Since I have reached this major milestone, I decided this week I would show a few examples of what I use the most in Photoshop and what is the most fun for me when using Photoshop. In some of these cases, I will be mentioning certain products or people but that is mainly because I really like what they do – they do not know me. Also, no external plug-ins will be discussed here.
- Photoshop’s Merge to HDR 32-bit ability that can be adjusted in Lightroom 4.1 (see my blog New Lightroom and Photoshop 32-bit Processing Capability)
- Photoshop’s Puppet Warp magic (see Straightening with Puppet Warp!)
Several things were done in Photoshop to process this image of a sailboat model of the USS Constitution located at The Casements in Ormond Beach, Florida. The most important is that a 32-bit tone-mapped image was created in Photoshop’s Merge to HDR, saved as a TIFF file, and then brought into Lightroom 4.1’s Develop module using the sliders to bring out all the details. This now makes Photoshop’s HDR processing on par with several of the other HDR software programs. The TIFF image goes back into Photoshop to finish up using another one of my favorite tools – Puppet Warp – to straighten out the extreme warping in the original image (it was actually applied twice). It was a difficult image to work on since it has a square glass encasement and the horizontal louvered blinds in the background. Just using the arrow keys is sometimes enough to push and pull the image pins the correct amount and Puppet Warp works much better than Lens Correction or the new Adaptive Wide Angle filters for me. Puppet Warp can be used in a Smart Object for readjusting later if needed.
- Russell Brown’s Paper Texture Panel for Photoshop CS5 and CS6 (see Russell Brown’s Paper Texture Panel Updated!)
I am slowly really getting into textures – they just do so much for a boring image. The texture above was created using one of the best panels you can apply to Photoshop and that is Dr. Brown’s (may be the top Photoshop guru of all time and works for Adobe) Paper Texture Panel – biggest time saver for anyone that likes to experiment with textures! This is one feature I use all the time and can’t believe I used to go through my textures individually to try them out. To really enhance this process, create a folder on your desktop that contains several sub-folders to place copies of your favorite textures. He recommends keeping these folders to around 20 textures as it takes a while to load if it is much bigger. I have sub-folder on textures I created, my favorite textures I use all the time, and a few on textures I have downloaded or bought. You can switch folders very quickly in the panel. This image used Paul Grand’s Scratches Texture and Gavin Hoey’s beautiful grunge frame 1. I am also putting a plug in here for my favorite texture guy, ShadowHouse Creations, who offers all kinds of beautiful textures for free, and I use them all the time. I reference his textures in many of my older blogs.
- Photoshop Brushes including the wonderful Mixer Brushes! (see Adobe Photoshop CS5′s Mixer Brushes)
Those wonderful brushes in Photoshop! My very first blog featured the above image where I actually used a Photoshop Mixer Brush to paint in the petals of the flowers. This is still one of my favorite painted images – the Oleander flowers in the original were not near as pretty. The background was a Karen Sperling texture called 08Sperling (I believe this now has to be purchased – not sure how I got it) that added was a very delicate complement to the image. She is actually a Corel Painter Master and does some wonderful things in that program.
- The Curves Adjustment Layer (see I Didn’t Know That! Curves Adjustment Layers)
Totally indispensable! The last step I always do before I save an image. A few months ago I viewed a short video tutorial at Kelby Training called Mastering Curves: Adjusting Tonality by Ben Wilmore, another great Photoshop guru, who teaches how to use Curves correctly. (I have found the Kelby Training tutorials to be the best you can find on every aspect of photography and photoshop.) The basic thing to know about Curves is that by selecting the hand tool in the top left of the adjustment panel and dragging straight up in the image it lightens it up, and down darkens it. If you get two dots close and rather flat on a Curve line, you will lose detail. A black layer mask can be created to target just the areas you want changed. It is a pretty simple technique but can improve an image quickly. Also you can save Curve settings if you want to apply them again. The image above of the beautiful birds in the Spring at the Rookery used several Curves Adjustment Layers to match the tones for the composite.
- Layer Styles to create simple framing effect (see Digital Lady Syd’s Free Layer Style Frames).
I have been using this Double Edge Frame layer style a lot on my images – gives a nice clean look with colors that can be sampled from the image. Also plain black borders can easily be created. To download this layer style for free or directions on how to create it, see my blog referenced above. There are many other uses for layer styles that I love, but I use the frames the most. Also a couple textures were added here with Dr. Brown’s Paper Texture Panel.
- Smart Objects (see Black and White Photo or Not? Give It a Try on That Difficult Image)
I love the way you can go back in and fix your settings if you do not like the way they look. Most of the plug-ins I use have Smart Object capability and this is why I use them. I can’t tell you how many times I have gone back into Nik’s Viveza 2 and adjusted my control points! Just another great Photoshop feature. The image above of the Hilton Time Share swimming pool on the Big Island in Hawaii used Smart Objects for both the Nik HDR Efex Pro using Granny’s Attic preset and Viveza 2. Also two Curves Adjustment Layers were used.
I could go on and on about all my favorite features I love. The above are some of the ones I use the most. I thought about writing on the new Defringe section in Lightroom 4.1 and Adobe Camera Raw that works wonders on this problem – better than any of the noiseware software available for controlling the ugly fringe problem. The new sliders in both are much improved and both now do a great job on reducing noise too. Also the Graduated Filter is much improved. Back in Photoshop I love being able to use LAB mode to sharpen some of my images selectively. Content-Aware tools cannot be beat but I still use the plain old Clone Tool the most. And the improved Sharpen Tool is fabulous for those little areas that need a detail boost. I even love the Color Replacement Tool that hardly no one uses! And all the blend modes just add so much to an image. Needless to say, there is a lot to like about Photoshop and so many ways to do things. I guess the real fun is learning new ways to use it and that is why I blog! Hope you have enjoyed some of what I have learned these past couple years!…..Digital Lady Syd
Usually I try to have a particular theme for my major blog. I have been busy this week but doing all sorts of different things so I decided to just post some of my favorites. The image above is from the Big Island in Hawaii and it was not a first pick when I was processing. After I got a chance to play around in Photoshop with it though, it turned out to be one of my favorites. Sort of represents the kind of terrain that the trees in the area have to contend with and the light was very nice at this spot.
This is a 3-image hand-held HDR shot that ended up with a lot of different steps, starting first with Photoshop’s Merge to HDR to align and remove any ghosting. That tone-mapped image was then taken into Nik’s HDR Efex Pro and one of my favorite presets, Grannys Attic, was applied. Next Nik’s Color Efex Pro 4 was applied using another one of my favorite presets, Midnight at 3% blur, which gives the tree more of a silhouette feel. Wow – not finished yet! Next Topaz Adjust 5 (see website link in my Tidbits Blog sidebar) was applied with the Timeless IV preset. But there’s more – one of my favorite textures, Shadowhouse Creations Paper Texture Scratchbox4 which has a golden lower half and a light greenish-turquoise top half set to Overlay at 80%, gives the image the warm vintage tones. A Levels Adjustment Layer was added for some tonal contrast. Finally, my Thin Double Edge Frame was applied (see DLS Free Layer Style Frames blog) – it creates a really nice slim framing and the colors can be changed easily by sampling within the image. Done!
This wall art image is on display in the open-air one mile long corridor that contains all sorts of art at the Hilton Waikoloa Village on the Big Island in Hawaii. Just one of the very unusual pieces that is available to view on your leisurely stroll about the resort, but this guy means business or else he has some really bad breath!
This time I tried a sharpening technique in Photoshop’s Merge to HDR (see John Paul Caponigro’s blog Creative Sharpening with HDR Software) as a first step. Next, using Russell Brown’s Paper Texture Panel (see links at end for blog link), two Flypaper textures were added, Paper Texture Creme Anglaise Taster set to Blend Mode Exclusion at 100% Opacity which turned the whole image dark and Paper Texture Touchstone Taster set to Color Burn Blend Mode at 64% Opacity. A slight S-Curve Curves Adjustment Layer was added to increase contrast a little. Finally OnOne’s PhotoFrame (see website link in my Tidbits Blog sidebar) acid burn controlled 04 frame was used with the color being sampled from the image.
Oh no! Where did he come from? Back in my blog again?? – this is my office-mate Ted – had him way before he got famous. Seems to be enjoying himself. Hum! (See my Tidbits Blog My Office Friend Ted.)
Ted was processed using the wonderful Topaz Simplify 3 plug-in (see website link in my Tidbits Blog sidebar) and here are my settings used: Simplify – Colorspace YCbCR, Simplify Size 0.52, Feature Boost 3.83, Details Strength 1.51, Details Boost 1.27, Details Size 0.62, Remove Small 0, and Remove Weak 0.16; Adjust – Brightness 0.01, Contrast 1.07. Saturation 1.03, and Saturation Boost 0.97; and Edges – Mono Edge Fine, Edge Strength 4.47, Simplify Edge 0.39, Reduce Weak 7, Reduce Small 0.07, and Fatten Edge 4.11. A composite was created above this layer (CTRL+SHIFT+ALT+E) and set to Linear Light at 37%. Next Sarah Gardner’s texture Blush Cherry was added (the website is no longer offering this texture but ShadowHouse Creations Pastels Texture Set Pastel-10 is very close) set to Soft Light Blend Mode at 100% Opacity lightened up the image. A text layer was created using Sassys Teddys 3 font and a Layer Style with these settings were added to the text layer: Bevel & Emboss set to Contour and Texture, Style Inner Bevel, Technique Smooth, Depth 100, Direction Up, Size 7, Soften 0, Angle 25 wit Use Global Light checked, Altitude 30 and the rest default settings; Outer Glow set to Normal Blend Mode, Opacity 100, color R77/G30/B19, Technique Softer, Spread 0, Size 237 and the rest default settings; and Drop Shadow – just dragged around on screen a bit in Multiply Blend Mode and Black, Opacity 75%, Angle 25 & Use Global Light checked, Distance 29, Spread 0, and Size 7. Whew! Finally the same Layer Style was applied as for the first image using different colors in the frame.
Thought I would finish off with an effect that reminded me of one of my kids favorite books from forever ago, The Berenstein Bear’s Spooky Old House. This old building image I use a lot for practice with the plug-ins is in Jackson, Mississippi and stands under one of the most striking buildings in the area, the Lamar Life Insurance Building (see my Tidbits Blog Topaz Adjust 5 Is Here! First Look!).
The processing for this image was practically all in Nik’s Color Efex Pro 4 – four filters were stacked: Detail Extractor, Tonal Contrast, Pro Contrast, and Midnight using Color Set Blue and Blur set to6%. These are some of my favorite filters and are used often with various other filters for different looks. Got to love Color Efex Pro! A Curves Adjustment Layer was added for a little more contrast and OnOne’s PhotoFrame Jack Davis 02i. Pretty simple but really cool looking.
Hope you enjoyed some of the images I was working with this past week and hope I did not put you to sleep with all the details. Most of these images did not require a lot of work and the plug-ins gave a really nice boost to the final look in all of them……Digital Lady Syd
Digital Lady Syd’s Related Blogs:
HDR Using Photoshop Merge to HDR and Nik”s HDR EFex Pro and Silver Efex Pro? Wow!
Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect
Russell Brown’s Paper Texture Panel Updated!
White Daisies! Using Color Efex Pro Midnight Filter
I have been enjoying processing some of my Hawaiian images recently and noticed that I really liked the orange-brown tones on some of them. Often the greens tone, especially in the beautiful Hawaiian landscapes, becomes a bit overwhelming so this creates a more appealing look. This technique basically involves using Nik’s Color Efex Pro 4 plug-in using two filters to start the look (although a very similar effect could be obtained using Color Efex Pro 3) and then Russell Brown’s Paper Texture Panel (see my blog on “Russell Brown’s Paper Texture Panel – A Real Winner!“) to finish it up.
The image above looks out on the Pacific Ocean from the Big Island’s Eastern Side near Umauma Falls and creates a particularly nice feel with this effect added. After applying SJ-My Vivid Drawing Look preset in Lightroom orACR (be sure to adjust the new Shadows and Whites sliders if using Lightroom 4 or Photoshop CS6) and doing basic spot clean up to the image, it was first taken into Nik’s Color Efex Pro and two filters were stacked (and saved as a preset): Contrast Color Range (Color set to 221 degrees, Color Contrast set to 147%, Brightness set to 7%, Contrast set to 8%, and Highlights set to 54%) and Brilliance/Warmth (Saturation set t0 21%, Warmth set to 32%, and Perceptual Saturation set to 21%). In this case a plain black Image Border was also added (Type 13 set to Size -66% and Spread 0%). Next Russell Brown’s Paper Texture Panel was opened and Flypaper Texture‘s Apple Blush Texture added as a layer on top set to Overlay Blend Mode at 83% opacity. That was it! It gives a really soft warm feel to the image and it looks the way I remember it.
This image (taken of the Waikoloa Beach Marriott Resort and Spa beach area) followed a similar process except that the original image had more overall problems. Since the sky was blown out in the original, a little more texture had to be added to the sky to keep the warm feel. The same Color Efex Pro filter recipe was applied, and then textures were added from Russell Brown’s Paper Texture Panel – Flypaper’s Leaky Garret texture set to Soft Light Blend Mode at 100% Opacity, and the Apple Blush texture set to Overlay Blend Mode at 100% Opacity. A new texture layer using ShadowHouse Creations ScratchBox4 texture set to Hard Light Blend Mode at 48% Opacity was applied next to give the cloud look in the sky. A Hue/Saturation Adjustment Layer was created with Saturation set to +43 to add more yellow to the sky only (filled Layer Mask with black and painted back just the sky). I still was not happy so a Curves Adjustment Layer was added to just make the water brighter (filled the layer mask with black and painted back in the water). A Gradient Map Adjustment Layer was added using the Graphix1 Warhol 2 gradient that goes from a whitish yellow to a medium yellow to lighten the whole image just a little more, and the layer was set to Linear Burn Blend Mode at 22% Opacity. OnOne’s PhotoFrame (see sidebar in my Tidbits Blog) Grunge 10 was added as a last step.
This image used the same Color Efex Pro stacked filters as the first image with no changes to settings. I also used Nik’s Viveza 2 to adjust a color imbalance in the plant reflection and to tone down the blue sky in the left corner. Back in Photoshop, using Russell Brown’s Paper Texture Panel, Apple Blush texture was set to Overlay Blend Mode at 43% Opacity, and Muscatel texture set to Linear Light Blend Mode at 51% Opacity. If the effect is too strong on any of the image, just add a layer mask to the texture and use a low opacity brush to paint out some of the effect on the mask. I did that with the Muscatel texture where the orange fish became a little too electric for my taste. Finally a Curves Adjustment Layer was used to add back a little contrast to the image.
I think this technique is a nice change of pace for tree and plant landscape images, but I did not have much luck using it on other type images. Since I do like to experiment with Nik plug-ins, I got the idea to use the Contrast Color Range filter from Nik’s Education Blog. Each week they are examining a different filter and showing you what it will do. Hope you enjoy this recipe, it is really easy and fun to use!…..Digital Lady Syd