Think I am having a bad case of Spring Fever this week so here is a change of pace for my blog. I have seen so many of these types of drawn objects being sold in scrapbooking kits especially. I am not the greatest at drawing, but I thought it would be fun to see if I could actually do a little of this myself.
I probably would never have tried this except a while back I was listening to one of my favorite websites, Creative Live, who was running Kate Bingaman-Burt’s Drawing the Everyday Every Day videos – Kate made this really fun to watch so I decided to try my own everyday drawings. She says you need to practice “every day” to get better at drawing, especially with the lettering (I confess I do not do this every day). The drawings do not have to be perfect and a personal flavor can be given to them which I think makes it fun to do. Both blog images were drawn on an inexpensive non-digital Sketch Pad from WalMart – supposed to be good for Pen, Pencil, Pastel and Oil Pastel. Kate says just try to create a basic theme when creating the items – they can be anything that is sitting around your home. A mechanical pencil (in image above) was used to draw for my images but Kate uses an inexpensive drawing Pen. The sketch was scanned in as a JPG file using my old scanner. In Photoshop a New Document was created and the sketch file was pasted into the document as a layer. The Select -> Color Range command was used to select just the sketching (click OK and press CTRL+J to put it on its own layer), but any way of selecting can be used. Duplicate the layer and merge down (CTRL+E) if the lines are too light – since mine were pencil this needed to be done. I placed a New Layer underneath and just used a solid hard-edged round brush to paint in the color. For the background, just painted in some pink and blue hatch texture using Just Jaimee Texture Brush Sample Brush 4 – added Color Dynamics to the brush to get the two color effect. This was really an interesting and fun project to try. Kate goes into much more detail and steps on how to do this process and does a great demonstration in her videos. Here is a link to Kate’s website so you can see how great her sketched items are.
Here is another one of my crazy drawings of wild flowers. In Photoshop with the sketch layer on top (after removing background), 13 layers were added underneath to paint the flowers and text. Watercolor and Smudge brushes were used to create the painted effect in the flowers. Adding texture in the items will give more interest to the items. Several splatter brushes were also used on some of the flowers. The background texture is from Kim Klassen called MarchDuo_soTrue. This was fun to create.
It was pretty easy to do this and I was quite surprised that I could draw anything at all. Give it a try and see if you can come up with some nice items to use in your composites. Have a Happy Week!…..Digital Lady Syd
This week I decided to just display a few of the beautiful images I got from the 24th Annual Native American Festival in Ormond Beach, Florida this past January. If you get a chance to go to a Native American event, it is a great place to photograph unusual items and the colors are wonderful! This headdress was one of the most beautiful things I saw. Topaz (for website link see my Tidbits Blog sidebar) Detail 3’s Overall Strong II preset was applied first. Topaz Simplify’s BuzSim preset was applied to a duplicate layer. With a soft black brush on an added layer mask, the edges of the feathers were painted back in showing the layer below. A composite layer was created (CTRL+ALT+SHIFT+E) on top and Topaz Adjust 5’s French Countryside preset was selected. The layer mask for the Simplify layer was copied by highlighting it – press ALT and drag it up to the Adjust layer. Next Kim Klassen‘s texture 1612 (beautiful texture that was free by signing up for her newsletter) was left to Normal blend mode at 89%, but a layer mask was applied to the texture and the center painted out to clear out the middle. A Curves Adjustment Layer was used to lighten the image up just a little. A New Layer was added to burn in and define some of the feather edges where they overlap in the image. (See my Fun Photoshop Blog The Best Dodging and Burning Technique! for more information on how to do this.) The last step involved adding my free SJ Painter Oil Frame to the image with a Bevel and Emboss Layer style (check Texture and set Scale 100% and Depth +79} – used my SJ Smudge Texture set to grayscale for a pattern, but any gray and white pattern would be fine). The frame was set to 72% opacity.
These Rawhide Rattles are something I do not ever remember seeing before. One of the vendor’s had this assortment for sale. The image was first processed in Nik Color Efex Pro 4 using three filters stacked: Detail Extractor, Midnight set to Neutral Color Set and Opacity of 67%, and Monday Morning using Sepia Color Set at 80% opacity – kind of an unusual group. 2 Lil’ Owls Workbook Bonus Texture 16 (see my Tidbits Blog sidebar for website link) was applied using Soft Light at 100% opacity. In the white layer mask, some of the detail was brought back on the left rattle. Basically that was all that was done to get this very antique look.
This image of a Mexican Aztec dancer was a little difficult to process due the fact that there were a lot of distractions in the background, and his face was not real clear and needed a lot of clean up. The feathers in his headdress were so beautiful that I really wanted to process the image. Therefore, first the headdress was carefully extracted the Quick Selection Tool and Quick Mask Mode, and Shadowhouse Creations Rage Texture was placed behind him and set to Normal at 100% opacity. Topaz Adjust 5’s Painting Venice preset and Topaz Detail 3’s Overall Detail Medium II preset were applied. A Selective Color Adjustment Layer was used to adjust the Reds and Yellows in the image. A frame was added and set to a tan color.
This was a wide assortment of Native American toys that were on a bright red tablecloth. I decided it would look better as a sketch with toned down colors. In Photoshop a Curves Adjustment Layer was used to make the image overexposed. Topaz Simplify 4 was added and a preset was created using a painting preset as a starting point and Quad Tones of Black/Deep Red/Gold/Light Yellow tones were applied at a Tone Strength of .57. An Overall Transparency of .31 was applied. I ran Simplify 4 again on a duplicate background layer and this time applied a light black and white preset. Back in Photoshop it was stacked it on top of the first Simplify layer and set to Soft Light. A Hue/Saturation Adjustment Layer was placed on top where Reds Saturation was set to -41 to desaturate the color slightly. Kim Klassen’s Mary texture was applied using Normal Blend Mode and just painting out the center of the texture in a layer mask. As a last step, a Curves Adjustment Layer was applied using the Auto button to even out the colors and contrast. I think it gives a really nice sketch look and is appropriate for the various types of objects that were being displayed.
These are feather headbands that were also being sold by a vendor. This is a funny story as I would never have used these settings if not for some spam I received from a comment that referenced how he added texture to his images. Here is the result I got from following some of the process. First Topaz Adjust 5’s Spicify preset was applied at 83% opacity. Next apply Topaz Simplify 4’s Watercolor II preset. Changed image to an 8-bit mode and went to Filter -> Stylize ->Diffuse Filter and selected anisotropic. Exit filter and rotate document -90 degrees counter clockwise using Free Transform (CTRL+T). Apply same filter again. Exit and rotate image clockwise +90. Apply the filter for a third time. Now go to Filters -> Texture -> Texturizer and set texture to Canvas, Scaling 200%, Relief 7, and Lighting Top. A Hue/Saturation Adjustment Level was applied increasing the saturation to +30 and a Curves Adjustment Layer was applied to increase contrast. Kind of a strange technique but I really liked the results.
I hope you enjoyed these images – nice to do something a little different. Have a nice week!…..Digital Lady Syd
I decided to try the Akvis Sketch plug-in after reading Theresa Airey’s Digital Photo Art New Directions book where she used it in some of her examples. The image above is of the Pulteney Bridge over the Avon River in England – I actually took this shot from a tour bus. Just goes to show that sometimes you get lucky! I am a huge Topaz (for website see sidebar in my Tidbits Blog) Simplify fan which has a very functional Line and Ink and Sketch sections. Many of Simplify’s presets and adjustments can get you a very similar result. I created a vertical tych (see my Using a Tych Panel to Show Off Your Images blog) as an example of how I was able to recreate a pretty similar result using both Topaz Simplify and Nik Color Efex Pro. For info on how all the images were processed, see the end of the blog.
For a little introduction to the program, there are two basic styles you can pursue: the Classic style for creating color or black and white drawing with contour lines, and Artistic style for creating “expressive” drawings that look they were hand-drawn.
It took me a while to get the hang of how to create a mask so the blurring effect was where it should be – the Instruction Booklet makes it look like you can use a very loose selection, but I had to keep redoing it to get it to look right. It helped to zoom in to 300% to lay down the lines, and it did take several attempts to get it to look natural. See screenshot below to see how the Colored Car background Blur Sketch was created. I also found the directions a little confusing for the Background tab – sometimes you cannot use the blur with certain slider settings and sometimes you can. Anyway, I was able to apply the blur effect on both the Classic Sketch car and the Colored Classic Sketch car, and it turned out very nice once it was done.
But I must say that Akvis Sketch offers different choices on how to set up your sketch look to get some very unique results that Simplify cannot reproduce. I spent a lot of time trying to get Simplify to create the look I created with Sketch and the image of trees on the Big Island in Hawaii. I loved the trees but could never get it to look the way I wanted it to – until I started playing with Akvis Sketch and got this very artsy sketch feel in the image.
I was surprised how sharp and almost realistic this hubcap display from the 39th Annual Turkey Run turned out. After looking at Akvis’s website, it seems that many of the images start by applying the Classic style using the Black and White default preset in the drop-down at the bottom of the Sketch panel. Then they recommend moving the Stroke Thickness and Midtones Intensity. In this case Coloration was added and Color Pencil was checked. (See Image 6 info for all settings used.)
In this example I added a texture using Sketch’s hatched texture. To be honest I am not a big fan of adding the texture in the plug-in although you can actually upload your own textures to add. I also tried that and did not like the result. But this image turned out pretty nice using Sketch’s B&W Sketch preset. It really does not take a lot of manipulation to get a nice result. And the program is not too taxing on your computer either.
What I Like!
- It has several different sketch slider settings that none of my other plug-ins provide. Like Midtone Hatching and Stroke Thickness.
- Getting a nice quick result is easy. If you need to get into the other tabs in the program it is more complicated, but the basic presets they provide are pretty good for a starting point. You can also save out your presets once you find settings you like.
- There is an Edges tab that gives you some very good sliders for enhancing just the contour lines of your image.
What I Don’t Like!
- The Background tab (see screenshot above) which sounds like it would be a great feature where you can make the background a sketch and your main object the actual photo, or you can blur part of your image using Gaussian Blur, Motion Blur or Radial Blur. I find the tools you are given to define this area does not give a good result – the defining red and blue lines you draw are of only one brush size and I had a hard time getting a good result. It required zooming in at 300% to get an accurate result, which I needed for my images.
- Fairly steep learning curve to do the more intricate effects, like applying blur to an image.
- Really need brush size adjustment – that drove me crazy!
Bottom Line: The plug-in is not perfect but once you start fiddling with it, you begin seeing some of the interesting things you can do with it. I will always love Topaz Simplify’s line drawing presets, but it is different and it does not have all the line choices you have with Akvis Sketch. I personally liked the result on landscape images – it brings out some details that are hard to emphasize in regular processing. I think if you do any type of architectural rendering or photos, this would be a great plug-in. If you are a NAPP (National Association of Photoshop Professionals – this actually is a good deal due to all the discounts you get plus 10 Photoshop User magazines throughout the year for the $99 membership), you get a 30% discount on all Akvis products. Sketch is just one of many plug-ins that you can try-out for a 10 day trial period. I really liked some of the results I was getting. Give it a try and see what you think of this interesting filter……Digital Lady Syd
Image Post Processing Details:
Image 1: This was originally processed in Lightroom and opened in Photoshop. Topaz Detail 3’s Highlight Detail Strong preset was applied to a duplicate layer. This layer was duplicated and Topaz Adjust 5’s Mild Color Pop was applied. This layer was duplicated and Akvis Sketch’s B&W Light preset was applied and Watercolor slider was set to 33 and Colorization to 100. Back in Photoshop a Curves Adjustment Layer was added to add some contrast. That was it!
Image 2: The Tych contains Image 1 as the first example. For the Topaz Simplify 4 image, the same settings were applied but instead of opening up Sketch, Topaz Simplify was opened and I created a preset called Nice Sketch that started with the Sketch section Pencil Hard (Simplify Settings – Colorspace YCbCr, Simpify Size 0, Feature Boost 0, Details Strength 1.58, Details Boost 1.00, Details Size o.44, Remove Small 0 and Remove Weak 0.10; Adjust Settings – Brightness -0.04, Contrast 0.99, Saturation 1.10, Saturation Boost 1.05, Dynamics 0.37, Structure 0.30 and Structure Boost 1.20; Edges settings – Color Edge Fine, Edge Strength 1.32, Simplify Edge 0, Reduce Weak 0, Reduce Small 0.24, and Flatten Edge 0; and Transparency – Overall transparency o.47. A Hue/Saturation Adjustment Layer was used to desaturate the Cyans, Yellows and Blues. It looks like a fairly close approximation to the Sketch plug-in. For the Nik Color Efex Pro 4 image, Topaz Detail 3 was used. The layer was duplicated and Color Efex Pro 4 was opened and Tonal Contrast was first applied using the Contrast Type Strong; then BW Conversion using the BW Conversion method and the filter set to 19% opacity – just toned down the color some; and the last filter was Sunlight with Light Strength set to 20%, Light Temperature 6004 K, Brightness 0, Contrast 75% and Saturation -19%. A slight S curve on a Curves Adjustment Layer was applied and it was done. Looks a little more realistic than sketchy but still has a similar look.
Image 3: This is one of my Tych images again. All images started off with Topaz Detail’s Overall Medium Detail I preset. Next Akvis Sketch was applied to all images. The top left image used Artistic Style Expression with no changes to the preset. The top right used Akvis Color Pencil High preset in the Classic style. The Strokes section Color Pencil was set to 63, Edge section Edge Width was set to 56 and a Good Colored Sketch preset was created. The bottom left image was created using Classic style and Akvis B&W Default preset. The Background tab was selected and Mode set to Sketch and Blur – Blur Order was drawing on Blur Gaussian, Blur Method Gaussian, and Gaussian Blur slider was 10. The bottom right is Akvis Color Pencil High preset with changes to Stroke Thickness 2, Midtones Intensity 2, Coloration 97, and Colored Pencil 100. Background used 8.8 Gaussian Blur on Sketch & Blur.
Image 4: Screenshot of how the blurred background is created within the Background tab of the program.
Image 5: After processing in Lightroom and bringing into Photoshop, clean up was done to the photo. Then Akvis Sketch plug-in was opened and the Artistic Style was chosen using these settings (Strokes – Color Pencil, Lightness 0, Angle 45, Dispersion 81, Min Length 7, Max Length 71, Stroke Thickness 20, Uniformity 29, Curvature 37, Hatching Density 77, and Hatching Intensity 49. French Kiss Solstice Puissance texture was added and set to Multiply blend mode and 39% opacity. A Hue/Saturation Adjustment Layer was clipped to the layer (ALT+click between the layers to clip) and the colors changed to a purplish feel instead of the greenish color. A New Layer was added on top of the texture and my free SJ Cloud Brushes 1 and 5 were painted in white in the top part of the image (it looks like sky but was actually a large hillside) and set to 55% opacity. A Levels Adjustment Layer was added to darken the midtones down a lot. Next my free SJ Holiday Overlays Snow 2 Overlay slightly blurred was added and a purple Color Fill Adjustment Layer was clipped to it. Shadowhouse Creations Tree Set 2 Deer brush was used to add the deer in the background. Finished off with a Curves Adjustment Layer to get just the right contrast.
Image 6: This was a pretty simple image to do. After some clean up, the image was taken into Akvis Sketch where a preset I had created called SJ Classic Color Pencil Landscape was applied. It was set to the Classic style, Coloration 70, Color Pencil checked and set to 61, Stroke Thickness 3, Min Length 1 and Max Length 5, Midtones Intensity 3 and Midtones Hatching 95. Back in Photoshop Kim Klassen’s Revolution Texture was added – beautiful texture that was free by signing up for her newsletter. The layer was set to Linear Burn blend mode at 87% opacity. A Curves Adjustment Layer was then added to finish up.
Image 7: The image was opened in Photoshop and taken into Akvis Sketch using the B&W Sketch preset from the drop-down and with Hatched Texture added in the Texture tab. Back in Photoshop the layer was duplicated and set to Multiply to darken the image a little. A Selective Color Adjustment Layer was added and in the Colors Neutrals was opened – Yellow was set to +17 and Black set to +16; and Blacks Yellow set to +3 and Black +54. This gave the background more brown tones but left the flowers white. 2 Lil’ Owls Mosaic Set Aveline Grunge texture (see my Tidbits Blog sidebar for website link) was applied and set to Linear Light at 100% opacity. In the Layer Mask, the white petals were painted out to remain white. My free SJ Pastel Watercolor texture was added next and set to Pin Light blend mode at 100% opacity. A Hue/Saturation Adjustment Layer was clipped to my texture to adjust the colors a little and reduce the saturation – Hue -58/Saturation -74/Lightness 0. A slight S-curve Curves Adjustment Layer was added next. A Bevel and Emboss Layer Style was added to extend the hatch effect to the edges of the image (Inner Bevel, Smooth, Depth 100%, Direction Up Size 0, Soften 0, Angle 120 degrees, turn off Global Light, Altitude 30 degrees – then check Texture and set Pattern to Gauze – it comes with Photoshop – and Scale 51 and Depth -200, and check Invert and Link with Layer).