This week I am combining a couple older blog tips written a while back but are still very useful. This technique I frequently use in my everyday post-processing and it is especially useful for directing a viewer’s eye subtlety.
I am using this orchid image as an example of how you can use a Color Fill Adjustment Layer as a subtle spotlight to direct the eye in the image but with a color vignette feel. I processed this image using the free Adobe Texture Pro Panel (it was called Russell Brown’s Paper Texture Panel – check out my blog Russell Brown’s Paper Texture Panel – A Real Winner!). Flypaper’s Apple Blush Texture (included with the panel) was set to Hard Light Blend Mode at 71% Opacity and gave the image a very greenish look but with that great canvas texture. The Muscatel Texture (also included) was added next and set to Overlay Blend Mode at 29% Opacity to slightly darken the image and add some orange tones. Since I felt like the green was still a little overwhelming, a Solid Color Fill Adjustment Layer was added – a royal blue color was selected and set to 54% Opacity. In the Adjustment Layer’s white Layer Mask, a very soft large brush was set to 15% opacity and with black set as the color, the blue color was gently painted off some of the orchids to give the subtle spotlight effect, from the light green image tones underneath, that will direct the eye. Try setting the Adjustment Layer to different blend modes – I tried Saturation set to a low opacity and it looked great on this image also. This is a cool little trick if you need to draw the eye into a certain part of an image and works very well with flower images. I also like adding my own colors into an image.
This next example came from one of my longer posts called How to Use a Solid Color Adjustment Layer which contains steps on actually applying some beautiful color to an image. One of the sections is called “Use Solid Color Fill Adjustment Layer to Add Some Localized Ambient Light to an Image” and does basically the same thing as the flower example.
Here is a great example how using a Solid Color Fill Adjustment Layer direct your eye in an image. This image of a porch in Savannah, Georgia, was taken in bright sunlight but it did not have that real translucent golden-hour feel to it. To get the warm fall look, a Selective Color Adjustment Layer was applied changing the Reds, Yellows, Greens, Neutrals and Blacks. In Viveza 2 the flowers were sharpened and saturation by adding control points. Next the Solid Color Fill Adjustment Layer was added using the bright golden color #e7e148 and a black mask – just the leaves, flowers and gold fence tips were painted and set to Soft Light at 57% layer opacity. The layer mask was filled with black and only the leaves and flowers were painted back, thus directing the lighting effect to those areas. The final steps added a Levels Adjustment Layer for contrast and another Selective Color Adjustment Layer for a little more Yellow tone. The Solid Color Adjustment Layer added a very subtle effect to draw the eye towards the hanging flowers.
I hope this blog gave you something new to try by adding a spotlight or ambient effect to your images. I think I will use the Solid Color Fill Adjustment Layers more – the steps from my older blog (linked above) are still quite useful for adding great color into an image. Have a great week!…..Digital Lady Syd
This week I am doing a little video on how I brought these tiny yellow flowers into sharper focus using one of my favorite dodging and burning techniques and show what a few of my other workflow techniques look like once applied. This image could have been used with several other textures or have been cropped differently for a totally look. I really liked the negative space and dreamy feel of the image, so I left it the way it was done for the video. Links to more information are provided below. Here is the video:
Here is a list of places that will give you more info or where you can get more information on some of the techniques or resources presented in the video:
- Lightroom Preset called Hazy Days 17 by 2 Lil’ Owls – See sidebar at my Tidbits Blog for website link, she has a lot of great Lightroom presets besides her gorgeous textures.
- My Fun Photoshop The Best Dodging and Burning Technique blog – basically same technique as presented in the video except that a black brush color is used to burn instead of sampling a dark color from the image.
- I Qwillo Brush from GrutBrushes.com – keep checking back on Monday’s on Nicolai’s site for a free brush each week – love his brushes!
- Adobe’s Paper Texture Pro – free panel that can be added into Photoshop to quickly add and change textures layers to your images – very useful.
- My Fun Photoshop How to Add a Spot of Light blog – the blog used a technique by Corey Barker, but Pratik Naik uses the same technique with the soft round low flow brush – try this brush in different colors to get some interesting effects.
- My Fun Photoshop How to Use a Black & White Adjustment Layer to See Contrast in an Image blog – should use this technique on every image to make sure your focal point is standing out.
- My Fun Photoshop Yet Another Great Way to Create a Vignette! blog – same technique used in the blog except the Gradient Editor was opened and the gradient color changed from black to a soft purplish color in the bottom left tab. Blake Rudis came up with a brilliant idea here!
If anyone has questions on some of the procedures performed on this image, just drop me a question in the comments below and I will go over it more clearly. This was a pretty fast pace for describing all the steps followed in this image. Hope everyone has a wonderful weekend and Happy Halloween!…..Digital Lady Syd
This week I just wanted to share a quick tip learned from Photoshop Guru Corey Barker in his Master FX Trick Shots video recently (it is now available for sale). In one section on Abstract Shape Effects, he showed how to easily add a little lighting effect to your image. As a last step on the above, I wanted to emphasize the focal point at the center of the lower leaf and add just some subtle color to enhance that area.
- A New Layer was added on top and changed to Overlay blend mode.
- With a large soft white brush, the leaf was painted over to just pop the lighting in that area and a little on the upper center berries.
- Optional Step: Since this slightly desaturated the color, a light green Solid Color Fill Adjustment Layer was added (clicked on the black & white circle icon at bottom of Layer Panel and selected Solid Color in pop-out menu) and clipped to the New Layer with the white paint by ALT+clicking between the two layers.
- The white paint layer’s opacity was set to 63% so the whole effect was not too much.
Now the leaf is definitely in the spotlight with just a little added color. White works nicely in most cases. This is a very similar technique as in my The Best Dodging and Burning Technique! Fun Photoshop Blog – this I use all the time! Well hope you liked the quick tip – give it a try if you just need to add a little extra light to an area! For more post-processing info for this image, check out my Some Blue Berries Tidbits Blog. …..Digital Lady Syd