Anything Photoshop or Photography

COREL PAINTER 2015 – STARTING TO GET A HANDLE ON IT!

Sign on a deserted beach in Spanish Cay in the BahamasLittle bit of a strange title, but that is exactly where I am with this huge program. I decided to try and see what I could do with this new version of Corel Painter 2015 (this website has lots of resources to help you out), but I must be honest and say I keep falling back on my Photoshop painting experience. I was having a hard time deciding if it was worth the upgrade since I am still just learning this program. I do believe I am happy with the new version if for no other reason than it seems to be running a lot smoother on my older computer. Since I have not fully explored all the new “bells and whistles,” I am not considering this a review – just showing you what I am trying out using this updated version of Painter – I by no means have even scratched the surface of this program. For those who are in the know about Painter, Aaron Rutten has a great video on all the new things called What’s New In Corel Painter 2015 that I just watched and was really surprised at all the updates (he also gives useful tips on how to use them).

The sign image above was located on a beautiful beach on a basically deserted cay – only a marina and small hotel/restaurant were open – but lots of abandoned buildings from the 1990’s were still standing. It was taken at Spanish Cay in the Abacos. Most people only stop here in their boats to get through Customs for entering The Bahamas. This image was first processed in Lightroom using Seim’s (see sidebar in my Tidbits Blog for website link) Power Workflow 4 Super Hero X-Natural preset. The lettering was also sharpened with a Local Brush set to high in Clarity and Sharpen. In Photoshop clean up was done to the image and Topaz (see sidebar in my Tidbits Blog for website link) Detail 3 was used to sharpen up just the lettering again (a black mask was added to the Detail layer and only the signs were painted back). A Curves Adjustment Layer was used to get rid of some of the shadows on the signs – once again a black layer mask was applied and just the brightened shadow areas were blended back into the image. Topaz Adjust 5’s French Countryside preset (one of a couple of my favorites in Adjust) was applied and this time a white layer mask was added in Photoshop and only the lettering brought back since there is some diffusion going on in this preset.

I opened up the original image in Corel Painter 2015 to try it out. I selected a clone brush using the Cloner Category – Bristle Brush Cloner (which is not new) to paint in the signs and some foreground on the Canvas layer. On a New Layer above I used Karen Bonaker’s July Cloud Category brushes (these were made for the X3 version, but once Imported they seem to work fine) – she did a wonderful video using her Cloud Brushes called Corel Painter Mixed Media Painting (if you have the time, it is worth the watch) and she lets you download them for free from the Digital Arts Academy – actually love all her brushes but these are especially nice. Her Simple Cloud brush was used to create the blue water effect and her Soft Cloud New and Summer Sky brushes were used in the sky. On another New Layer from the new Particles Category – my SJ Spring Feathers Sketch brush variant was used – same as the original Particle brush variant designed by Cher Pendarvis (of Painter Wow! book fame and another one of my favorite Corel Masters) for outlining the signs except in the Brush Calibration Panel the Enable Brush Calibration was checked – the brush just worked better for me this way. I did learn that if you open up this little gem of a panel and check the Enable Brush Calibration box and either adjust the sliders or open up the brush window to add your own stroke effect, you can override your general brush calibration settings and make it specific for this brush variant. Very cool! To learn more about this brush, check out her short video called Painter 2015 Particle Feather Sketch Brush – this brush is turning out to be a new favorite for me. To learn about brush calibration in major detail, check out Jason Maranto’s Chapter 04 Part 01 video on Brush Tracking (I have been following his free Painter 2015 Video Manual series on You Tube – he is doing a fabulous job covering this program.) The image was now saved as a Photoshop (PSD file) and reopened in Photoshop.

Now the cool thing – opened up both versions in Photoshop. Did some clean up to the Corel file layers and added a stamped copy on top (CTRL+ALT+SHIFT+E). Copied the Topaz Detail layer into this image to restore the sign lettering. This could be done by adding to the Topaz Detail layer a black layer mask and painting with a white brush just the lettering, or by placing the Detail layer under the stamped Painter layer with a white layer mask and painting with a black brush the the lettering – either way works just fine. Or use the Clone Stamp Tool between the two files to restore the lettering. All work equally well. I am sure I could also have done this some way in Painter, but I have not tried that yet. On a New Layer on top, my chalk brush was set to 19% brush opacity and used to paint in the ground area in the background – the complimentary color from the blue sky tones was used as a color.  To get a complimentary color quickly invert your image (CTRL+I in image thumbnail in Layer Panel) and then sample by ALT+clicking in the image to get color, and finally undo this step. Or add an Invert Adjustment Layer, sample the image, and then delete it. Also added a little bit of this color in the foreground. Next added a Selective Color Adjustment Layer and only adjusted the Neutrals – Cyan +2, Magenta +6, Yellow +3, and Black +17 set to Absolute, just enough to pop the image a little. Another stamped layer was added and Nik Viveza 2 was applied – it was used to bring out the sky and yet slightly soften the structure, and to sharpen the signs a little more. Added a Levels Adjustment Layer and moved Midtones to 0.79 and Output Levels to 36/255. This just gave me the effect I wanted. Usually I use Curves for both of the last two layer adjustments, but I could not get it to look right so I tried something else. That is the end of my workflow for this image. It took a lot more work than I expected but I am find that this is what happens when you are looking for the right effect and working between programs. Here is a link to the first time I published this image, if you are interested.

Image of a Small Barge docked at Spanish Cay in the BahamasThis small barge that was docked at the Marina in Spanish Cay in the Bahamas. Not sure why I painted it, but it was something different to try. Admittedly, I am still in the learning process with using Painter so I am trying out different types of images. I still like doing the final tweaks back in Photoshop and find I am using almost the same workflow I used when just painting in Photoshop. So for a quick recap of how I got to this point, and unfortunately this one took me a while also, the workflow is as follows. Topaz Clarity’s Color & Contrast Boost III preset was used with no changes – wanted a more natural looking sharpening and Detail made it too crisp. Next added Painted Textures Christmas texture and set to Luminosity Blend Mode at 100% layer opacity. I decided to use this as a sort of underpainting since it gave a really simplified view of the image. A layer mask was applied and the barge and some of the pier was painted back in. On top French Kiss’s (see) Studio 3 Wave texture was applied and set to Screen at 79% layer opacity.

Image was opened in Painter several layer were created. First used more of Karen Bonaker’s wonderful July Clouds category brushes from above. On one layer used Impressionist Sky brush variant with blues and whites to create a hint of clouds – layer was set to 17% layer opacity later in Photoshop, and another layer used the Impressionist DW brush variant at 105 pixel size where different colors were added to background to give a green yellow foliage feel and add some color interest. It was also set to Multiply at 76% layer back in Photoshop later. Another Painter person to follow is Aaron Rutten – I have been trying out his Corel Painter 2015 Custom Workspace and brushes and used his Smooth Palette Knife brush variant to emphasize the white color to the barge. I like a lot of his brushes and he also has some great instructional videos on You Tube. Next layer used a brush I created after watching Painter 2015 Particle Brushes Featuring Jeremy Sutton. It was based on one of the new particle brushes, Gravity Lazy Sketch which I really like, but in the Particle General Panel, Jeremy explains some changes that can be made. For my brush I set the Count from 32 to 73, Global Chaos from 0 t0 10, and Local Chaos from 0 to 32. A rather shimmery brush was created that was used add some depth to the water areas and some of the sky. Really liked the effect. Image was then saved and brought back into Photoshop where I proceeded to add yet another layer on top where my SJ Chalk Brush as a regular brush was used to soften some of the harsh edges on the boat. A Curves Adjustment Layer was added to get a good contrast. A stamped layer was created and Topaz ReStyle’s Silver and Ivory Cloak preset was used. (Here are the adjusted settings if you are interested: ReStyle Layer Opacity 66% and set to Luminosity blend mode; Color Style Hue Primary 0.14, Fourth 0.14, and Fifth -0.44; Sat Primary 0.14, Secondary 0.02, Third -0.12, Fourth -0.47, and Fifth 0.09; and Lum Secondary 0.16, Third 0.67, Fourth -0.31, and Fifth 0.06; Texture Strength -0.77; Basic Color Temperature 0.33 and Saturation 0.03; Tone Black Level 0.31, Midtones -0.27 and White Level -0.17; and Detail Structure -0.03 and Sharpness 0.66; and in Masks painted back the white of the boat using Brush Edge Aware, Strength 0.55; Brush Size 0.25 and Hardness 0.30, then switched to Strength 0.18 and painted a bit of the in barge softly.) Set this layer back in Photoshop to Overlay at 71% layer opacity. Created another stamped layer on top and this time opened up Nik Viveza – added 13 control points to get the colors the way I liked them! Not sure I have ever used this many before. Mainly wanted to make sure the barge was working properly as the focal point. That was about it. I am always amazed how much work goes into creating these paintings, but usually I like the results if I spend the time doing it.

Well, as you can see I was able to get use some of the new things in Painter, especially the Brush Calibration panel for brush tracking and the new Particle brushes. Watching Jason’s videos (link above) is taking up a lot of time, but he is really covering the different topics very thoroughly so I am find them very helpful – and a lot of it is just on basic Painter. Since there are not many books on the newer versions available, these videos are a great resource. Hope you have all at least downloaded the trial to see what you think. Oh yes, another thing that is pretty cool is that there are now live previews like in Photoshop when using commands like Equalize and others I have not tried. That is very handy! Hopefully I will start to pull some of these new changes into my limited workflow and start painting more creatively! Well, I must get back to my painting and practice, practice, practice!…..Digital Lady Syd

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4 responses

  1. You are so creative and can do so much, Syd. I’m in awe. These are both great. The results are unique and they are very creative.

    08/30/2014 at 5:37 pm

    • Thanks Kerry – appreciate the comment!

      08/30/2014 at 9:49 pm

  2. I am in the EXACT same position as you right now. This is such a massive program, and I too keep going back to PS. I am going to take Melissa Gallo’s class in Sept., so I am hoping that will help, because I sure need a lot of help!!!

    08/30/2014 at 9:39 pm

    • Glad to hear I am not alone! I am also taking Melissa’s class – I seem to relate to her type of painting the best. Her Painting in Photoshop workshop was one of the best video courses I have ever taken. This should be quite a learning experience!

      08/30/2014 at 9:52 pm

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