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Posts tagged “Russell Brown’s Paper Texture Panel

2012 Inexpensive Gifts for the Photoshop Lover on Your List

Last year I did this blog and felt that it would be a good idea to list a few more reasonably priced gift items that you might not know about. I hope you find it useful for that perfect stocking-stuffer or gift for your favorite Photoshop user. These are all items I personally own and recommend for your use.  Also, scroll down to the Totally Cheap Corner for some free great gift ideas! So here we go!

1. TOPAZ ADJUST 5 FILTER – ($50)

I am keeping my number 1 from last year as my number 1 for this year too. This plug-in is the best and this company is the best – once you buy any of their products, all updates are free – who does that in this day and age? It was a hard choice to choose just one to showcase as I use most of their plug-ins regularly. Topaz Adjust is wonderful as it gives that HDR feel to an image even if it is not an HDR and now there are more choices than ever for creating this look. If you are an artistic person, try their newly updated Topaz Simplify 4 – totally fun to use! And the Black and White Effects is really good!  Topaz Adjust (see sidebar for website at my Tidbits Blog) using the Vintage Grunge IV preset was applied below without the vignetting. Otherwise just my usual workflow in both Lightroom 4 and Photoshop CS6. It was taken recently at the 39th Annual Daytona Turkey Run in the infield of the Daytona International Speedway – it is the largest antique auto show in the U.S.

2. FRENCH KISS COLLECTIONS – ($8 to $60)

Leslie Nicole of French Kiss Collections has some of the most beautiful and unique textures. She offers many free textures to try out and several inexpensive sets you can download. She has some good video tutorials on how to use her textures. Below are some bougainvillaeas that use one of her textures and one of her overlays. (For more information on how it was processed, see my Tidbits Blog Checking Out French Kiss Textures.)

https://i0.wp.com/farm9.staticflickr.com/8474/8114780763_31fe9bd42e.jpg

3. PRESET VIEWER BREEZE PROGRAM – ($20)

Once again I am recommending this little program. I would be lost without the Preset Viewer Program. When you need that special brush to load into Photoshop and cannot remember which set is it in, this program will open them up to view within seconds to help you find what you need. Definitely a real time-saver. It also reads patterns, fonts, jpgs, shapes, styles, and swatches. A great addition for speeding up your Photoshop workflow. I often have it open while working on an image to see which brushes I need to load. Below is a screenshot of how my program looks when open – I have several folders where I store extra brush presets. These are my cloud set brushes that can be downloaded for free at my Deviant Art site.

4. CREATING ART WITH MACRO IN NATURE E-BOOK – ($14.95)

If you like taking Macro images, or even if you don’t know if you do, Mike Moat (one of the best macro photographers around) has an E-Book called Creating Art with Macro in Nature that is terrific! I learned so much from this 184-page pdf book that covers everything you need to know with beautiful images to show you the results. Very enjoyable read. His website Tiny Landscapes also has very helpful information on it. Below is an example of using some of Mike’s tips to create a nice Macro image.

5. THE DIGITAL PHOTOGRAPHY BOOKS – 1 THROUGH 4 – ($13 and up)

Scott Kelby (need I say anymore?) started creating “quick tip” Digital Photography Books a while back and this year he released his fourth. They are all loaded down with lots of photography and Photoshop tips to make shooting any kind of image painless. He covers every kind of shot and has many recipes sprinkled throughout the books to help with processing. I have totally enjoyed all of them as they are a quick read – you can look up whatever you want to shoot at the moment and get the quick tip for taking the image. The HDR image below is a shot from my hotel room in Orlando while attending Photoshop World (these are a blast to attend if you have not done so yet) a few years ago that follows the tip “Shoot From Up Really High” in Book 3. I just checked the price on his books and they are quite reduced from the cost on the cover – very good buys!

6. THE FADER PLUGIN FOR LIGHTROOM – (now $10)

I did a blog on this cool little plug-in program back when it first came out. (See Great Free Plug-in for Lightroom – The Fader!) They have since upgraded it but it is the same basic program and I find I use it all the time. The basic concept is that when you apply a preset in Lightroom, it is applied at 100% – that is your only choice. Using this Fader plug-in, you can set it to any amount up to 150% and you get a live view of how it looks while adjusting the one slider. It is absolutely ingenious! The image of the mum below used Photoshop Guy Matt Kloskowski’s Wedding Fairytale Dark Edge preset applied to it at 115% using the Fader. Then an adjustment brush adding the slight yellow color for the centers was added. The texture is Painted Textures Taupe Canvas, French Kiss PhotoStudio2 Overlay ( from No. 2 above), and my free SJ-Snow1 Overlay.

7.  THE ARTIST QUARTER (TAQ) WATERCOLOUR BRUSHES – (around $30)

As I have always said, I am no painter but I just love dabbling. So when Dr. Russell Brown (my Photoshop hero) and Tim Shelbourne (a wonderful artist) came up with their Artist Assistant panel, I fell victim. The Watercolour Assistant Panel is free for Photoshop CS6 and can be downloaded from Dr. Brown’s Scripts page. I can tell you it takes practice to be successful at this, and I have not mastered it yet, but using Tim’s TAQ Watercolour Cloning Brushes definitely helps to create a nice watercolor feel from an image. If you are interested in painting watercolor, check out his website and his brushes. I hope to do a future blog on this technique since it really is a lot of fun to do.

8.  STEADEPOD CAMERA ACCESSORY – ($29.95)

How many times have you been out shooting and wished you had a tripod with you? Unless I plan on going somewhere that is easy go with my car, I usually just wing it. When I went to Photoshop World a couple years ago, this was one of the items in the vendor area. I bought a Steadepod and I now carry it with me whenever I shoot. It may not be a great as a tripod, but it sure beats having nothing. What a life-saver! and fairly inexpensive. This is one of those gadgets you wonder how you ever got along without it. It sets up very quickly and you can get those wonderful HDR landscape and indoor shots you want – and no one says you cannot use it in some places where tripods are not allowed!

9.  LIGHTROOM 4 UNMASKED E-BOOK – ($20)

Recently I decided that I needed to get a new Lightroom reference book since the latest version has been updated a lot. When Craft & Vision issued a notice that a new E-book on Lightroom was available for a reasonable price, I decided to give it a try. Piet Van den Eynde does an excellent job with this Lightroom 4 Unmasked E-book. It is 313 pages long and covers everything, and from a fresh perspective. Besides a Table of Contents which links through properly, he has a Cases page with links that answer basic questions and offer new techniques. Also check out Craft & Vision’s other E-books – David duChemin (a really great photographer) and Piet have several listed. These E-books are great reads at reasonable prices.

10. LIGHTROOM PRESETS BY DAVID duCHEMIN – ($10)

Speaking of David duChemin, he came out with a set of 36 Lightroom Develop Presets and instructions on how to use them. I bought them as I really liked the Milford Greens presets and several of his Black and White presets are now my favorites. This is a very handy set and reasonably priced (approx $0.25 a preset). The Hawaiian Boy and Turtle Sculpture below uses one of the beautiful Milford Greens presets, then The Fader plug-in (see No. 6 above) was opened and applied at 115% before finishing up in Photoshop.

http://farm9.staticflickr.com/8064/8238688964_bbfd5f52c3.jpg

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TOTALLY CHEAP CORNER!

11. SHADOWHOUSE CREATIONS – LARGE VARIETY AND BEAUTIFUL TEXTURES – ($0 but he deserves donations!)

Jerry Jones of Shadowhouse Creations is one of the most generous people in the texture community. His textures are fabulous with a large variety from which to select. He often adds good examples and details on how to use the set he is featuring. He also creates brushes, layer styles, overlays, and actions. This is a “must have” bookmark for anyone who dabbles in the artistic aspects of Photoshop. The pink daisies are treated with two of my very favorite textures from Shadowhouse Creations: Marshmellow Skies set to Normal blend mode at 72% opacity and Oil Painting 1 set to Hard Light at 26%.

https://i0.wp.com/farm8.staticflickr.com/7175/6813181699_a95ea3bef8.jpg

12.  SEVERAL RUSSELL BROWN PANELS – ($0)

I mentioned one of these in No. 7 above – Russell Brown’s panels are the best! Download them all from Dr.Brown’s Scripts page.

  • The one I use the most is the Adobe Paper Texture Panel. This is a quick and easy way to try several textures on top of your image quickly – it sizes them and sets them to any blend mode you want to see. See my blog Russell Brown’s Paper Texture Panel Updated! for more info. I noticed he does not have the CS5 version posted anymore.
  • Another panel I really like is the Edit Layers in ACR (Adobe Camera Raw) panel for Photoshop CS6. (Scroll down the page to get the same as an equivalent script for CS5.) This is very useful, especially if you use Lightroom. It saves time if you need to fix something in Camera RAW quick (like remove noise or Chromatic Aberration or adjust orange which is not in Photoshop) and you do not want to go back into Lightroom to adjust it.  Basically all you have to do in CS6 to access this script is to open the panel and click on the button  – it immediately turns your layer into a Smart Object so you can edit again later if needed, and takes you right into ACR. For CS5 you will have to go to the File -> Scripts -> Dr. Brown’s Edit Layer in ACR to run. Check out my blog Edit Layers with ACR (Adobe Camera Raw) Script for more information on this.
  • As already mentioned above, Dr. Brown’s Painting Assistant Panel for CS6 and CS5! is another fun free panel to try out! It takes you through several steps – like a Photoshop action that stops at each step. It also takes some practice but if you are a little artistic, you will love it. See my blog Dr. Brown’s Painting Assistant Panel for CS6 and CS5! on how to do this.
  • And once again, the Watercolour Assistant Panel is free for Photoshop CS6 only – see No. 7 above for more on this.

The flowers below were created using the Photoshop CS5 Painting Assistant.

https://i0.wp.com/farm9.staticflickr.com/8454/8008222158_bd9608f384.jpg

13. PIXEL BENDER (FOR PHOTOSHOP CS5 ONLY) – ($0)

This item has been around a while – is a great little plug-in offered over at Adobe Labs Downloads that contains several different filters, and others can be added in. Click on 7. on download page to get to the Adobe Pixel Bender Exchange to find what they have to offer. I am so sorry that it cannot be used with Photoshop CS6 because some of my favorite effects were in this little plug-in. That is one reason why both CS6 and CS5 are on my computer – I still use this plug-in. When you download the plug-in, you get the really nice Oil Paint Filter, which is similar to the one added to Photoshop CS6 – see my blog Photoshop’s CS6 (and Pixel Bender’s) Oil Paint Filter. One that is a lot of fun is the Escher’s Droste Effect – see my blog Pixel Bender Droste Effect for more information on this filter. The filter I use the most in Pixel Bender is from an outside source and is called Kill White – it takes out all the white from an image in a single click. Very handy! (Mike at Mike’s Extra says the 32-bit filter download currently works with the 32-bit Photoshop CS6 but he has not been able to get the 64-bit plug-in working.) This image is of one of my Orange Hibiscus using instructions from my Droste Effect blog link above.

https://i0.wp.com/farm6.staticflickr.com/5256/5459666308_4ca45d5487.jpg

14.  PHOTOMATIX MERGE TO 32-BIT HDR PLUG-IN FOR LIGHTROOM 4.1 USERS – ($0 if you already own Photomatix Pro)

Since there is not much for the HDR fanatic (although the Steadepod in No. 8 above is perfect for HDR in difficult places), the Merge to 32-Bit HDR Plug-in is a little heralded plug-in that HDR Soft released earlier this year and I find it indispensable. Since it is free to owners of the Photomatix Pro program (one of the HDR industry standards for processing HDR images), I thought I would mention it here. The first image in this blog was created from 3 images stacked with this program.  You first select your HDR images in Lightroom, go to Export -> Merge to 32-Bit HDR – it then aligns and brings the file back into Lightroom as a TIFF for processing. Very quick and very useful – much faster than going into Photoshop to stack and align them.

15. 50 FREE HIGH QUALITY TEXTURE PACKS – ($0)

This is a just-for-fun link I found over a year ago but it has 50 sites which also have links and lots of freebies on each site, not just great textures. Total fun and your Photoshop buddy will love browsing through all the wonderful things available and you will be a hero! Check out 50 Free High Quality Texture Packs by tutslist.com.

I hope this blog has given you some ideas and places to check out if you are looking for that special Photoshop or Photography gift that will not “break the bank!” If you want more ideas, check out my Inexpensive Gifts for Photoshop Lovers for 2011. I know with the economy the way it is, it is hard to find something that is really nice or unique – maybe this blog will give you some great ideas. Happy Shopping!…..Digital Lady Syd


My 100th Post! – My Favorite Things About Photoshop

Since I have reached this major milestone, I decided this week I would show a few examples of what I use the most in Photoshop and what is the most fun for me when using Photoshop. In some of these cases, I will be mentioning certain products or people but that is mainly because I really like what they do – they do not know me. Also, no external plug-ins will be discussed here.

Several things were done in Photoshop to process this image of a sailboat model of the USS Constitution located at The Casements in Ormond Beach, Florida. The most important is that a 32-bit tone-mapped image was created in Photoshop’s Merge to HDR, saved as a TIFF file, and then brought into Lightroom 4.1’s Develop module using the sliders to bring out all the details. This now makes Photoshop’s HDR processing on par with several of the other HDR software programs. The TIFF image goes back into Photoshop to finish up using another one of my favorite tools – Puppet Warp – to straighten out the extreme warping in the original image (it was actually applied twice). It was a difficult image to work on since it has a square glass encasement and the horizontal louvered blinds in the background. Just using the arrow keys is sometimes enough to push and pull the image pins the correct amount and Puppet Warp works much better than Lens Correction or the new Adaptive Wide Angle filters for me. Puppet Warp can be used in a Smart Object for readjusting later if needed.

I am slowly really getting into textures – they just do so much for a boring image. The texture above was created using one of the best panels you can apply to Photoshop and that is Dr. Brown’s (may be the top Photoshop guru of all time and works for Adobe) Paper Texture Panel – biggest time saver for anyone that likes to experiment with textures! This is one feature I use all the time and can’t believe I used to go through my textures individually to try them out. To really enhance this process, create a folder on your desktop that contains several sub-folders to place copies of your favorite textures. He recommends keeping these folders to around 20 textures as it takes a while to load if it is much bigger. I have sub-folder on textures I created, my favorite textures I use all the time, and a few on textures I have downloaded or bought. You can switch folders very quickly in the panel. This image used Paul Grand’s Scratches Texture and Gavin Hoey’s beautiful grunge frame 1. I am also putting a plug in here for my favorite texture guy, ShadowHouse Creations, who offers all kinds of beautiful textures for free, and I use them all the time. I reference his textures in many of my older blogs.


Those wonderful brushes in Photoshop! My very first blog featured the above image where I actually used a Photoshop Mixer Brush to paint in the petals of the flowers. This is still one of my favorite painted images – the Oleander flowers in the original were not near as pretty. The background was a Karen Sperling texture called 08Sperling (I believe this now has to be purchased – not sure how I got it) that added was a very delicate complement to the image. She is actually a Corel Painter Master and does some wonderful things in that program.

Totally indispensable! The last step I always do before I save an image. A few months ago I viewed a short video tutorial at Kelby Training called Mastering Curves: Adjusting Tonality by Ben Wilmore, another great Photoshop guru, who teaches how to use Curves correctly. (I have found the Kelby Training tutorials to be the best you can find on every aspect of photography and photoshop.) The basic thing to know about Curves is that by selecting the hand tool in the top left of the adjustment panel and dragging straight up in the image it lightens it up, and down darkens it. If you get two dots close and rather flat on a Curve line, you will lose detail.  A black layer mask can be created to target just the areas you want changed. It is a pretty simple technique but can improve an image quickly. Also you can save Curve settings if you want to apply them again. The image above of the beautiful birds in the Spring at the Rookery used several Curves Adjustment Layers to match the tones for the composite.

I have been using this Double Edge Frame layer style a lot on my images – gives a nice clean look with colors that can be sampled from the image. Also plain black borders can easily be created. To download this layer style for free or directions on how to create it, see my blog referenced above. There are many other uses for layer styles that I love, but I use the frames the most. Also a couple textures were added here with Dr. Brown’s Paper Texture Panel.


I love the way you can go back in and fix your settings if you do not like the way they look. Most of the plug-ins I use have Smart Object capability and this is why I use them. I can’t tell you how many times I have gone back into Nik’s Viveza 2 and adjusted my control points! Just another great Photoshop feature. The image above of the Hilton Time Share swimming pool on the Big Island in Hawaii used Smart Objects for both the Nik HDR Efex Pro using Granny’s Attic preset and Viveza 2. Also two Curves Adjustment Layers were used.

I could go on and on about all my favorite features I love. The above are some of the ones I use the most. I thought about writing on the new Defringe section in Lightroom 4.1 and Adobe Camera Raw that works wonders on this problem – better than any of the noiseware software available for controlling the ugly fringe problem. The new sliders in both are much improved and both now do a great job on reducing noise too. Also the Graduated Filter is much improved. Back in Photoshop I love being able to use LAB mode to sharpen some of my images selectively. Content-Aware tools cannot be beat but I still use the plain old Clone Tool the most. And the improved Sharpen Tool is fabulous for those little areas that need a detail boost. I even love the Color Replacement Tool that hardly no one uses! And all the blend modes just add so much to an image. Needless to say, there is a lot to like about Photoshop and so many ways to do things. I guess the real fun is learning new ways to use it and that is why I blog! Hope you have enjoyed some of what I have learned these past couple years!…..Digital Lady Syd


This and That – Just Having Some Fun!


Usually I try to have a particular theme for my major blog. I have been busy this week but doing all sorts of different things so I decided to just post some of my favorites. The image above is from the Big Island in Hawaii and it was not a first pick when I was processing. After I got a chance to play around in Photoshop with it though, it turned out to be one of my favorites. Sort of represents the kind of terrain that the trees in the area have to contend with and the light was very nice at this spot.

This is a 3-image hand-held HDR shot that ended up with a lot of different steps, starting first with Photoshop’s Merge to HDR to align and remove any ghosting. That tone-mapped image was then taken into Nik’s HDR Efex Pro and one of my favorite presets, Grannys Attic, was applied. Next Nik’s Color Efex Pro 4 was applied using another one of my favorite presets, Midnight at 3% blur, which gives the tree more of a silhouette feel. Wow – not finished yet! Next Topaz Adjust 5 (see website link in my Tidbits Blog sidebar) was applied with the Timeless IV preset. But there’s more – one of my favorite textures, Shadowhouse Creations Paper Texture Scratchbox4 which has a golden lower half and a light greenish-turquoise top half set to Overlay at 80%, gives the image the warm vintage tones. A Levels Adjustment Layer was added for some tonal contrast. Finally, my Thin Double Edge Frame was applied (see DLS Free Layer Style Frames blog) – it creates a really nice slim framing and the colors can be changed easily by sampling within the image. Done!

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This wall art image is on display in the open-air one mile long corridor that contains all sorts of art at the Hilton Waikoloa Village on the Big Island in Hawaii. Just one of the very unusual pieces that is available to view on your leisurely stroll about the resort, but this guy means business or else he has some really bad breath!

This time I tried a sharpening technique in Photoshop’s Merge to HDR (see John Paul Caponigro’s blog Creative Sharpening with HDR Software) as a first step. Next, using Russell Brown’s Paper Texture Panel (see links at end for blog link), two Flypaper textures were added, Paper Texture Creme Anglaise Taster set to Blend Mode Exclusion at 100% Opacity which turned the whole image dark and Paper Texture Touchstone Taster set to Color Burn Blend Mode at 64% Opacity. A slight S-Curve Curves Adjustment Layer was added to increase contrast a little. Finally OnOne’s PhotoFrame (see website link in my Tidbits Blog sidebar) acid burn controlled 04 frame was used with the color being sampled from the image.

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Oh no! Where did he come from? Back in my blog again?? – this is my office-mate Ted – had him way before he got famous. Seems to be enjoying himself. Hum! (See my Tidbits Blog My Office Friend Ted.)

Ted was processed using the wonderful Topaz Simplify 3 plug-in (see website link in my Tidbits Blog sidebar)  and here are my settings used: Simplify – Colorspace YCbCR, Simplify Size 0.52, Feature Boost 3.83, Details Strength 1.51, Details Boost 1.27, Details Size 0.62, Remove Small 0, and Remove Weak 0.16; Adjust – Brightness 0.01, Contrast 1.07. Saturation 1.03, and Saturation Boost 0.97; and Edges – Mono Edge Fine, Edge Strength 4.47, Simplify Edge 0.39, Reduce Weak 7, Reduce Small 0.07, and Fatten Edge 4.11. A composite was created above this layer (CTRL+SHIFT+ALT+E) and set to Linear Light at 37%. Next Sarah Gardner’s texture Blush Cherry was added (the website is no longer offering this texture but ShadowHouse Creations Pastels Texture Set Pastel-10 is very close) set to Soft Light Blend Mode at 100% Opacity lightened up the image. A text layer was created using Sassys Teddys 3 font and a Layer Style with these settings were added to the text layer: Bevel & Emboss set to Contour and Texture, Style Inner Bevel, Technique Smooth, Depth 100, Direction Up, Size 7, Soften 0, Angle 25 wit Use Global Light checked, Altitude 30 and the rest default settings; Outer Glow set to Normal Blend Mode, Opacity 100, color R77/G30/B19, Technique Softer, Spread 0, Size 237 and the rest default settings; and Drop Shadow – just dragged around on screen a bit in Multiply Blend Mode and Black, Opacity 75%, Angle 25 & Use Global Light checked, Distance 29, Spread 0, and Size 7. Whew! Finally the same Layer Style was applied as for the first image using different colors in the frame.

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Thought I would finish off with an effect that reminded me of one of my kids favorite books from forever ago, The Berenstein Bear’s Spooky Old House. This old building image I use a lot for practice with the plug-ins is in Jackson, Mississippi and stands under one of the most striking buildings in the area, the Lamar Life Insurance Building (see my Tidbits Blog Topaz Adjust 5 Is Here! First Look!).

The processing for this image was practically all in Nik’s Color Efex Pro 4 – four filters were stacked: Detail Extractor, Tonal Contrast, Pro Contrast, and Midnight using Color Set Blue and Blur set to6%. These are some of my favorite filters and are used often with various other filters for different looks. Got to love Color Efex Pro! A Curves Adjustment Layer was added for a little more contrast and OnOne’s PhotoFrame Jack Davis 02i. Pretty simple but really cool looking.

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Hope you enjoyed some of the images I was working with this past week and hope I did not put you to sleep with all the details. Most of these images did not require a lot of work and the plug-ins gave a really nice boost to the final look in all of them……Digital Lady Syd

Digital Lady Syd’s Related Blogs:
HDR Using Photoshop Merge to HDR and Nik”s HDR EFex Pro and Silver Efex Pro? Wow!
Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect
Russell Brown’s Paper Texture Panel Updated!
White Daisies! Using Color Efex Pro Midnight Filter


Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect


I have been enjoying processing some of my Hawaiian images recently and noticed that I really liked the orange-brown tones on some of them. Often the greens tone, especially in the beautiful Hawaiian landscapes, becomes a bit overwhelming so this creates a more appealing look. This technique basically involves using Nik’s Color Efex Pro 4 plug-in using two filters to start the look (although a very similar effect could be obtained using Color Efex Pro 3) and then Russell Brown’s Paper Texture Panel (see my blog on “Russell Brown’s Paper Texture Panel – A Real Winner!“) to finish it up.

The image above looks out on the Pacific Ocean from the Big Island’s Eastern Side near Umauma Falls and creates a particularly nice feel with this effect added. After applying SJ-My Vivid Drawing Look preset in Lightroom orACR (be sure to adjust the new Shadows and Whites sliders if using Lightroom 4 or Photoshop CS6) and doing basic spot clean up to the image, it was first taken into Nik’s Color Efex Pro and two filters were stacked (and saved as a preset): Contrast Color Range (Color set to 221 degrees, Color Contrast set to 147%, Brightness set to 7%, Contrast set to 8%, and Highlights set to 54%) and Brilliance/Warmth (Saturation set t0 21%, Warmth set to 32%, and Perceptual Saturation set to 21%). In this case a plain black Image Border was also added (Type 13 set to Size -66% and Spread 0%).  Next Russell Brown’s Paper Texture Panel was opened and Flypaper Texture‘s Apple Blush Texture added as a layer on top set to Overlay Blend Mode at 83% opacity. That was it! It gives a really soft warm feel to the image and it looks the way I remember it.


This image (taken of the Waikoloa Beach Marriott Resort and Spa beach area) followed a similar process except that the original image had more overall problems. Since the sky was blown out in the original, a little more texture had to be added to the sky to keep the warm feel. The same Color Efex Pro filter recipe was applied, and then textures were added from Russell Brown’s Paper Texture Panel – Flypaper’s Leaky Garret texture set to Soft Light Blend Mode at 100% Opacity, and the Apple Blush texture set to Overlay Blend Mode at 100% Opacity. A new texture layer using ShadowHouse Creations ScratchBox4 texture set to Hard Light Blend Mode at  48% Opacity was applied next to give the cloud look in the sky. A Hue/Saturation Adjustment Layer was created with Saturation set to +43 to add more yellow to the sky only (filled Layer Mask with black and painted back just the sky). I still was not happy so a Curves Adjustment Layer was added to just make the water brighter (filled the layer mask with black and painted back in the water). A  Gradient Map Adjustment Layer was added using the Graphix1 Warhol 2 gradient that goes from a whitish yellow to a medium yellow to lighten the whole image just a little more, and the layer was set to Linear Burn Blend Mode at 22% Opacity. OnOne’s PhotoFrame (see sidebar in my Tidbits Blog) Grunge 10 was added as a last step.

This image used the same Color Efex Pro stacked filters as the first image with no changes to settings. I also used Nik’s Viveza 2 to adjust a color imbalance in the plant reflection and to tone down the blue sky in the left corner. Back in Photoshop, using Russell Brown’s Paper Texture Panel, Apple Blush texture was set to Overlay Blend Mode at 43% Opacity, and Muscatel texture set to Linear Light Blend Mode at 51% Opacity. If the effect is too strong on any of the image, just add a layer mask to the texture and use a low opacity brush to paint out some of the effect on the mask. I did that with the Muscatel texture where the orange fish became a little too electric for my taste. Finally a Curves Adjustment Layer was used to add back a little contrast to the image.

I think this technique is a nice change of pace for tree and plant landscape images, but I did not have much luck using it on other type images. Since I do like to experiment with Nik plug-ins, I got the idea to use the Contrast Color Range filter from Nik’s Education Blog. Each week they are examining a different filter and showing you what it will do. Hope you enjoy this recipe, it is really easy and fun to use!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Russell Brown’s Paper Texture Panel – A Real Winner!
NIK Color Efex Pro 4 – Digital Lady Syd’s Review!
Russell Brown Texture Panel Landscape Image