am not sure you must have this to get good results – they are quite expensive and do not come with the tablet when purchased).

Below I used the same Lightroom adjusted flower image and opened it up in both Photoshop programs. This first example is from CS6.The above is the final version after adding in some clean up brush strokes on a separate layer using a regular pastel brush and sampling color from nearby areas in image (ALT+click in image), adding Flypaper Textures Apple Blush Taster Texture (comes with Dr. Brown’s Paper Panel Texture download) using Pin Light Blend Mode at 66% opacity, and a Curves Adjustment Layer to adjust contrast. Below is what the image looked like after Step 4 of the Painting Assistant Panel.
There are seven steps to the Painting Assistant Panel. The first two go really fast – they involve opening your image, resizing it, and smoothing it using the new Oil Painting Filter in CS6. (You can see the filter texture in the border areas). The next four steps take a considerable amount of time. Step 3 is Create Rough Underpainting which goes fairly fast. Step 4 is the Intermediate Painting which takes the longest time to do as this is where the impressionist strokes are painted over the image. Step 5 is Finish Intermediate Painting where a few details are added back in. Step 6 is Detail Recovery using a provided History Brush which may take a while to do depending on how much smaller detail you want to bring back into your image. Step 7 is Add Finishing Touch which adds the High Pass Filter to sharpen and is quick. Other textures and filters can now be added to the image to finish it up. This whole process can be quite time consuming. Impressionism requires a lot of small strokes to get the look. (See my Tidbits Blog Digital Lady Syd’s Rule No. 6 – Try Something New! with links to Fay Sirkis who explains how to actually paint a stroke to create an impressionistic effect – check out the article link in the blog.) The wood boat image below is a more complicated image and took way too long to finish in one sitting. Even the cannon image took a very long time to finish so I would stick to images with simpler lines like floral or still life for use with this panel.

Now for the Photoshop CS5 Painting Assistant. The steps only number 6 but the panel works the same way. The first step is where you open the image. Second step Adds a Surface Blur filter to your image, Step 3 creates an Underpainting Layer where you use a supplied Mixer Brush, Step 4 is an Intermediate Layer, Step 5 Detail Recovery, and Finishing Touch that adds the High Pass Filter for sharpening. Only a Curves Adjustment Layer was added for some contrast and OnOne PhotoFrame (see sidebar for website at my Tidbits Blog) acid burn 07 was used to finish up the photo. Personally, I think that the Painting Assistant is CS5 is easier to use than Cs6′s, but you are not trying to create a particular style of painting as in the CS6 version. This image of Laupahoehoe Harbor on the Big Island in Hawaii was created very quickly in Photoshop CS5 – much faster than using the impressionist effect in CS6.  The way I got the texture to look more painterly was to add a light gray texture created from an actual oil painting I own. I use it a lot and if you would like to download it, check out my Cat Painting Canvas Texture download link at Deviant Art. It was set to Overlay blend mode at 57% opacity. The Painting Assistant layer was slightly cleaned up on a separate layer by sampling in the document and using a low opacity Photoshop chalk brush to fill in. If you do not want to spend so much time on a document, the CS5 Painting Assistant seems to be the answer.

A couple quick tips:  Dr. Brown says paint your image as a paint-by-number of old times when in the Intermediate Painting step. I discovered that at this point you can erase any areas you did not paint over in the outside border before going on to Step 5. Once in the Finish Intermediate Step 5, be sure not to overdo the detail – only place it where you want the viewer to focus in the image. It is easy to overdo this step. I used it to smooth out some of the indistinct lines in the image below. Step 6 is actually the History Brush and it is set to 4% opacity. I changed this to 22% as I could not see any changes occurring in my image. Step 7 adds a High Pass Filter set to Radius of 8 – you can always paint out areas that are too sharp in a layer mask if it seems like too much. For the wooden boats at the Hilton Waikoloa Village on the Big Island in Hawaii, after the Painting Assistant was used, a clean up layer was created to fill in a few areas and a Levels Adjustment Layer was added to increase contrast. That is all!
As you can see, this is another great way to photo paint an image. Dr. Brown always has fun and interesting ways of doing things. He is in the process of creating a watercolor module for the Painting Assistant and I can hardly wait to try it. Give this panel a try and see if you like the results – some people are creating some incredible art using it. I think I need to work with it some more but it is fun to do!……Digital Lady Syd


My 100th Post! – My Favorite Things About Photoshop

Since I have reached this major milestone, I decided this week I would show a few examples of what I use the most in Photoshop and what is the most fun for me when using Photoshop. In some of these cases, I will be mentioning certain products or people but that is mainly because I really like what they do – they do not know me. Also, no external plug-ins will be discussed here.

Several things were done in Photoshop to process this image of a sailboat model of the USS Constitution located at The Casements in Ormond Beach, Florida. The most important is that a 32-bit tone-mapped image was created in Photoshop’s Merge to HDR, saved as a TIFF file, and then brought into Lightroom 4.1′s Develop module using the sliders to bring out all the details. This now makes Photoshop’s HDR processing on par with several of the other HDR software programs. The TIFF image goes back into Photoshop to finish up using another one of my favorite tools – Puppet Warp – to straighten out the extreme warping in the original image (it was actually applied twice). It was a difficult image to work on since it has a square glass encasement and the horizontal louvered blinds in the background. Just using the arrow keys is sometimes enough to push and pull the image pins the correct amount and Puppet Warp works much better than Lens Correction or the new Adaptive Wide Angle filters for me. Puppet Warp can be used in a Smart Object for readjusting later if needed.

I am slowly really getting into textures – they just do so much for a boring image. The texture above was created using one of the best panels you can apply to Photoshop and that is Dr. Brown’s (may be the top Photoshop guru of all time and works for Adobe) Paper Texture Panel – biggest time saver for anyone that likes to experiment with textures! This is one feature I use all the time and can’t believe I used to go through my textures individually to try them out. To really enhance this process, create a folder on your desktop that contains several sub-folders to place copies of your favorite textures. He recommends keeping these folders to around 20 textures as it takes a while to load if it is much bigger. I have sub-folder on textures I created, my favorite textures I use all the time, and a few on textures I have downloaded or bought. You can switch folders very quickly in the panel. This image used Paul Grand’s Scratches Texture and Gavin Hoey’s beautiful grunge frame 1. I am also putting a plug in here for my favorite texture guy, ShadowHouse Creations, who offers all kinds of beautiful textures for free, and I use them all the time. I reference his textures in many of my older blogs.


Those wonderful brushes in Photoshop! My very first blog featured the above image where I actually used a Photoshop Mixer Brush to paint in the petals of the flowers. This is still one of my favorite painted images – the Oleander flowers in the original were not near as pretty. The background was a Karen Sperling texture called 08Sperling (I believe this now has to be purchased – not sure how I got it) that added was a very delicate complement to the image. She is actually a Corel Painter Master and does some wonderful things in that program.

Totally indispensable! The last step I always do before I save an image. A few months ago I viewed a short video tutorial at Kelby Training called Mastering Curves: Adjusting Tonality by Ben Wilmore, another great Photoshop guru, who teaches how to use Curves correctly. (I have found the Kelby Training tutorials to be the best you can find on every aspect of photography and photoshop.) The basic thing to know about Curves is that by selecting the hand tool in the top left of the adjustment panel and dragging straight up in the image it lightens it up, and down darkens it. If you get two dots close and rather flat on a Curve line, you will lose detail.  A black layer mask can be created to target just the areas you want changed. It is a pretty simple technique but can improve an image quickly. Also you can save Curve settings if you want to apply them again. The image above of the beautiful birds in the Spring at the Rookery used several Curves Adjustment Layers to match the tones for the composite.

I have been using this Double Edge Frame layer style a lot on my images – gives a nice clean look with colors that can be sampled from the image. Also plain black borders can easily be created. To download this layer style for free or directions on how to create it, see my blog referenced above. There are many other uses for layer styles that I love, but I use the frames the most. Also a couple textures were added here with Dr. Brown’s Paper Texture Panel.


I love the way you can go back in and fix your settings if you do not like the way they look. Most of the plug-ins I use have Smart Object capability and this is why I use them. I can’t tell you how many times I have gone back into Nik’s Viveza 2 and adjusted my control points! Just another great Photoshop feature. The image above of the Hilton Time Share swimming pool on the Big Island in Hawaii used Smart Objects for both the Nik HDR Efex Pro using Granny’s Attic preset and Viveza 2. Also two Curves Adjustment Layers were used.

I could go on and on about all my favorite features I love. The above are some of the ones I use the most. I thought about writing on the new Defringe section in Lightroom 4.1 and Adobe Camera Raw that works wonders on this problem – better than any of the noiseware software available for controlling the ugly fringe problem. The new sliders in both are much improved and both now do a great job on reducing noise too. Also the Graduated Filter is much improved. Back in Photoshop I love being able to use LAB mode to sharpen some of my images selectively. Content-Aware tools cannot be beat but I still use the plain old Clone Tool the most. And the improved Sharpen Tool is fabulous for those little areas that need a detail boost. I even love the Color Replacement Tool that hardly no one uses! And all the blend modes just add so much to an image. Needless to say, there is a lot to like about Photoshop and so many ways to do things. I guess the real fun is learning new ways to use it and that is why I blog! Hope you have enjoyed some of what I have learned these past couple years!…..Digital Lady Syd


Russell Brown’s Paper Texture Panel Updated!


A few weeks ago I did a blog called “Russell Brown’s Paper Texture Panel-A Real Winner!” which gives the basic information needed to use this wonderful panel (which  adds texture(s), resizes it to fit your image, and sets a blend mode for you all within a single click with Photoshop CS5 or CS6). At that time he was using 12 Flypaper Textures (which are absolutely fabulous if you have never used them). Russell has updated the script to include folders for your favorite textures so adding and experimenting with any texture is quick and easy. A white layer mask has been created next to the texture so you can easily paint out the texture effect where you do not want it. There are now 20 Flypaper Textures provided with the updated panel. All you do is click on the fly-out menu in the upper right corner of the panel (just like in Photoshop’s panels), click Load Texture Folder, and select the folder to open. I created a Texture folder on my desktop that contains both a My Favs folder (with textures I use the most) and a Flypaper Folder – that way it is easy to switch between them quickly. NOTE: The scroll bar on the right side of the panel does not show all the textures – you have to hover your mouse over the panel textures and use the mouse wheel to scroll through them if more than 10 textures are in the folder. To get the updated version, see Russell Brown’s Scripts Page and download the latest version. A word of caution from his website on this panel – “If you target a folder containing very large image’s or more than 20 images, then the loading process may take several minutes. Use smaller textures when ever possible.”

The above are African Violets (or agapanthas) growing  in my front yard. To clear out the background, a couple virtual copies were edited in Lightroom 4 at different exposures and then stacked in Photoshop. A black layer mask was added (hold down the ALT key while clicking on the layer mask icon at bottom of Layers Panel) and the areas to keep were painted back in on the upper layers. Then ShadowHouse Creations You’d Be Surprised texture was added using the panel above. It was set to Lighter Color Blend Mode at 59% opacity. The flowers were painted over in the white layer mask using a low opacity black brush to remove the effect on the flowers. Voila! – no distracting background!
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This image of a clock at Queens’ Marketplace on the Big Island in Hawaii needed a bit of a vintage feel so several textures were layered to get this effect. Using the Paper Texture Panel I was able to stack four textures and try out different combinations and blend modes very quickly. (This image stacked ShadowHouse Creations Clouds & Birds texture minus birds using Overlay Blend Mode at 100% Opacity, ShadowHouse Creations Painterly Effect2 with same settings, Caleb Kimbrough’s Summer4 texture using Soft Light Blend Mode at 81% opacity, and Flypaper Texture Creme Anglaise using Color Blend Mode at 48% opacity. A light green to white Gradient Map Adjustment layer was added on top at 17% opacity and OnOne PhotoFrame Grunge_07 – see sidebar in my Tidbits Blog for website link.) The textures can be added to landscape images and it gives just a subtle punch that some images really need. The original image had just a plain white sky.
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This beautiful Hibiscus was growing on the grounds at the Queens’ Marketplace along with several other varieties. Great place to see hibiscus if you are on the Big Island in Hawaii. Only one texture was added using the panel but I really liked the results – it was ShadowHouse Creations Bokeh4 texture set to Overlay Blend Mode at 100% Opacity. The flower was painted over using a soft black paint brush on the mask. The final result lets some of the background through but adds the interesting bokeh effect to soften it.

If you enjoy using textures at all, or would like to start using them, give this panel a try and visit some of the texture sites linked above. You will not be disappointed!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Russell Brown Texture Panel Landscape Image
Tips for Flower Textures
Adding a Texture for Flair!
Using a Color Fill Adjustment Layer as a Spotlight
Soft-Look Flowers Using Textures


Russell Brown’s Paper Texture Panel – A Real Winner!



If you love Photoshop and you don’t follow what Russell Brown is doing, you need to start right now. I do believe a lot of people are Photoshop gurus but Russell Brown is at the top of the stack – partially because he works for Adobe and helps develop all these cool things we love. Well he is back again with one of his great scripts – this time one that creates a panel to add a texture, resize it to fit your image, and set a blend mode for you all within a single click! This is brilliant! Flypaper Textures has graciously supplied us Photoshop folks with 12 absolutely beautiful textures to try out on your photos in the panel, which is what you are seeing in all the images in this post. (For the above image, Paper Texture Touchstone using Overlay blend mode at 73% opacity, Paper Texture Creme Anglaise using Hard Light blend mode at 88% opacity and a layer mask to lightly paint out some of the effect on the flower details, and a Color Fill Adjustment layer using color dcdf91 set to Multiply blend mode at 11% opacity were used to create this look.) See my blog links at bottom for other Russell Brown creations.

Above is an example of a landscape type image that also does well with textures. (All blend modes were set to Overlay and stacked with Paper Texture Creme Anglaise at 63% opacity, then Paper Texture Dawn Grunge set to 56% opacity, and Paper Texture Muscatel set to 45% opacity. Next Topaz Simplify – see my Tidbits Blog sidebar for website – plug-in was used to get a more painterly effect.)

This version of the panel does not allow you to add your own textures, but Russell is promising it will soon. UPDATE: See my blog Russell Brown’s Paper Texture Panel Updated! which now allows other texture folders to be used. The link to download the panel, the Flypaper textures, and a short video on how to use this tool is at Russell Brown’s Website Scripts page – look for Texture Panel. Below is what the interface looks like after you load the panel (complete instructions on Russell’s website link above.) In case you cannot see it, the top field is for the blend mode you wish to select.


If you click the Randomizer button at the bottom, it will select two textures and stack them to give some combinations you might not have thought to put together. This panel only works with Photoshop CS5 and CS6 (the screen shot above is from the new beta Photoshop CS6 interface). These textures work well with flowers.


(This image used Paper Texture Creme Anglaise using Color Dodge blend mode at 36% and Paper Texture Apple Blush using Overlay blend mode at 100% opacity with a layer mask and lightly painting out the effect on the leaves.) I changed this same image and used a Hue Saturation Adjustment Layer and Photo Filter Adjustment Layer to get brown and pink tones. Very similar look but different colors – try it!

If you like textures on your images, this is going to be a major time-saver and will let you try some new combinations of textures very quickly. I am already loving this panel. And now Russell has created an update to add in your own textures (see my blog link above). There is plenty here to keep you busy!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Think Pink! Rally for the Cure Pink Rose – Uses Russell Brown’s Painting Assistant Panel
Edit Layers with ACR (Adobe Camera Raw) Script – Russell Brown’s great script that lets you place a layer back into ACR once Photoshop is opened
Adobe Photoshop CS5′s Mixer Brushes – contains link to Russell Brown tutorial called “Clone Painting Basics”
Tips for Flower Textures
Soft-Look Flowers Using Textures
Why I Love OnOne’s Perfect Layers!


Edit Layers with ACR (Adobe Camera Raw) Script

The blog today is about a really fabulous new way to select separate layers in Photoshop and process them individually in ACR by using smart objects – they can then be edited as much as you want. Dr. Russell Brown, an Adobe Photoshop expert, created a script that allows you to do this – it can be downloaded here along with a video and installation instructions. (Try out some of his other tutorials at the download site – they are always excellent!) Below is a simple example of how to use this technique in an image. It was created using two smart object layers – one for enhancing the sky and the other for the rest of the image. A layer mask was applied to the sky layer to mask out all but the sky. An OnOne PhotoFrame was added to finish. Pretty easy if you like using Camera Raw.

In his download video Dr. Brown tells you what preferences need to be set inside Photoshop to make this script run correctly so be sure to look at this short video. I had no trouble getting this to work in Photoshop so it is pretty easy to install. Dr. Brown is a master at scripts! He discusses using this as a great way to process HDR images that are no longer RAW files, but were converted to a TIFF file. The script allows you to go into ACR and use the Fill Light, Luminance, Clarity, Sharpening and Noise Reduction sliders as if the image were a RAW file. Calvin Hollywood helped Russell Brown create this script and has an excellent video called “Edit a Layer in Adobe Camera Raw” on how to use it on portraits and landscapes. One of the reason he likes this technique is that the Orange Luminance and Saturation sliders can be used to enhance skin tones in portraits.

In the tulip image above, a composite layer (that consisted of a few adjustments layers and the image layer-just create a composite on top by CTRL+ALT+SHIFT+E) was brought into ACR by running the script to add the purplish toning. The tutorial followed is called “Enhancing Black and White Images with Photoshop and Lightroom” by Richard Hale at TipSquirrel and is very informative. I was trying out the split toning in Photoshop’s ACR instead of going back into Lightroom and got this result. The original image before tinting can be seen at my Flickr account here.  It is felt that you can get more accurate corrections using the sliders in ACR than with many of the tools in Photoshop. Basically, by creating a composite layer after running other filters and adjustments in Photoshop, it is very easy to use this script to add ACR effects .

The final image is an HDR shot of Hana Highway in Maui – even though it was processed originally in Lightroom, the ACR script was very useful. First a Nik Color Efex Pro plug-in cross processing effect was applied to the image (but it could easily have been done in Lightroom) along with a Photoshop Photo Filter Adjustment Layer in an Orange Color at 50% (I wanted to get lessen the intensity of the  yellow-green colors).  A composite layer was created on top and then Dr. Brown’s ACR Script was run to add Clarity and Sharpening. which is superior to Photoshop’s tools.

The more I think about it, there seem to be many uses for this script – like using the Noise Reduction Tools or Grain Effect on an image (besides just the Sharpening Effect above or the Soft Tint Effect in the tulip image). This is easier than going into Lightroom every time you need to make a quick adjustment. Definitely a great plug-in! Since it is a free download, I would recommend trying it out and see what you think. Thank you Dr. Brown!


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