Just had some fun experimenting this week and came up with these images. For the above I love the way the texture and color and abstract form compliment each other. I started out with a very over-exposed image of two pink grocery tulips – I was actually experimenting with my shutter settings on my camera when I shot this image. (See top image in photo below.) I do not know why I decided to use this image but it just looked so different – a few adjustments were made to the RAW file in Lightroom following my blog workflow in How to Use Adobe Camera Raw (ACR) or Lightroom 4 Quickly before opening it in Photoshop. (See bottom image in the photo below.) I wanted to try out some of my new watercolor brushes (here is a download link) I made in my How to Turn a Brush into a Watercolor Brush blog. Following this blog’s basic workflow the layer was duplicated and, instead of selecting the flowers, this top layer’s blend mode was set to Darken so the white disappears. On a New Layer set between the Background layer and duplicated layer, I selected SJ Watercolor Erodible 2 brush set to 250 pixels and a blue color where the watercolor background was painted in. A Solid Color Fill Adjustment Layer was clipped (ALT+click between the layers to clip) to the blue watercolor layer to change it to the purplish color. Since I only want to change the flowers, the top layer was highlighted and Topaz (see sidebar for website link at my Tidbits Blog) Simplify 4 plug-in was opened. The Oil Painted Tone I preset was applied as is. Back in Photoshop a Curves Adjustment Layer was added for a little more contrast to make the background stand out more. The center image below is where I was at in the workflow at this stage.
I decided to try just one more thing so a composite layer was created (CTRL+ALT+SHIFT+E) of all layers. I opened up Topaz photoFXLab (this is the new Topaz interface to access the different plug-ins quickly) since I was not sure where I was going with the image. First I went into Topaz Adjust 5 and applied the Spicify preset – it looked great! I created a Stamped (same as a composite) layer in the plug-in and opened Topaz Lens Effects to see what a Fisheye effect would do – it did not look good so I started trying out the other lens effects. I ended up in the Lens-Split Prism section. After clicking on all the presets, I liked the Seven Way Split Prism with changes. (I changed the Mixing Level to .50, Radius to .42, Rotation to 83.76 and left at Type I.) Back in photoFXLab I created another stamped layer and in the Adjustments tab, the Saturation slider was set to -37 and my favorite Dynamics slider to +27. Another stamped layer and Topaz Simplify4 was opened where one of my old presets I call Factory HDR Look was applied. (The settings are Simplify section: YCbCr Colorspace, Simplify Size .52, Feature Boost 3, Details Strength 1.51, Details Boost 1.27, Details Size .62, Remove Small 0, and Remove Weak 0.16; Adjust section – Brightness .01, Contrast 1.07, Saturation 1.93, Saturation Boost .97, Dynamics 0, Structure 1.0, Structure Boost 1.00; Edges section – Edge Type MonoEdge – Fine, Edge Strength 4.47, Simplify Edge .39, Reduce Weak 7.78, Reduce Small 0.07, and Fatten Edge 4.11. In Finishing Touches section the Transparency was set to .53 – it made the flowers pop!) I decided this was enough photo manipulation. Back in Photoshop I wanted the tulips a different color than the actual reddish pink they were. A Hue/Saturation Adjustment Layer was used to turn them into the purple colors. (The settings were for Reds Hue to -97, Saturation to -38 and Lightness to +14; the Yellows Saturation was changed to -21; and the Greens Hue to -124 and Saturation to -29.) Totally changed the image. I used 2 Lil Owls (see my Tidbits Blog sidebar for website link) Texture 4 from their Texture Workshop E-Book bundle set to Darken blend mode to remove the white center to create a border, and then turned the frame color to white by clipping a white Color Fill Adjustment Layer to the texture (ALT+click between the layers to clip). A final Curves Adjustment Layer was added just to even out contrast.
This is another image that I had to really fiddle around with to get something interesting. I liked the different plants in the image – it was taken while in my car at a stop light outside a shopping center. The original image is seen below.
I got the idea for the initial steps to this image from a very creative book I just purchased by Theresa Airey called Digital Photo Art New Directions. In it she uses a program called Akvis Sketch to create some effects on her images. With the new Topaz Simplify 4 Sketch section, it seemed reasonable to me that it could be used in the same way. It worked! This image started off using Topaz Adjust Mild Detail preset on a duplicate background layer. This layer was duplicated and Topaz Simplify 4 was opened to the Sketch section Hard Pencil II preset and adjustments were made to the preset. (All sections but Edges were turned off (here area the slider settings: MonoEdge Fine, Edge Strength 5.00, Simplify Edge .40, Reduce Weak .54, Reduce Small .52, and Flatten Edge 0). In Photoshop a composite layer of just the Topaz Adjust layer and the background (turn off the Simplify 4 layer by clicking on the eyeball in the Layers Panel) and highlight the two remaining layers – CTRL+ALT+SHIFT+E. On this layer Topaz Simplify 4 was applied again but this time the Pastel preset was used. (These settings were changed: Simplify Section – YCbCr, Simplify Size 0.27, Details Boost 1.00, Details Size .20, Remove Small 0.10, and Remove Weak 0.31; Adjust Section – Brightness 0.10, Contrast 1.48, Saturation 1.70, Saturation Boost 1.24 , Dynamics 0.36, Structure 3.33, and Structure Boost 0.67; Finishing Touches, turned on the Tone section – Tone Strength 0.46; and Local Adjustments – painted back the yellow flowers and a little of the pink and whitish leaves using a .37 opacity brush). This layer was placed below the sketched layer and set to 73% opacity.) The Sketch Layer should be placed above the Simplify Pastel preset layer, turned on, set to Multiply blend mode to get rid of the white area, and set to 73% opacity. A new Composite layer was created using all the layers. A clean up layer was added to get rid of distracting areas. I decided I needed to fill the lower center area so I copied the purple pansies in the center, warped them and changed flowers to pink. Next I used a program that I have always loved but do not use a lot – The Plugin Galaxy – which has this marvelous Mirror Effect plugin. It was set to Vertical Right – then you can drag in the interface by right clicking and dragging to get very different results. I dragged all the way left for my final image above, but below is a screen shot dragging almost all the way right.
Since I wanted the pink hyacinth back in the image, I added a layer mask to the mirrored layer and used a black brush to paint back the pink flower and the side. A PNG filter similar to my SJ PNG Borders was added and a Gradient Overlay using the Pastel Grunge gradient (free from Graphix1 A White Shade of Pale Gradients set) at 130% scale at -112 degrees was added to create the pink to green frame effect. It took a while to do but the results are very nice and interesting.
Digital Lady Syd’s Rule No. 1: Take the time to Experiment! – Definitely paid off in this instance. Hope the workflow did not put you to sleep but I wanted to show how you can create some very interesting effects by just experimenting a little. In both cases Topaz Simplify 4 was applied twice using different presets for each image. Really liked the final results and they are something unique and truly mine!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
Digital Lady Syd’s Review of Topaz photoFXlab v1.1
Instant Mirror and Quick Mirror for Photoshop