Well I missed last week due to some traveling and it was a busy one for Topaz (see my Tidbits Blog sidebar for website link). Since I have always been a huge Topaz fan, I knew this would be a good update, and to be honest, when I first heard about it I had my doubts. But having worked with the program on a few images, it is really good and a much needed update. I have been spending my time just getting up to speed on what they have changed in the interface. They now have a much better way of adding filters – no more Apply step – just filters stacking as Effect Layers, a lot like the other plug-ins have begun doing. This is probably the biggest change. So lets get started and dive deeper into what is going on with this software update. (For what was used in the image above, check Image 1 Info at end of blog.)
First off: who qualifies for a free update? From Topaz website “If you own Studio adjustments with total list price > $99.00, you’ll receive Studio 2 for free.” “If you own Studio adjustments with total list price <$99.99, you’ll receive store credit for the adjustments you do own.” I received an e-mail indicating I qualified for an update, but if you are not sure, go to Topaz Help Center -> Studio -> Topaz Studio 2 which opens the Topaz Studio 2 Frequently Asked Questions – go down to question 4 where a link will tell you if you are eligible. Otherwise there is now just a one time payment and Topaz Studio 2 will contain all the filters that were available in the original Topaz Studio, which as I see it, is a good deal anyway you do it.
What I Like about Topaz Studio 2:
- They now have official Effect Layers in the program and no longer is an Apply button needed before you add other filters! Best news and brings Studio 2 up to date with all the other big guys out there.
- AI Clear is still in the program! Definitely one of my top 5 plugins ever! (And that is saying something for me!) In my opinion, used with Precision Detail (which is also included in the program), they create the most incredible detail.
- Other filters that are provided: Impression (another fabulous totally unique program by Topaz – no one else has anything like it), AI ReMix (another totally unique filter), Precision Contrast, Texture, Glow, Motion Blurs (one of my favorites – get some really unique effects with it), and Color Theme (which allows you to change 5 major colors in the image) along with all the standard filters one would expect with this program. Shortly Topaz will be connecting up all your original plug-ins into the interface.
- The masking tools are much smoother and better than ever. I have always felt that Topaz has the best masking tools of any program (runs much smoother than Lightroom’s brush), and they are promising more improvements in this area shortly.
- Much cleaner interface. The filters are broken down into three sections: Essential, Creative, and Stylistic. Within each section, the filters are now listed alphabetically which I find very handy. Just click the Favorites heart icon to have a list with just your favorite filters showing. Can now see the recent filters applied also. All the Looks (previously presets) are no longer listed by specific plug-in but alphabetically in one group or specific styles like abstract for example.
What I Don’t Like about Topaz Studio 2:
- I was originally upset that my presets were not present. If you go under Help -> Migrate custom TS1 Presets, they are immediately brought into TS2. Originally you could only do this once, but as of yesterday, it is okay to do it again if you created a recent preset in TS1 and want to bring it into TS2.
- Can only save the layers as a .ts2 file if you want to go back and tweak the filter settings. If used in Photoshop as a plugin, the settings will not be retained so you better save your changes as a new Look (preset) if you want to use it again. The Save Look icon is in the top right of the interface.
- Would love to see a Color Lookup Table filter.
These changes are coming soon: plug-in support – in other words, all the Topaz plug-ins you previously bought that are listed as the Plug-ins in the top Menu Studio 1 will soon be available within the new TS2 interface. To find out what was recently updated in the interface, go to the Topaz Help Center -> Studio -> Topaz Studio 2 -> Topaz Studio 2 Changelog (open see all articles to find it). As of yesterday they added a Histogram which is located in the lower right corner of the interface, filter presets (the ones that are in the drop-down menus in the individual filters) available – noticed my personal presets did not show up, just the Topaz ones. They say these are their priority items: Plug-in support, Custom Filter Presets, Image Navigator, Texture Names (now none are shown – update – now named), and Texture Management. Then Masking updates will be coming out. I am pretty excited for the masking update as this is such a great part of most Topaz plugins.
Below is a short video on how I used Topaz Studio 2 to create this effect and show you how to create a mask. Both the Elephant and the Guitar Man images are in the video. See Image 2 below for the actual settings for the Studio filters in the Elephant image. See Image 3 at end for Guitar Man info.
As you can see this is definitely a more modern plug-in interface and using the plug-in is much more user friendly than Studio 1. I was initially worried that this was not going to be a good update, but it has definitely exceeded my expectations. If you do not qualify for the update, which I am sure many of you do since Topaz has been around a while, give this new software a spin. It has a 30-day trial and currently they are running a $20 off sale until August 9th. Here’s a great tip for you: if you miss this offer, watch one of Topaz’s live webinars as the presenters always give a good discount for a week or so just for watching.
If you are a Topaz fan, this is a no-brainer. The update is definitely a good one and once our older plug-ins are attached, it will be a great one. If you are new to Topaz, you will be in for a big treat. Since I consider myself a creative, this software comes with Impression and AI ReMix along with Textures, AI Clear and many other sliders that make regular filters something quite spectacular. Lots of fun with this program so check it out.
Hope everyone is having a great summer. I am excited Topaz has updated Studio and I know they are working on some more wonderful programs to help create some amazing pictures. Have a great week!…..Digital Lady Syd
Image 1 Info: First did a little tone adjustment in Lightroom before opening this image in Photoshop. The background layer was duplicated and this layer was opened in Topaz Studio 2. These filters were applied in Studio: TSO2 – AI Clear: default settings; Precision Detail: Overall Small Detail 0.35, Overall Medium Detail 0.32, and Overall Large Detail -0.74 and Boost -0.08; Midtones 0.18, Shadows -0.13, Highlights -0.52, Black Point 0.24 and White Point 0.07; and Color Overlay: Color #dfd698 and used Color mask – selected just the flower and the butterfly and it evened out the background color. Applied and back in Photoshop a New Layer was created to paint over a few areas that needed smoothing out. Darken and Lighten Curves Adjustment Layers were used. Two textures were added using the free extension called Adobe Paper Texture Pro (Alice was added set to Overlay blend mode at 91% layer opacity and Aquarius set to Darken blend mode at 68% layer opacity – the moth and flower were painted out in a layer mask to remove texture from them. A Levels Adjustment Layer was used. Next a Color Lookup Adjustment Layer using On1 Landscape5 preset at 83%, and the last step was a spotlight effect on the moth. The text is a font called Ramland. Notice I do not just use Topaz. I like to use several different types of plug-ins to get a look I like. But Studio does have a lot of great filters to get a good start look.
Image 2: The Elephant image used another preset I created called SJ Wildlife Look. It contains all the filters in the video but I will list the settings used in the blog image here. Topaz Studio 2 – AI Clear: default settings; Basic Adjustment: Exposure 0.14; Blur: Blur Type Gaussian, Amount 0.31 and Preserve Edge 0.22 – not a Gradient Mask was selected, flipped and Applied, like in the video, to remove effect from foreground and lower elephant – then the Brush was used to mask the effect off the rest of the elephant; HSL Color Toning: Opacity 0.66, Orange Saturation 0.45, Yellow Hue -0.06, Sat 0.45 and Lightness 0.18, and Green Hue -0.45, Sat -0.58 and Lightness 0.01, and Details 0.22 – this image was a little more green than the video image which had more yellow tones to it; Texture: 3rd column/6th row, Brightness -0.07, Contrast -0.21, Detail -0.37, and Sat -0.06: Vignette: Strength 0.99, Size 0.56, Transition 0.99 Roundness 0.13, and brown color (#261f1c); and Curves: Used a very slight S curve. Back in Photoshop the Liquify Tool was used to slightly increase the Elephant’s eye so you could see it. The eye was selected using the Quick Mask Tool and then the Exposure Adjustment Layer was used to bring out the contrast of the eye just a bit. On a New Layer the Blur Tool at 100% Strength was used to slightly blur the tree stump behind the Elephant’s trunk. That was it.
Image 3: Guitar Man image used a Look (preset) that I created from the filters I put together. Here are the basic settings if you would like to try them out. Impression: Stroke Type05, Number of Strokes Low, Brush Size 0.57, Paint Volume 0.02, Paint Opacity 0.56, Stroke Width -0.08, Stroke Length 0.18; Basic Adjustment Filter (note these will be different depending on your image): Exposure 0.45, Clarity 0.81, Shadow -0.56, Highlight 0.23 and Saturation 0.73; Color Theme: all new colors listed left to right. #474545 (Lightness 0.28), #57776f (Lightness 0.47), #3f2cc7 (Lightness 0.78), #6b9af7 (Lightness 0.97), and #d7d7f7 (Lightness 0.97); Brightness Contrast set to Opacity 0.71 and Color Burn blend mode, Brightness -0.47, Contrast 1.39, and Saturation 1.37; and AI ReMix: Opacity 0.18, Color Marker preset, Style Strength Low, Contrast 0.69 and Saturation 0.64. Note that several of these filters used masks to remove the effect from his hands or the actual guitar. Unfortunately Studio does not retain the masks for you, and you would not want it in a Look anyway since each image is different. But definitely do some masking to get a pleasing effect with this combination of filters. When I did this effect in the video, I just pulled back the amount to something below 50% and added another AI ReMix filter using A Neon Rise style on top with a lowered opacity (22%) – no other changes. Last step in Photoshop was to add a Curves Adjustment Layer. I created in Topaz a preset called SJ Abstract Look using all the filters but the top AI ReMix Filter.