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Posts tagged “Topaz Glow 2

ADDING A CREATIVE TOUCH IN TOPAZ IMPRESSION 2

Image of a Thanksgiving store displaySince I am a big fan of Topaz products and Impression 2 is one of my favorite plug-ins, I had to share this effect I learned from a Topaz Labs webinar this week. An artist named Bobbie Goodrich presented a webinar called RAW to Envisioned (will add link once it is posted). She used a leopard in a tree image to create a similar effect to the one above. My image was taken of a Hobby Lobby’s Thanksgiving display showing some of their wonderful objects for sale. I might add Bobbie had several other great tips, this one just stood out to me as so creative!

Here is how Topaz (see sidebar at my Tidbits Blog for website link) Impression was used to create this image. The other post-processing steps are listed at the end of the blog under Image 1 Info. On a  Stamped layer (CTRL+ALT+SHIFT+E), Topaz Impression 2 was opened. The preset named Le Modern was downloaded from the Community and Bobbie’s settings were then applied as listed: Stroke Section – No. of Brush Strokes Low, Paint Volume 1.00, Stroke Rotation 1.00, Rotation Variation 1.00, Stroke Color Variation 1.00, Stroke Width 0.80, Stroke Length 1.00, Spill 0.03, and Smudge 0.12. What really helps create the effect is the Coverage slider – set to a low amount like 0.01, it will show the smallest amount of image; set to a large amount, the whole image will appear. The Coverage Transition slider adjusts the way the edges blend out. Bobbie used a Coverage of 0.01 and a Transition Amount of 0.08. The Coverage can be repositioned to adjust exactly where the effect shows up by either using the little center icon to the left of the Coverage Center or dragging the white dot in the box. She did not include any changes to the Lighting, Color and Texture sections. I used these settings to make a preset named SJ Leopard Preset by Bobbie Goodrich so I could remember how I use it. She apparently is going to upload her actual preset to the Topaz Impression2 Community, but it was not available when I last checked – will add link if I find it. Otherwise the settings above are from the webinar and are a good starting point.

Now these are the changes I made to the created preset above on the holiday image: Stroke Coverage 0.00, Coverage Transition 0.14, Coverage Center X 0.09/Y 0.03; Lighting Brightness -0.55, Contrast 0.00, Highlight -0.56, Shadow 0.80 and Light Position X -0.90/Y 0.77, Vignette 0.53, Vignette Strength 0.76, Vignette Transition 0.52, Vignette Roundness 0, and Vignette Center x 0.00/y 0.00. The Masking was set to Spot Transition 1.00 and Color Aware 0.71. At the bottom of the panel the Opacity was set to 1.00 Opacity and Lighter Color Blend Mode. The Masking section can be crucial as to how the effect fits into the image. Also the Vignette color can be adjusted to get some nice additional effect on the image.

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Image of Holyrood Abbey in Edburgh, ScotlandThis image of Holyrood Abbey illustrates more of the artistic feel I think Bobbie was going after. This time the Color section was also used with the above preset and the reds and yellows were adjusted. Also the Lighting section was used to add Brightness, Contrast and a white Vignette. Definitely need to play around with these settings as they can make a big difference in how the final effect looks. The vignette adds to the white space around the image (these settings were used: Vignette 0.71, Vignette Strength 1.00, Vignette Transition 0.72, Vignette Roundness 0.66 and white color). For more image info, check Image 2 Info below. Once you get to this point, it is time to go into the Mask section – and once again I used the Spot Tool. Bobbie used the Luminosity and Brush tabs in her examples, but for this technique, I prefer the Spot Tool (which I could never find a good use for before, so this is nice). The screen capture below shows what the mask looks like – by moving the Edge Aware slider to the right, a more precise selection appears. Adjust the circle into an oval to make the selection fit the image properly.

Screen Capture of Spot Effect in Topaz Impression 2

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Image of a male and female tiger in the sunAnother example of using the same Topaz Impression2 preset, this time turning the result into a black and white. This image was taken at the Jacksonville Zoo where these beautiful lions were resting in the sun on a Spring day. This time Topaz Glow2 was used to get a nice lighting effect-used Blake Rudis’s Animal preset. On a stamped layer, Topaz Impression 2 was opened and the same SJ Leopard Preset by Bobbie Goodrich was used with these setting changes: Spill -0.61, Smudge 0.12, Coverage 0, Coverage Transition 0.03, Coverage Center X-0.25/Y0.26; Color Red Hue 0.03 and Sat -1.00; Lighting Brightness -0.21, Contrast 0.12, Highlight 0.52, and Shadow 0.67; and Masking Spot Transition 0.87 and Color Aware 0.65 – centered just on the faces. For more info on image, check out Image 3 Info below.

This effect was a lot of fun to do – give it a try if you want a pretty card or gift label. You definitely have to experiment with the Coverage sliders, Vignette sliders and the Masking tabs to get different looks. Changing the Stroke number from Low to Med or High gives very different looks. Even if the colors do not look just right, they can be adjusted back in PS with the Color Balance or Selective Color Adjustments Layers. I want to try some further experimentation with it, but this is definitely an effect I like. Until next week, have a good one!…..Digital Lady Syd

IMAGE 1 INFO: This image was actually taken with my Android – just did the normal Basic Panel adjustments in Lightroom. In Photoshop it took a lot of clone stamping to get rid of the price tags. Luckily they were all pretty small. On a stamped layer on top (CTRL+ALT+SHIFT+E) Lucis Pro (no longer available) was used to sharpen the overall image (any sharpening filter could be used, it just needed some sharpening at this point). On a duplicate layer, Topaz (see sidebar at my Tidbits blog for website link) ReStyle was used to get a nice color palette – used Ash Gray and Eggshell preset with minor changes. On another duplicate layer, Topaz Glow was opened and My Bliss preset was downloaded from the Community – while in the plug-in, the preset was set to Multiply blend mode at 50% opacity. On another stamped layer, the Topaz Impression 2 preset from above was applied. Last step was to add a little Nik Viveza 2 to the image to really sharpen up the focal point.

IMAGE 2 INFO: Topaz Adjust was used to add contrast to the overall image using the Adaptive Exposure and Adaptive Regions sliders. On a stamped layer Topaz Clarity was used to add contrast (check out Topaz Labs webinar  Creative Essentials with Topaz Plug-ins Plus the Official Introduction to Glow 2 by Joel Wolfson for more info on this.) Then Topaz Impression 2 was applied with the above info on a stamped layer. Back in PS, the image was cropped to balance the image. Nik Viveza 2 was used to adjust the focal point. Since I was not quite happy with the color effect, a Color Balance Adjustment Layer was used to add a little blue to the shadows and yellow to the highlights.

IMAGE 3 INFO: After adding Topaz Glow 2 and Impression 2, a stamped layer was created and Nik Silver Efex Pro2 was opened and the Fine Art (High Key) preset was applied. On another stamped layer, believe it or not, Topaz Black & White Effects’s Tone II was applied with the Red filter chosen and Transparency set to 0.28. It was set to 52% layer opacity. Two Exposure Adjustment Layers were added for the female eyes and nose. Topaz Texture Effects 2 was opened and the Soft Grunge Mauve Fog – Basic Adjustment Brightness 0.29, Shadow 0.18, Highlight -0.22, Clarity 0, Sat -0.20, Temp 0.08, Tint -0.02 and Enable Masking-Mask Luminosity 0.45 and Range 0.75; Texture Brightness -0.12, Contrast 0.26, Detail 0.45, Sat 0.37, Color Strength 0.36, and Color 0.28; Color Overlay #71595c (R113/G89/B92), 0.39 Opacity, and Soft Light blend mode; and Masking section painted just a little back to the face using a Strength of 0.34.

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HOW TO ADD A SIMPLE GLOW EFFECT TO YOUR IMAGE

Image of a Palm Beach Florida HomeI have always enjoyed a nice soft glow effect in my images. This week I have been experimenting with the On1 (for website link see my Tidbits Blog sidebar) Photo 10 (which is now version 10.5) and am finding this is a much improved plug-in from a few years ago. The image above of a beautiful Palm Beach home is an example of one of their filters I like most – On1 Effects Glow Filter. This effect is very similar to the Diffusion effects in Topaz (for website link see my Tidbits Blog sidebar) Glow 2 (which has many presets but not all create the above effect – still a fabulous plug-in); and Lens Effects, Topaz Black and White Effects and Topaz Adjust and even Texture Effects plug-ins (where the Softness, Diffusion and Diffusion or Edge Transition sliders can be adjusted), or in the now free Nik Color Efex Pro 4’s Glamour Glow Filter with a Glow slider, Midnight Filter’s Blur slider effect, or Monday Morning’s Smear slider result. So everyone should be able to create a similar effect. All give very interesting soft effects to your images and can be localized with masks or control points.

On1 Effects offers the a lot of flexibility for this effect by providing 24 presets to select or using the individual sliders that can be adjusted manually. This also includes the ability to protect the Shadows or Highlights from this effect. For this image, Lightroom Basic Panel tweaks were done.  Then On1 Photo was opened as a stand-alone and the Perfect Layers module was selected to swap out the original colorless sky with a new one. (Go to File -> Add Layers to Files and found a sky to use.) The sky layer was placed under Palm Beach layer. Then the Masking Brush’s Perfect Brush was used to paint out old sky so the new one underneath shows through – used CTRL + drag in trees to get rid of some of the areas. Would normally use the PS Refine Brush to remove edging.  Next the sky layers was opened in the On1 Enhance module and lightened up a lot to match the top image tones. Then back into the Layers module and the Move Tool was used to adjust sky around trees. Highlighted the Palm Beach layer and went back into On1 Enhance to make a few exposure changes on the Palm Beach image layer. Last step was to use On1 Photo 10 Effects and apply the Glow Dynamic Contrast Filter – Amount 58, Halo 22, Warm 20 and Sat -24; Detail Small -34, Medium -25, Large 58. Saved image as a PSD file. This may sound like it was hard to do since three different modules were opened, but On1 had made this switch very quick and easy now. I still wish all the different panels were in just one interface as in Photoshop or Lightroom’s Develop Panel, and I wish the Layers module was available as a plug-in in PS or LR. Effects, Enhance and Portrait are available for PS and LR (if saved as a Smart Object, when image opened in PS, layers and masks will be available to edit). Still, this plug-in has come a long way and is much improved. For more information on how the sky was replaced, check out On1 Short Clip – Replacing a Dull Sky by Bob Campbell. For info on how to adjust the Glow Filter, check On1 Short Clip – The Preset Workflow Trick by Blake Rudis.

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Sign Painter at Jacksonville Zoo in FloridaSince many of you may not have the filters listed above, this image of the sign painter at the Jacksonville Zoo (this has got to be a dream job – love the paint on his pants!) used the free Nik Color Efex Pro 4 filters listed above to get a very similar feel. After doing some basic panel adjustments in Lightroom and sharpening up the image a little, it was brought into Photoshop. On a duplicate layer that was converted to a Smart Object (so I could go back and adjust the settings if needed – right click on layer and select Convert to Smart Object), Nik Color Efex Pro 4 was opened. These filters were selected and stacked: Glamour Glow (Glamour Glow 76%, Saturation -39%, Glow Warmth 20%, and Highlights 44% to protect them from being too soft); Midnight Color Set Neutral, Blur 37%, Contrast 50%, Brightness 67%, Color 81% and Highlights 100%. A Control Point was placed on the painter and cat’s faces to remove the softening from this area – then the filter opacity was set to 67%); and Vignette Filter (place center on the painter and cat and set Adapt Edges 0%, Transition 59%, Size 19%, and Opacity 75% – a Control Point was placed on the white Jaguars sign and set to 54% opacity). Using Control Points in this plug-in can really help shape the effect you want. Last step was a Curves Adjustment Layer to add a little contrast. Very easy and it created a beautiful soft glow effect.

Hope you have a chance to try out a Glow Effect. Hope everyone has a nice beginning to the Fall Season!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
How To Get the Soft Glow in Topaz Glow
Yellow Dogface Butterfly in her Glory!


SAME IMAGE-DIFFERENT LOOK

Image of a vintage blue corvette Decided to take this week off from serious blogging so just posting the same pix with some different filters applied. This image was taken a while back at a Turkey Run held in Daytona Beach at the International Speedway center field the day after Thanksgiving. I believe they have a new location on Beach Street. Since I am a big corvette fan, I had to take a lot of pix of them and this was one of them.

The above image results followed a little written Topaz Labs blog by Jodi L. Robbins called Auto Shine Tutorial with Topaz Glow 2. Very simple steps to follow and it creates a nice preset for the recently updated (and free if you already own) Topaz (see sidebar at my Tidbits Blog for website link) Glow 2 to use on with cars, boats and motorcycles. On a stamped layer (CTRL+ALT+SHIFT+E) above, Topaz Lens Effects’ Diffusion filter was opened and sliders set to Softness 0.32, Diffusion 0.63, and Edge Transition 0.35. Back n Photoshop a layer mask was added and the car was completely painted out so the Glow effect was totally removed there and just a little in the foreground area. A Black and White Adjustment Layer was added on top and set to Luminosity blend mode to further enhance the focal point. That was all that was done. I really like the beautiful vivid color with the soft look of the whole image.
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Image of old blue corvette using On1 EffectsThis image used On1 Effects 10 (see sidebar at my Tidbits Blog for website link), and it looks really natural! Created these nice results by following a video, this time by Blake Rudis called ON1 Short Clip – The Preset Workflow Trick. I am finding that by downloading his preset and using it as a starting point, a really nice sharp image results. In the plug-in, the On1 Glow effect was masked off the car to keep it in sharp focus.That is all that was done to this image!

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Image of vintage corvette sketchThis image used a free Photoshop action called FX Paint and Sketch Action – using only the sketch action. The action layer was duplicated and the layer mask was applied and set to Multiply blend mode. The bottom background layer was duplicated and a Gaussian Blur with a Radius set to 112 was set just above it. That is all that was done – once again a very simple process! I was really surprised by the interesting tint effect that appeared in the image.

Definitely worth trying different filters and actions on an image to discover very different results. Some turn out to be really outstanding and it was never apparent it would look as it does. Will be taking a summer break next week and be back in a few. Have a great weekend!…..Digital Lady Syd